Includes the incomparable The Fall of the House of Usher, The Cask of Murders in the Rue Morgue, The Pit and the Pendulum and The Tell-Tale Heart as well as "The Raven" and The Narrative of Arthur Gordon Pym. 769 pages.

    Calling it "a masterpiece of the young American novel," Lepape declared it was "the confirmation of a great American writer who, in the hall of American literary glories, takes the place left vacant by the death of Hemingway." Lepape went on to speak of the "incredible verbal virtuosity" by which the reader is led through this "laby-reve," and it is this image of the "labyrinth-dream" which relates Her to the anti-novels of the young French school of Robbe-Grillet and Butor.Being thus very far from the kind of novels produced by Ferlinghetti's immediate contemporaries (whether Beat or academic) this book has met with little but bafflement among American critics. With well over 50,000 now in print Her nevertheless continues to make its own way.

    Fine art, and book illustrations from Arthur Rackham, Charles Robinson, Richard Dadd, Henry Fuseli, Sir John Everett Millais, William Blake, Noel Paton, and William Holman Hunt will grace the pages of this elegant edition. With beautiful four-color art, and a whimsical design, Shakespeare on Love will make a timeless gift.

      A Christmas Hope   “Very much recommended . . . a wonderful story.”—Historical Novel Review   Claudine Burroughs dreads the holiday season. She feels she has nothing in common with her circle of wealthy, status-minded friends, and the only time she’s remotely happy is when she is volunteering at a women’s clinic, a job her husband strongly disapproves of. When Claudine meets a charming poet at a Yuletide gala, her spirits are finally lifted—until he is accused of killing a fellow guest. Believing in his innocence, Claudine vows to do her utmost to help. But it seems that hypocritical London society would rather send an innocent man to the gallows than expose the shocking truth about one of their own.   A New York Christmas   “A perfect present for [Anne Perry’s] readers.”—RT Book Reviews   Jemima Pitt, the daughter of Thomas Pitt, head of Britain’s Special Branch, is crossing the Atlantic for the first time. Her companion, Delphinia Cardew, is to marry in a grand Manhattan affair that will join together two fabulously wealthy families. But a shadow darkens the occasion: Missing from the festivities is Delphinia’s disgraced mother—and the groom’s charismatic brother has asked Jemima to help him find her and forestall the scandal that will surely follow if the prodigal parent turns up at the wedding. From Hell’s Kitchen to Fifth Avenue, from the Lower East Side to Central Park, Jemima trudges through snowy streets, asking questions but getting few answers—and never suspecting that she is walking into mortal danger.From the Trade Paperback edition.

    Winner of six Emmys (he was nominated nine times), two Sylvania Awards, on Peabody Award, and one Christopher Award for his teleplays, Serling came as close as anyone to dominating an era that abounded with talented men. His plays "Requiem for a Heavyweight" and "Patterns" are usually the first items on the lips of television aficionados reminiscing about the good old days. Yet as television changed, Rod Serling kept pace. He became producer and chief writer for the famous "Twilight Zone" series. These bizarre and fantastic adventures into the occult and demonic were without doubt one of the most creative, imaginative and successful enterprises in the history of television.Now Rod Serling has applied his prodigious writing talents to a new medium: one in which he is perhaps destined to make his greatest mark. The three novellas that compromise THE SEASON TO BE WARY betray the skillful hand of a master storyteller and prose stylist. Fired with a savage yet disciplined irony, paced with deliberate cadence that rises to a starting denouement, each story explores the theme of a terrible vengeance delivered for terrible deeds performed.In "The Escape Route," ex-Gruppenfuehrer Joseph Strobe - ex-deputy assistant commander of Auschwitz, ex-confidant of Heinrich Himmler - putters about his little rathole in Buenos Aires chewing over the good times he had breaking Jews. Yet his snug little world is turned upside down b the capture of Adolf Eichmann, and Strobe soon finds himself on the wrong end of a terrifying hunt."Color Scheme" recounts the life and times of the great King Connacher, racist and rabble-rouser, who makes his living on the stump, preaching the lynching gospel, only to find himself one summer evening the victim of an extraordinary case of mistaken identity.In "Eyes," Miss Claudia Menlo, who in her fifty lifeless years has been denied nothing that she wanted - except her sight - manipulates people with the same purposeful indifference with which she fondles the expensive bric-a-brac in her lavishly cluttered dwelling. Yet her insistant will is brutally thwarted by the one set of circumstances she cannot control.Serling has infused these simple, forceful tales with an extraordinary richness of character and detail. There is, for example, the Prussian officer Gruber, who cannot stomach the pigs like Strobe he helped create and with whom he is forced to share his guilt. And there is Indian Charlie Hatcher, the most memorable portrait of a burned-out prizefighter since Serling's own justly famous Mountain Rivera.The power, the drive, the complexity and subtlety of these novellas mark Rod Serling as one of the most important and graceful fiction writers. Mr. Serling is a graduate of Antioch College and lives in Southern California with his wife and two children.

    After serial publication in Spirou the complete story was published, along with the Marsupilami short story Touchez pas aux rouges-gorges, in a hardcover album in 1957.

    Orwell gives an anecdotal account of his experiences in a french public hospital which triggers a contemplation of hospital literature in the context of 19th-century medicine.

    But I wrote a lot of good poems.”So maintains Anita Liberty, the caustically funny New York City performance artist who was going along happily healing her hurt by hating and humiliating her detestable ex-boyfriend on stage and in print until the unthinkable happened: she had a good date. And one good date deserves another. And another. And another. And, all of the sudden, Anita Liberty finds herself in a predicament. Getting dumped launched Anita’s career–Will falling in love finish it? Who’s more important: her devoted audience or her newly devoted boyfriend? And on top of everything, Hollywood won’t stop calling and Anita can’t figure out if It wants a serious commitment or just a little bit of no-strings-attached fun. From digging mercilessly into the minutiae of her new relationship to dramatically torching every professional bridge she crosses in L.A., Anita refuses to let a big load of bliss get dumped right in the middle of her career path.“He said that my work was amazing and hilarious and smart and that he can’t wait to see me perform.So I had sex with him.”“My boyfriend asked me to change my look.To something other than contemptuous.”{BARGAIN} Whatever Hollywood ends up paying me for the rights to the story of my life.“It’s easier to go back to fantasizing about perfection . . .than to accept that perfection is just a fantasy.”“Boyfriend thinks I’d rather be right than happy.Boyfriend’s right.But I’m not telling him that.”Through blog entries, film scenes, poems, and to-do lists, Anita Liberty documents the perils and pitfalls of dating, sex, relationships, artistic success, and the kind of true love that sucks the creative life out of you to the point where you just end up staring at a blank computer screen and thinking gooey thoughts about your new boyfriend even though you should be writing.

    Wry, laconic, and more than a little world-weary, Tatum pursues a savage killer through the rural Virginia uplands with the hot-headed assistance of Special Agent Kate LeComte. Warwolf is by turns hilarious and deeply unsettling, and T.R. Pearson’s gift for capturing the true voice of the new south is on conspicuous display. The mountains of Virginia have never seemed so dangerously alive, and there remains no better company in the southern highlands than Deputy Ray Tatum.Ray Tatum also appears in Cry Me A River, Blue Ridge, and Polar -- written to be read in no particular order.

    

    A treasured friend and traveling companion of Kerouac, Allen Ginsberg, William Burroughs, and Ken Kesey, to name just some of his cohorts on the beatnik path, Cassady lived life to the fullest, ready for inspiration at any turn.Before he died in Mexico in 1968, just four days shy of his forty-second birthday, Cassady had written the jacket blurb for this book: “Seldom has there been a story of a man so balled up. No doubt many readers will not believe the veracity of the author, but I assure these doubting Thomases that every incident, as such, is true."As Ferlingetti writes in his editor’s note, Cassady was “an early prototype of the urban cowboy who a hundred years ago might have been an outlaw on the range.” Here are his autobiographical writings, the rambling American saga of a truly free individual.

    He has given a humorous touch to different moods/shades & nature of people & their way of living life.

    Boxed set collecting Poetry For The Beat Generation (1959), Blues and Haikus (1959), and Readings By Jack Kerouac On The Beat Generation (1960), remastered with bonus tracks.

    Whether you're a new visitor to Snap City or a longtime fan of its most famous hero, this 852-page tome is guaranteed to rock your socks off!

    First published in Collier's, May 6, 1950.The story concerns a household in Allendale, California, in the aftermath of a nuclear war.