Growing up surrounded by drugs and alcohol, getting into trouble as a teen, she’s now in her late-twenties and has turned her life around.Until the fateful night that sees her imprisoned for 10 months.She’s hit rock bottom … but unexpectedly forges a bond with cellmate Roxanne McPhail that lasts beyond the prison walls.Now both women are free, and Arabella is excited about the future with boyfriend Eddie, with Roxanne at her side.But Arabella doesn’t know the truth about her new best friend; about Roxanne’s reputation as the head of Glasgow gangland, about the violence in Roxanne’s past.She doesn’t know that Roxanne has plans for Arabella that might lead her into some very dangerous places.In this dirty game, Arabella is going to have to learn you can’t always trust those closest to you…A gritty, utterly addictive thriller set in Scottish gangland - fans of Roberta Kray and Jacqui Rose won't be able to put it down.Readers can't get enough of Alex Kane's gritty gangster thrillers:‘I read this book in one night and all I have is 3 words. Oh my god.’ ☆☆☆☆☆ Reader Review‘What a fantastic book! Such an intense, fast paced read from the first page’ ☆☆☆☆☆ Reader Review‘What a rollercoaster ride…it grips you and you can't put it down. I loved it.’ ☆☆☆☆☆ Reader Review‘What a page turner this is… you never want it to end… A great, gritty, UK gangland thriller’ ☆☆☆☆☆ Reader Review‘A dark and gritty crime thriller that kept me hooked from the first page.' Casey Kelleher, author of No Fear and Mine'A gripping read that got under my skin. Alex Kane writes one hell of a villain.’ Gemma Rogers, author of Stalker and Reckless

    Three women from different centuries meet in a modern doctor's waiting room. Forgiveness From Heaven is an eighteenth-century Chinese woman whose bound feet are causing her to lose her toes. Victoria is a nineteenth-century tightly corsetted English woman suffering from what is commonly known as "hysteria." Then there is Wanda, a modern gal from New Jersey who is having problems with her silicone breasts. Husbands, doctors, Freud, the drug industry and the FDA all come under examination. The play is a wild ride through medical and sexual politics, including the politics of the ever-present battle with breast cancer.

    This 1960's French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancees, each beautiful airline hostesses with frequent "layovers." He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    Includes "The Spell of the Yukon," "The Heart of the Sourdough," "While the Bannock Bakes," and "The Squaw Man."

    Her characters are the oppressed, from the spinster Lizzie Borden in the title play, Blood Relations, to the prisoners of One Tiger to a Hill, to Leah, &quotchosen&quot daughter/mistress of rum runner Mr. Big in Whiskey Six Cadenza.

    Raised on an isolated West Texas ranch that he was forced to flee at age eighteen following the violent breakup of his foster family, Jimmy has found a home and a profession in Galveston -- and a mentor in Rose Maceo.Looming over Jimmy's story like an ancient curse is the specter of his fearsome father. Their ties of blood, evident since Jimmy's boyhood, have been drawn tighter over time. Then a strange and beautiful girl enters his life and a swift and terrifying sequence of events is set in motion. Jimmy must cross the border and go deep into the brutal and merciless country of his ancestors -- where the story's harrowing climax closes a circle of destiny many years in the making.

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    It is set on Long Island in the 1950s, and deals with the involvement of a very rich family named Larrabee with Sabrina Fairchild, the daughter of their family chauffeur. She is bright, well-educated, and has just returned from five years in Paris, where she has done a brilliant job as an executive in a U.S. government overseas office. She has come home to find out if she is still in love with the younger Larrabee son, David. The elder son, Linus, a cynical, good-humored tycoon who has taken control of the family fortune, detects Sabrina's feeling for his brother, and for his own amusement lays a trap to bring them together. It works: David falls in love with Sabrina and wants to marry her. At the same time, a rich young Frenchman who has known Sabrina in Paris turns up and asks her to marry him. Faced with this dilemma, Sabrina discovers it is really Linus she wants. After an amusing scene in which Sabrina's father, the chauffeur, makes a rather amazing revelation, Sabrina breaks down Linus' resistance and gets her man. An unusual number of fine character parts for actors: the beautiful mother of wit and perception; the father, whose one passion is attending funerals; the chauffeur who has been dabbling in the stock market and likes his job because it gives him time to read; the smart magazine editor who, as a house guest, is the interested observer. "SABRINA FAIR is a delightful, sparkling hit." Robert Coleman, NY Mirror.

    In her hands. A shattering play about one woman’s unspeakable decision. hang premiered at the Royal Court Theatre, London, in 2015, in a production directed by the author, and featuring Marianne Jean-Baptiste, Claire Rushbrook and Shane Zaza.

    Mama, a sweet and capable manager, sees her children through childhood, manages to educate them and to see one of her daughters begin her career as a writer. Mama's sisters and uncle furnish a rich background for a great deal of comedy and a little incidental tragedy, while the doings of the children manage to keep everyone in pleasant turmoil. No description can do justice to the rich characterizations that fill the author's canvas. A High School version (ISBN 0-8222-0550-5) is also available at the same price. Groups interested should specify which version."

    Barnum is a young man, freshly arrived in New York and still unknown to the world. With uncanny confidence and impeccable timing, he transforms a dusty natural history museum into a great ark for public imagination. Barnum's museum, with its human wonders and extraordinary live animal menagerie, rises to become not only the nation's most popular attraction, but also a catalyst that ushers America out of a culture of glassed-in exhibits and into the modern age of entertainment.In this kaleidoscopic setting, the stories of two compelling characters are brought to life. Emile Guillaudeu is the museum's grumpy taxidermist, who is horrified by the chaotic change Barnum brings to his beloved institution. Ana Swift is a professional giantess plagued by chronic pain and jaded by a world of gawkers. The differences between these two are many: one is isolated and spends his working hours making dead things look alive, while the other has people pushing against her, and reacting to her, every day. But they both move toward change, one against his will, propelled by a paradigm shift happening whether he likes it or not, and the other because she is struggling to survive. In many shapes and forms, metamorphosis is at the core of Among the Wonderful. Pursuing this theme, the book weaves a world where upper Manhattan is still untrammeled wilderness, the Five Points is at the height of its bloody glory, and within the walls of Barnum's museum, ancient tribal feuds play out in the midst of an unlikely community of marvels.

    Written in a lean and muscular style and brimming with both violence and compassion, these stories unflinchingly explore the lives of those — MMA fighters, the institutionalized, small-town criminals — who exist on the fringes of society, unveiling the blood and guts and beauty of life in our flyover regions.

     Rather than abandoning his parish in search of the truth, Father Paul’s quest is a simple one: to find the true essence of Christianity. A Modern Day Apostle to the Downtrodden Set against the backdrop of a harsh and cold Russian countryside along the River Volga, with its unyielding poverty and hardships, The Archbishop follows Father Paul as he searches to understand God and the parlous state of the world around him. It is not until he meets the eponymous Archbishop that he finds revelations that do more than just answer his soul-searching questions. More than this, he finds a true shepherd determined to spread a more authentic message of Christ to the people who follow him. But even the divine truth that Father Paul finally finds in this dreary, cold hamlet where religion seems to be fading from relevance is not free from earthly machinations. Although he discovers something that will change his life forever, the realities of the world around him remain unyielding and unchanging. The Archbishop is a book that does not shy away from asking big questions – nor from answering them. Author Hieromonk Tihon’s identity has long since been lost to history and his fate unknown, but the vivid characters and intricately drawn world created in this book have indicated that The Archbishop may be an autobiographical work. Condemned, burned, and banned by iconoclastic Bolsheviks during the earliest years of Soviet Russia as it pushed an agenda of militant atheism, The Archbishop's spiritual guidance was almost lost among countless other Eastern Orthodox works. The Archbishop provides deep spiritual insight and guidance into a world distant from ours, despite the chasms of difference in culture, time, and space. Sometimes funny, often tragic, and other times angering, this hidden Orthodox gem does not shy away from asking big questions – nor from answering them. It remains a work full of spiritual lessons that will resonate profoundly with the modern-day American Orthodox clergy and their laity.

    Through the skillfully disarming use of clichéd language and homilies, the play explores with subtle grace and depth the way the death of a child tears one family apart, while showcasing the talents of a promising young playwright who "in [a] very modern way [is] making a rather old-fashioned case for the power of the written word" (Jason Zinoman, The New York Times).Fresh from its critically acclaimed off-off-Broadway run this past spring, God's Ear moves off-Broadway to the Vineyard Theatre in April 2008.