Mahmoud Darwish vividly recreates the sights and sounds of a city under terrible siege. As fighter jets scream overhead, he explores the war-ravaged streets of Beirut on August 6th (Hiroshima Day).Memory for Forgetfulness is an extended reflection on the invasion and its political and historical dimensions. It is also a journey into personal and collective memory. What is the meaning of exile? What is the role of the writer in time of war? What is the relationship of writing (memory) to history (forgetfulness)? In raising these questions, Darwish implicitly connects writing, homeland, meaning, and resistance in an ironic, condensed work that combines wit with rage.Ibrahim Muhawi's translation beautifully renders Darwish's testament to the heroism of a people under siege, and to Palestinian creativity and continuity.

    Ultimately, they came to face disappointment, exile, and, on occasion, death. Brilliantly weaving together the strands of a tumultuous century in Arab political thought, history, and poetry, Ajami takes us from the ruins of Beirut's once glittering metropolis to the land of Egypt, where struggle rages between a modernist impulse and an Islamist insurgency, from Nasser's pan-Arab nationalist ambitions to the emergence of an uneasy Pax Americana in Arab lands, from the triumphalism of the Gulf War to the continuing anguished debate over the Israeli-Palestinian peace accords.For anyone who seeks to understand the Middle East, here is an insider's unflinching analysis of the collision between intellectual life and political realities in the Arab world today.

    She made up her mind to close them again and return to her dream. She saw a small white candle whose wan light trembled and flickered in the fog. . . Milia's response to her new husband Mansour and to the Middle East of 1947 is to close her eyes and drift into parallel worlds where identities shift, where she can converse with the dead and foresee the future. As the novel progresses, Milia's dreams become more navigable than the strange and obstinate "reality" in which she finds herself, and the two worlds grow ever more entangled. Elias Khoury, born in Beirut in 1948, is a novelist, essayist, playwright, and critic. He was awarded the Palestine Prize for Gate of the Sun, which was named a Best Book of the Year by Le Monde Diplomatique, The Christian Science Monitor, and the San Francisco Chronicle, and a Notable Book by The New York Times and The Kansas City Star. Archipelago Books also published Khoury's Yalo in 2008 and his White Masks in 2010.

    The city of Beirut is cut in two, separated by bricks and sandbags and threatened by snipers and shelling. East Beirut is for Christians, and West Beirut is for Muslims. When Zeina's parents don't return one afternoon from a visit to the other half of the city and the bombing grows ever closer, the neighbors in her apartment house create a world indoors for Zeina and her brother where it's comfy and safe, where they can share cooking lessons and games and gossip. Together they try to make it through a dramatic day in the one place they hoped they would always be safe--home.

    When the courts and all legitimate avenues failed her, Melissa had to make an agonising decision; should she break the law and snatch the children from their father? And how would she then be able to get them out of the increasingly dangerous Middle East?Here, for the first time, Melissa Hawach reveals the story that the media missed: a candid account of her ill-fated marriage to Joe Hawach, the subsequent shocking kidnapping, her journey to Beirut and the gripping tale of how she made a decision no parent should have to make.

    Faced with the dissolution of familial ties and the prospective collapse of her marriage, alongside a looming nervous breakdown, Dunya's consequent actions exemplify both the strength and frailty of the human spirit. When the Haboob Sings paints a poignant picture of a woman whose unshakeable resolve to preserve her authenticity costs her more than she ever imagined.Winner Indie Discovery Awards, 2020Gold Winner Reader's Favorite Award in Fiction: Religious Theme

    It was here, in the time of the Caliphs, that the Thousand and One Nights were set. Yet it has also been a city of great hardships, beset by epidemics, famines, floods, and numerous foreign invasions which have brought terrible bloodhsed. This is the history of its storytellers and its tyrants, of its philosophers and conquerors.Here, in the first new history of Baghdad in nearly 80 years, Justin Marozzi brings to life the whole tumultuous history of what was once the greatest capital on earth.

    These are stories of what the world looks like from a child's pure but sometimes vengeful or muddled perspective. These are stories of life in a war zone, life peppered by surreal mistakes, tragic accidents and painful encounters. These are stories of fantasist matadors, lost limbs and voyeuristic dwarfs. This is a collection about sex, death and the all-important skill of making life into a joke. These are unexpected stories by a very fresh voice. These stories are unforgettable.

    In "The Arab Awakening" he explores the opportunities and challenges across North Africa and the Middle East, as they look to create new, more open societies. He asks: Can Muslim countries bring together Islam, pluralism and democracy without betraying their identity? Will the Arab world be able to reclaim its memory to reinvent education, women's rights, social justice, economic growth and the fight against corruption? Can this emancipation be envisioned with Islam, experienced not as a straitjacket, but as an ethical and cultural wealth? Arguing that the debate cannot be reduced to a confrontation between two approaches - the modern and secular versus the traditional and Islamic - Ramadan demonstrates that not only are both of these routes in crisis, but that the Arab world has an historic opportunity: to stop blaming the West, to jettison its victim status and to create a truly new dynamic. Tariq Ramadan offers up a challenge to the Middle East: What enduring legacy will you produce, from the historic moment of the Arab Spring?

    Since her father left Lebanon to find work and her mother tragically died in a shell attack, ten-year-old Ayesha has been living in the bomb-ravaged city of Beirut with her granny and her two younger brothers. The city has been torn in half by civil war and a desolate, dangerous no man's land divides the two sides. Only militiamen and tanks dare enter this deadly zone, but when Granny falls desperately ill, Ayesha sets off on a terrifying journey to reach a doctor living in enemy territory.

    And being young, rich, impetuous, and used to doing whatever they please, they decide to barge in uninvited on their eccentric Great-Aunt Harriet—despite a long-standing family rule strictly forbidding unannounced visits. Because when the Gabriel hounds run howling over the crumbling palace of Der Ibrahim in the Lebanon, someone will shortly die.A strange new world awaits Charles and Christy beyond the gates of Dar Ibrahim—"Lady Harriet's" ancient, crumbling palace in High Lebanon—where a physician is always in residence and a handful of Arab servants attends to the odd old woman's every need. But there is a very good—very sinister—reason why guests are not welcome at Dar Ibrahim. And the young cousins are about to discover that, as difficult as it is to break into the dark, imposing edifice, it may prove even harder still to escape.

    Floral waters and cinnamon. Bulgur wheat, lentils, and succulent lamb. These lush flavors of Maureen Abood's childhood, growing up as a Lebanese-American in Michigan, inspired Maureen to launch her award-winning blog, Rose Water & Orange Blossoms. Here she revisits the recipes she was reared on, exploring her heritage through its most-beloved foods and chronicling her riffs on traditional cuisine. Her colorful culinary guides, from grandparents to parents, cousins, and aunts, come alive in her stories like the heady aromas of the dishes passed from their hands to hers. Taking an ingredient-focused approach that makes the most of every season's bounty, Maureen presents more than 100 irresistible recipes that will delight readers with their evocative flavors: Spiced Lamb Kofta Burgers, Avocado Tabbouleh in Little Gems, and Pomegranate Rose Sorbet. Weaved throughout are the stories of Maureen's Lebanese-American upbringing, the path that led her to culinary school and to launch her blog, and life in Harbor Springs, her lakeside Michigan town.

    With sweeping knowledge and vision, Helou delves into the enormous variety of dishes associated with Arab, Persian, Mughal (or South Asian), and North African cooking, collecting favorites like biryani or Turkish kebabs along with lesser known specialties such as Zanzibari grilled fish in coconut sauce or Tunisian chickpea soup. Suffused with history, brought to life with stunning photographs, and inflected by Helou’s humor, charm, and sophistication, Feast is an indispensable addition to the culinary canon featuring some of the world’s most inventive cultures and peoples.

    It describes three former centers of great wealth, pleasure, and freedom—Smyrna, Alexandria, and Beirut—cities of the Levant region along the eastern coast of the Mediterranean. In these key ports at the crossroads of East and West, against all expectations, cosmopolitanism and nationalism flourished simultaneously. People freely switched identities and languages, released from the prisons of religion and nationality. Muslims, Christians, and Jews lived and worshipped as neighbors.Distinguished historian Philip Mansel is the first to recount the colorful, contradictory histories of Smyrna, Alexandria, and Beirut in the modern age. He begins in the early days of the French alliance with the Ottoman Empire in the sixteenth century and continues through the cities' mid-twentieth-century fates: Smyrna burned; Alexandria Egyptianized; Beirut lacerated by civil war.Mansel looks back to discern what these remarkable Levantine cities were like, how they differed from other cities, why they shone forth as cultural beacons. He also embarks on a quest: to discover whether, as often claimed, these cities were truly cosmopolitan, possessing the elixir of coexistence between Muslims, Christians, and Jews for which the world yearns. Or, below the glittering surface, were they volcanoes waiting to erupt, as the catastrophes of the twentieth century suggest? In the pages of the past, Mansel finds important messages for the fractured world of today.

    A few weeks after the planes crashed into the World Trade Center on 9/11, journalist Megan K. Stack, a twenty-five-year-old national correspondent for the "Los Angeles Times," was thrust into Afghanistan and Pakistan, dodging gunmen and prodding warlords for information. From there, she traveled to war-ravaged Iraq and Lebanon and other countries scarred by violence, including Israel, Egypt, Libya, and Yemen, witnessing the changes that swept the Muslim world and laboring to tell its stories. "Every Man in This Village Is a Liar" is Megan K. Stack's riveting account of what she saw in the combat zones and beyond. She relates her initial wild excitement and her slow disillusionment as the cost of violence outweighs the elusive promise of freedom and democracy. She reports from under bombardment in Lebanon; records the raw pain of suicide bombings in Israel and Iraq; and, one by one, marks the deaths and disappearances of those she interviews. Beautiful, savage, and unsettling, "Every Man in This Village Is a Liar" is a memoir about the wars of the twenty-first century that readers will long remember.