The Cow is a mother, a lover, and a murdered lump of meat, rendered in the strongest of languages. "I cannot count the altering that happens in the very large rooms that are the guts of her."

    Wright interweaves familiar, coloquial speech with strikingly inventive language, leaving each poem a distinctive entity, yet interconnected by linked metaphors and images.

    But the force of Jasmine's desires propels her explosively into a larger, more dangerous, and ultimately more life-giving world. In just a few years, Jasmine becomes Jane Ripplemeyer, happily pregnant by a middle-aged Iowa banker and the adoptive mother of a Vietnamese refugee. Jasmine's metamorphosis, with its shocking upheavals and its slow evolutionary steps, illuminates the making of an American mind; but even more powerfully, her story depicts the shifting contours of an America being transformed by her and others like her -- our new neighbors, friends, and lovers. In Jasmine, Bharati Mukherjee has created a heroine as exotic and unexpected as the many worlds in which she lives. "Rich…one of the most suggestive novels we have about what it is to become an American." -- The New York Times Book Review

    The title refers to the idea that those who are deviant propel the world forward at top speed. Delving into the center of the endless webs of repression against our bodies, desires, politics, and imaginations, are those whose actions and motion cut away at the systemic limitations of society. This collection of poems was written with the inspiration and work of these people in mind.As a working class queer poet, Conrad has had to fight through different stratifications of oppression his entire life. His poems vibrate with the flamboyant desire that manifests itself in queer culture, where the right to act on basic desires can become a battleground, and everyday acts of love and devotion must be enacted as a political form of defiance. The poems that emerge from this life long struggle illustrate the sharp edge of that defiance and desire, where joy is closely linked to death. In a world ruled by those who govern with fear, and in a landscape barbed with those who are terrified of desire, moving at speed of deviants is the only way to transform potential into action, and desire into positive change.

    Guest editor Rita Dove, a distinguished figure in the poetry world and the second African-American poet ever to win the Pulitzer Prize, brings all of her dynamism and well-honed acumen to bear on this project. Dove used a simple yet exacting method to make her selections: "The final criterion," she writes in her introduction, "was Emily Dickinson's famed description -- if I felt that the top of my head had been taken off, the poem was in." The result is a marvelous collection of consistently high-quality poems diverse in form, tone, style, stance, and subject matter. With comments from the poets themselves illuminating their poems and a foreword by series editor David Lehman, The Best American Poetry 2000 is this year's must-have book for all poetry lovers.

    "Zubair Ahmed’s first poetry collection City of Rivers captures the reader’s heart from its first line to its last. These poems are reminders of poetry’s power to leave us breathless after immersing us in truths, both wonderful and painful." - ZYZZYVA"...his poems are brief and beautiful, with final lines (“The light source is somewhere beyond / The years of my life.”) that should be scratched onto padlocks locked to the Pont des Arts over the Seine.... City of Rivers is a treasure you would do well to read." - Artvoice"While I imagine one of the reasons readers might find themselves interested in City of Rivers will be due to Ahmed’s relatively young age, such readers will invariably find themselves more interested in exploring the range of his vision and the confidence he seems to have hammered into every one of his sharp, stoic lines.... Ahmed possesses a profound understanding of the nature all poets, young and old, share—he recognizes that the words are a dream, that they haunt the body, and their constant buzzing, their inability to give us solace, keep us moving." - The Rumpus"Honestly, I’ve not yet read a contemporary poet of his equal." - Chico News Review"...a startling first collection of poems..." - Shelf-Awareness"This unusually compact and consistent debut from an unusually young poet might get noticed first for that poet’s unusual migratory life... Such work looks back productively to the American Deep Image style of the 1960s, to James Wright and the young Robert Bly." - Publisher's Weekly"Any poet would hope for the kind of praise that glows from the back cover of Zubair Ahmed’s debut poetry collection, City of Rivers. “Bracingly original…ushered into being by a prodigious new voice in America poetry.” Add to that the fact that Ahmed is only twenty-five, that his first book was published by McSweeney’s, and you have a rising star certainly worth keeping an eye on. Because—high as the book jacket praise might be—Ahmed lives up to it." - Late Night LibraryWe used to play soccer in the monsoon rains.Through my windows, I can see acres of fields,Lying in the ruins of the wind.The poems in City of Rivers—the first full-length collection from 23-year-old wunderkind Zubair Ahmed—are clear and cool as a glass of water. Grounded in his childhood in Bangladesh, Ahmed’s spare, evocative poems cast a knowing eye on the wider world, telling us what it’s like to be displaced and replaced, relocated and dislocated. His poems are suffused with a graceful, mysterious pathos—and also with joy, humor, and longing—with the full range of human emotions. City of Rivers is a remarkable and precocious debut.

    Women's Studies. INDICTUS re-imagines various creation myths to bear the invisible and unsaid assaults of women. In doing so, it subverts notions of patriarchal power into a genre that can be demolished and set again. INDICTUS is a Latin word, from which other words like "indict" and "indicate" are born. It translates literally as "to write the unsaid." There is an effort in this book to create the supernatural through the utterance of violence, because jurisdiction fails in real time. That sexual assault can so easily become a science fiction when power is rearranged to serve the victim speaks to the abject lack of control within victims to ever be redeemed. Crimes resolve to misdemeanors. In a world without my abusers, how can I soon become myself? Combining the mythological and autobiographical, this book attempts to indict us, so that the wounded might one day be free.

    This is the first collection by the downtown writer-director, whose explorations of stereotypes of race, gender, and religion are unflinching—and seat-squirming funny. This volume includes the following plays:Songs of the Dragon Flying to Heaven“Scathingly mischievous…Songs of the Dragons Flying to Heaven is a provocateur's funny, guns-blazing take on the utter banality of ethnic stereotypes and other cross-cultural outrages. In its slyly eccentric way, it's an evening of enlightenment.” –Peter Marks, Washington Post“Part performance art, part comic sketches, fights, dance, song and ‘reverse Bible study,’ and at times strangely serious, Dragons is a bracingly funny…always provocative equal-opportunity offender.” –Robert Hurwitt, San Francisco Gate“Miss Lee has a talent for evocative and sometimes grotesque imagery, and on the attack she is at the height of her powers.” –New York TimesChurch“I will happily worship in the house of Young Jean Lee.” –David Cote, TimeOut New York“A thoroughly entertaining, uplifting, inescapable piece of art…So thought provoking, it's only appropriate to give thanks and praise.” –Helen Shaw, The New York SunPullman, WA"[Lee’s] new work has the deadpan simplicity of the plays of Richard Maxwell and the awkward, secretly suffering angst of a teenage diarist working through an identity crisis…. It is an honest [work] that takes itself seriously, and that is refreshing." -Jason Zinoman, New York TimesThe Appeal"The Appeal is the happiest literary desecration since Amy Freed's The Bard of Avon, in which Shakespeare declared, ‘I have great thought-like things within my head.’” -Jeremy McCarter, The New York SunGroundwork of the Metaphysic of Morals“Lee is a queen of unease; chuckles never come unaccompanied by squirms.” –Village VoiceYaggoo“A rising star of the downtown theatre scene.” –New York TimesYoung Jean Lee has written and directed shows in New York with Young Jean Lee’s Theater Company and toured her work to over twenty cities around the world. Her plays include Straight White Men, We’re Gonna Die, Untitled Feminist Show, The Shipment, Lear and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship and a Doris Duke Artist Award.

    He attended the University of Washington and Columbia University. He served in the US Army in World War II, wrote one novel and died of a heart attack at the age of 47. John Okada died in obscurity believing that Asian America had rejected his work. In this work, Okada gives the perspective of a no-no boy, a Japanese-American man who would neither denounce his Japanese heritage nor fight for the U.S. Army during WWII. This novel takes place after the main character spent two years in a Japanese internment camp, and two years in prison after saying no when asked to join the U.S. Army. Okada's novel No-No Boy shows the internal and external struggles fought by Japanese-Americans in that time period, be they no-no boys or not.

    The 2009 Sawtooth Poetry Prize, selected by Rae Armantrout, is Julie Carr's provocative 100 NOTES ON VIOLENCE. Carr obsessively researches intimate terrorism, looking everywhere from Whitman and Dickinson to lists of phobias and weapon-store catalogs for answers. This book is a dream-document both of light and innocence babies and the urge to protect them and of giving in to a wrenching darkness, where despair lies in the very fact that no single factor is to blame."

    and Beatrice, first introduced in The Babies. Unbeknownst to them they have come into being under the laws of Tsim Tsum, a Kabbalistic claim that a being cannot become, or come into existence, unless the creator of that being departs from that being. Along their journey they encounter many beguiling characters including The Healer, The Collector, Walter B.'s Extraordinary Cousin, and the Oldest Animal. These figures bewilder and dislodge what is at the heart of the immigrant experience: survival, testimony, and belonging.

    It was her first book to be published in the United States. Yamamoto's themes include the cultural conflicts between the first generation, the Issei and their children, the Nisei; coping with prejudice; and the World War II internment of Japanese Americans.

    Mona--a self-described "self-made mouth" goes to temple, loves pickles, is boy-crazy, worries about getting into the right college and keeping up with her over-achieving sister, and wishes her parents were less strict. Her equally Jewish Westchester classmates hardly notice what everyone else finds hard to forget: Mona may be Jewish by choice (and voice) and American by nationality, but her surname is Chang and so she is considered less an expert on seders and schmaltz than China. In Gish Jen's hands, '70s suburbia is a place of buoyant hope and change. While Mona's parents worry about what she'll do next--her mother suggesting at one point that she might even want to be black, Mona ripostes that that's not a religion. She does, however admit to knowing "some kids studying to be Bobby Seale. They call each other brother, and eat soul food instead of subs, and wear their hair in the baddest Afros they can manage." The divide between past conservatism and present bohemia is one of the novel's concerns, but its epigraphs hint at the porous nature of cultural identity, of groups taking what they choose from one another. As for Gish Jen, she turns out to be a descendant of Laurence Sterne. Mona has the buttonholing narrator, the rollicking comedy that modulates into genuine sadness, and the incidental but all-important details that might confuse those intent on the author's ethnicity but will delight everyone else.

    Peopled with "ambassadors from the Netherworld"--the orphaned and abused, the lost and addicted--Cruz leads us through this "traveling minstrel show / Called girlhood--" which is at once tragic and magical.

    Veil contains poems from five of Armantrout's previous books as well as a generous selection of new poems. Her work relies tenaciously on the intelligibility of language, her careful syntax bordering on plain speech and meticulously scored lines always questioning how linguistic subjects are formed. Armantrout is interested in questions of origin, and the psychology of perception; she is interested in who is speaking and how we know what we know. Fans will welcome the chance to become reacquainted with her witty and lyric meditations on erotic and family issues, and new readers will be captivated by her poems' immediate availability and freshness.