If youve ever wanted to attend a David Allen seminar but could not, this is the next best thing. GTDLive is our brand new audio of a full 2-day seminar - packed with insights, tips, and practical applications on GTD or Getting Things Done in a way that only David can tell you. This is a great value at over 50% off the cost of just a one-day seminar! With GTDLive, you receive this recording of a full 2-day seminar that you can listen to over and over again anywhere, anytime. Getting Things Done Live reveals powerful techniques for processing everything in your personal and workplace environments. From email, paperwork, and voice mails to tasks, commitments, and internal thinking.Major topics of the seminar include:Mastering the Five Stages of Workflow;The Productive Experience;Keys to Collecting and Processing your Stuff;Project Thinking;Organizing Email and Filing Systems;Dealing with Procrastination and Setting Priorities; Planning and the Power of Focus; Establishing Your Ideal Scene, Successful OutcomeThe set contains approximately 9 ½ hours of audio recorded live at a large southern California University. It is packaged in a handsome 10-CD boxed set. GTD System Guides; the core principles of GTD, referenced in the recording, are presented on laminated cards for easy reference.

    After living the dream in New York for a year - touring her self-help book, appearing on talk shows all over the USA and living it up in her 10-room duplex on the Upper West Side - she's back to normality with a bang. And she's got writer's block.Stella wants a clean break as she didn't exactly leave New York on a high. Why is she back in Ireland so soon? Who is it who keeps calling? Stella wants to get back to being the woman she used to be. But can she? And should she?

    The California quartet has sold more than 100 million albums worldwide, won nine Grammy Awards, and had five consecutive albums hit number one on the Billboard charts. But Metallica’s story, epic in scope, is a tale about much more than sales figures and critical acclaim, and their journey from scuzzy Los Angeles garages to the world’s most storied stadiums has been dramatic and painful, their gigantic successes often shot through with tension, tragedy, loss, and controversy. Birth School Metallica Death is the definitive story of the most significant rock band since Led Zeppelin. Volume 1 covers the band’s formation up to their breakthrough eponymous fifth album, aka “The Black Album.” The intense and sometimes fraught relationship between aloof-yet-simmering singer, chief lyricist, and rhythm guitarist James Hetfield and the outspoken and ambitious drummer Lars Ulrich is the saga’s emotional core. Their earliest years saw the release of three unimpeachable classics—Kill ’Em All, Ride the Lightning, and Master of Puppets—genre-defining masterpieces that took hard rock to a new level, both artistically and commercially. During these tumultuous times, the band persevered through line-up changes when guitarist Dave Mustaine was replaced by Kirk Hammet, and their bass player, the beloved Cliff Burton, was tragically killed in a bus crash while on tour in Europe.But it was the breakthrough of …And Justice for All that rent the fabric of the mainstream, hitting the top of the charts without benefit of radio airplay or the then-crucial presence on MTV. And finally in 1991, with the release of their fifth studio album, nicknamed “The Black Album,” Metallica hit the next level—five hit singles including their best-known songs “Enter Sandman” and “Nothing Else Matters”—and their first album atop the Billboard charts.In Birth School Metallica Death, veteran music journalists and Metallica confidants Paul Brannigan and Ian Winwood detail this meteoric rise to international fame in an epic saga of family, community, self-belief, the pursuit of dreams, and music that rocks. Told through first-hand interviews with the band and those closest to them, the story of Metallica’s rise to the mainstream has never been so vividly documented.

    Seven neighbors inhabit the same London street, but are all unknown to each other. The clock freezes in the small hours, and one by one we see directly into their lives: lives that are damaged, disenfranchised, lonely, broken, addicted, and all, apparently, without hope. Then a great storm breaks over London, and brings them out into the night to face each other--and their own last chance to connect.Tempest argues that our alienation from one another has bred a terrible indifference to our own fate, but she counters this with a plea to challenge the forces of greed which have conspired to divide us, and mend the broken home of our own planet while we still have time. Let Them Eat Chaos is a cri de cœur and a call to action, and, both on the page and in Tempest's electric performance, one of the most powerful poetic statements of the year.

    These are the stories of life inside the courtroom. They are sometimes funny, often moving and ultimately life-changing. How can you defend a child-abuser you suspect to be guilty? What do you say to someone sentenced to ten years who you believe to be innocent? What is the law and why do we need it? And why do they wear wigs? From the criminals to the lawyers, the victims, witnesses and officers of the law, here is the best and worst of humanity, all struggling within a broken system which would never be off the front pages if the public knew what it was really like. This is a first-hand account of the human cost of the criminal justice system, and a guide to how we got into this mess, The Secret Barrister shows you what it’s really like and why it really matters.

    Once a lecturer in medieval French, now a confidential agent, D is a scarred stranger in a seemingly casual England, sent on a mission to buy coal at any price. Initially, this seems to be a matter of straightforward negotiation, but soon, implicated in murder, accused of possessing false documents and theft, held responsible for the death of a young woman, D becomes a hunted man, tormented by allegiances, doubts and the love of others.

    Bronwyn, the brain, is Yale-bound and never breaks a rule. Addy, the beauty, is the picture-perfect homecoming princess. Nate, the criminal, is already on probation for dealing. Cooper, the athlete, is the all-star baseball pitcher. And Simon, the outcast, is the creator of Bayview High's notorious gossip app.Only, Simon never makes it out of that classroom. Before the end of detention Simon's dead. And according to investigators, his death wasn't an accident. On Monday, he died. But on Tuesday, he'd planned to post juicy reveals about all four of his high-profile classmates, which makes all four of them suspects in his murder. Or are they the perfect patsies for a killer who's still on the loose?Everyone has secrets, right? What really matters is how far you would go to protect them.

    A powerful and bittersweet story of an unexpected male friendship and an unlikely love story, a thought provoking storyline told with Mike's distinctive wit and insight, touching on issues which affect us all. This uplifting tale reminds us of the simple courage at the heart of every human being.Ever since The Incident, James DeWitt has stayed on the safe side.He likes to know what happens next.Danny Allen is not on the safe side. He is more past the point of no return.The past is about to catch up with both of them in a way that which will change their lives forever, unexpectedly.But redemption can come in the most unlikely ways.

    Since then, she's written eight more, three of which have been short-listed for England's prestigious Booker Prize, and one of which, Offshore, won. Now she's back with her tenth and best book so far, The Blue Flower. This is the story of Friedrich von Hardenberg--Fritz, to his intimates--a young man of the late 18th century who is destined to become one of Germany's great romantic poets. In just over 200 pages, Fitzgerald creates a complete world of family, friends and lovers, but also an exhilarating evocation of the romantic era in all its political turmoil, intellectual voracity, and moral ambiguity. A profound exploration of genius, The Blue Flower is also a charming, wry, and witty look at domestic life. Fritz's family--his eccentric father and high-strung mother; his loving sister, Sidonie; and brothers Erasmus, Karl, and the preternaturally intelligent baby of the family, referred to always as the Bernhard--are limned in deft, sure strokes, and it is in his interactions with them that the ephemeral quality of genius becomes most tangible. Even his unlikely love affair with young Sophie von Kühn makes perfect sense as Penelope Fitzgerald imagines it. The Blue Flower is a magical book--funny, sad, and deeply moving. In Fritz Fitzgerald has discovered a perfect character through whom to explore the meaning of love, poetry, life, and loss. In The Blue Flower readers will find a work of fine prose, fierce intelligence, and perceptive characterization.

    At 18, the reserved Benedict is asked by his father to enter into a pact: Neither of the two will do anything that could somehow hinder or destroy George's blossoming political career. Young Benedict, who has no stronger ambition than to ride steeplechase as an amateur jockey, agrees to the pact, without possibly knowing what lies ahead. Twelve years pass, and Ben has since abandoned his dream of making a career on the racetrack. Like his father, Ben enters the political arena, becoming George Juliard's closest ally and most trusted confidant as he makes his move to become prime minister. However, Ben suddenly finds himself the target of a fierce attack brought on by his father's brutally ambitious enemies. Through his son, George Juliard is discredited and destroyed just as he makes his drive for the prime ministership, leading Ben into an existence of treachery and lies. As these events unfold, Ben quickly realizes that it is his responsibility to protect his father's career as well as his own, but more important, he must protect their lives. Like past Francis books, 10 LB. Penalty is a masterfully plotted mystery that also examines the power of family and the bond between father and son.

    But for Meg—locked in a dead-end relationship and with a deadline looming for a book that she can't write—this thought fills her with dread. Stuck in a labyrinth of her own devising, Meg knows that there must be a way out.

    Because in the end, music can save us all ...1988. Frank owns a music shop. It is jam-packed with records of every speed, size and genre. Classical, jazz, punk – as long as it’s vinyl he sells it. Day after day Frank finds his customers the music they need.Then into his life walks Ilse Brauchmann.Ilse asks Frank to teach her about music. His instinct is to turn and run. And yet he is drawn to this strangely still, mysterious woman with her pea-green coat and her eyes as black as vinyl. But Ilse is not what she seems. And Frank has old wounds that threaten to re-open and a past he will never leave behind ...

    In this view, no external authority gives life meaning: mankind is radically free and responsible. In every moment we choose ourselves, with no assurance that we have a continuing identity or power. We set up determinisms to ease our minds, but in the face of the finality of death, only through our present consciousness do we establish our own authentic existence. Sartre's existentialism faces the evil in human existence and sees that humans are responsible for it.The Giants of Philosophy is a series of dramatic presentations, in understandable language, of the concerns, questions, interests, and overall world view of history's greatest philosophers. Special emphasis on clear and relevant explanations gives you a new arsenal of insights toward living a better life.

    Some call it morality. Others call it religion. But Bros in the know call this holy grail the Bro Code.Historically a spoken tradition passed from one generation to the next, the official code of conduct for Bros appears here in its published form for the first time ever. By upholding the tenets of this sacred and legendary document, any dude can learn to achieve Bro-dom.

    At this point, what Stella needs to control most is keeping herself away from anyone or anything that might pass along an infection and jeopardize the possibility of a lung transplant. Six feet apart. No exceptions.The only thing Will Newman wants to be in control of is getting out of this hospital. He couldn’t care less about his treatments, or a fancy new clinical drug trial. Soon, he’ll turn eighteen and then he’ll be able to unplug all these machines and actually go see the world, not just its hospitals.Will’s exactly what Stella needs to stay away from. If he so much as breathes on Stella she could lose her spot on the transplant list. Either one of them could die. The only way to stay alive is to stay apart. But suddenly six feet doesn’t feel like safety. It feels like punishment.What if they could steal back just a little bit of the space their broken lungs have stolen from them? Would five feet apart really be so dangerous if it stops their hearts from breaking too?