In this classic book, Madeleine L'Engle addresses the questions, What makes art Christian? What does it mean to be a Christian artist? What is the relationship between faith and art? Through L'Engle's beautiful and insightful essay, readers will find themselves called to what the author views as the prime tasks of an artist: to listen, to remain aware, and to respond to creation through one's own art.

    From crossing the Red Sea to climbing Mount Sinai to touching the burning bush, Bruce Feiler's inspiring journey will forever change your view of some of history's most storied events.

    Once in a generation a historian will redefine his field, producing a book that demands to be read--a product of electrifying scholarship conveyed with commanding skill. Diarmaid MacCulloch's Christianity is such a book. Ambitious, it ranges back to the origins of the Hebrew Bible & covers the world, following the three main strands of the Christian faith. Christianity will teach modern readers things that have been lost in time about how Jesus' message spread & how the New Testament was formed. It follows the Christian story to all corners of the globe, filling in often neglected accounts of conversions & confrontations in Africa & Asia. It discovers the roots of the faith that galvanized America, charting the rise of the evangelical movement from its origins in Germany & England. This book encompasses all of intellectual history--we meet monks & crusaders, heretics & saints, slave traders & abolitionists, & discover Christianity's essential role in driving the Enlightenment & the age of exploration, & shaping the course of WWI & WWII.We live in a time of tremendous religious awareness, when both believers & non-believers are engaged by questions of religion & tradition, seeking to understand the violence sometimes perpetrated in the name of God. The son of an Anglican clergyman, MacCulloch writes with feeling about faith. His last book, The Reformation, was chosen by dozens of publications as Best Book of the Year & won the Nat'l Book Critics Circle Award. This inspiring follow-up is a landmark new history of the faith that continues to shape the world.

    Enns looks at three questions raised by biblical scholars that seem to threaten traditional views of Scripture. First, he considers ancient Near Eastern literature that is similar to the Bible. Second, he looks at the theological diversity of the Old Testament. Finally, he considers how New Testament writers used the Old Testament. Based on his reflections on these contemporary issues, Enns proposes an incarnational model of biblical authority that takes seriously both the divine and human aspects of Scripture. The book includes a useful glossary, which defines technical terms and an annotated bibliography for further reading.

    A sanctuary to birds and seals today, for over six hundred years during the middle ages it was a center for a particularly intense form of monastic life, one that acclaimed writer Geoffrey Moorhouse explores with utmost fascination, scholarship, and imagination in Sun Dancing. A must read for anyone seeking a deeper understanding of Celtic spirituality, Moorhouse's lively narrative is a superbly imagined account of the monks' isolated life-the spiritual struggles and triumphs and unbelievable physical hardships. To complement and enrich the book, Moorhouse establishes the historical context of Irish monasticism and describes the monks' influence and undeniable role in preserving western civilization, as well as unexpected connections between medieval Ireland and India, Egypt, and Byzantium, and the surviving impact of pagan mythology. An entertaining and enlightening work, Sun Dancing makes medieval Ireland come alive.

    S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery.Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation." Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaitre knowledge of the spiritual character which the tale was created to embody.Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance."

    During his life he created numerous works of art and kept voluminous notebooks that detailed his artistic and intellectual pursuits.The collection of writings and art in this magnificent book are drawn from his notebooks. The book organizes his wide range of interests into subjects such as human figures, light and shade, perspective and visual perception, anatomy, botany and landscape, geography, the physical sciences and astronomy, architecture, sculpture, and inventions. Nearly every piece of writing throughout the book is keyed to the piece of artwork it describes.The writing and art is selected by art historian H. Anna Suh, who provides fascinating commentary and insight into the material, making Leonardo's Notebooks an exquisite single-volume compendium celebrating his enduring genius.

    In doing so Asimov illuminates the Bible's many obscure and mysterious passages, producing a valuable text for anyone interested in religion and history.

    In The Case for Jesus, Brant Pitre taps into the wells of Christian scripture, history, and tradition to ask and answer a number of different questions, including: If we don't know who wrote the Gospels, how can we trust them? How are the four Gospels different from other gospels, such as the lost gospel of "Q" and the Gospel of Thomas? How can the four Gospels be historically true when there are differences between them? How much faith should be put into these writings? As The Case for Jesus will show, recent discoveries in New Testament scholarship, as well as neglected evidence from ancient manuscripts and the early church fathers, together have the potential to pull the rug out from under a century of skepticism toward the apostolic authorship and historical truth of the traditional Gospels.

    It is named after the book dealer Wilfrid Voynich, who purchased it in 1912.http://en.wikipedia.org/wiki/Voynich_...

    Now revised and expanded, this edition of the splendidly detailed and lively history of the Middle Ages contains more than 30 percent new material.

    A rich source of information for readers of all ages, this book is divided into two sections, first looking at major sources of symbols (basic shapes, colors and numbers, the natural world), then, placing symbols in context of mythologies and religions, the human life cycle, people and culture, and symbol systems. Clear cross-referencing illuminates connections between symbols, while beautiful artwork and photography make this a collector's edition to treasure.

    Celtic Spirituality offers translations of numerous texts from the Celtic tradition from the 6th through the 13th centuries, in a cross-section of genres and forms, including saints' lives, monastic texts, poetry, devotional texts, liturgical texts, apocrypha, exegetical texts, and theological treatises. Davies has written a helpful introduction, which covers the origins and characteristics of Celtic Christianity and the different genres included in body of the work. He provides readers with insight into the style, form, and character of the texts, including explanation of the Celtic emphasis on orality, the importance of place, emphasis on the environment and animals, and the role of the imagination. With its wide diversity of texts and emphasis on a current of spirituality that is both popular, historical, and inspirational, this volume will be important for scholars of spirituality and Celtic history as well as persons of Celtic descent. +

    The perfect gift for the devout or any religious occasion, this captivating collection recounts the extra-ordinary legends, heartrending stories, joys, and sorrows of the most beloved saints, from the famous to the mysteriously obscure. Beautifully illustrated with historical pictures from prayer books and missals, this elegant keepsake is packaged with a padded cover, gilded edges, and a ribbon marker—a joy to have and to give.

    Adopting those aspects of the religion that suited his purposes, he turned Rome on a course from the relatively open, tolerant and pluralistic civilization of the Hellenistic world, towards a culture that was based on the rule of fixed authority, whether that of the Bible, or the writings of Ptolemy in astronomy and of Galen and Hippocrates in medicine. Only a thousand years later, with the advent of the Renaissance and the emergence of modern science, did Europe begin to free itself from the effects of Constantine's decision, yet the effects of his establishment of Christianity as a state religion remain with us, in many respects, today. Brilliantly wide-ranging and ambitious, this is a major work of history.