But if, by chance, an insider led you to the White Hart on a Wednesday night, you would have found yourself in the midst of a select gathering or writers, editors, scientists and interested laymen—drinking, swapping odd bits of information, and, like as not, listening to Harry Purvis' memorable stories. A scientist by profession, Harry Purvis has had or heard about some of the most astonishing experiences—like the story of the carnivorous orchid that was used in a murder plot, or the one about the military computer that was converted to pacifism. There's SILENCE PLEASE, involving a spurned lover and a device that was supposed to destroy sound; and BIG GAME HUNT, in which an ambitious researcher becomes so wrapped up in his latest projest—controlling animal behavior with electrical impulses— that he overlooks one tiny important detail. Such stories may challenge your powers of logic and strain your imagination. Yet even if you doubt their veracity, they're guaranteed to provide you with hours of SF reading. Baron Munchausen, step aside.Contains: Silence Please; Big Game Hunt; Patent Pending; Armaments Race; Critical Mass; The Ultimate Melody; The Pacifist; The Next Tenants; Moving Spirit; The Man Who Ploughed the Sea; The Reluctant Orchid; Cold War; What Goes Up; Sleeping Beauty & The Defenestration of Ermintrude

    These stories explore everything from artificial intelligence to parallel universes to video games, and each story is accompanied by an author’s note exploring the background and genesis of each story.   Howey’s incisive mind makes Machine Learning: New and Collected Stories a compulsively readable and thought-provoking selection of short works—from a modern master at the top of his game.

    Not everyone can. Who decides? Desperate to save his daughter from a mysterious sickness, Daniel applies for the Methuselah Treatment. If she gets it, his daughter won’t just recover, she’ll live forever. But the drug is tightly controlled, and only the special, the talented, and the truly deserving ever receive it. There is nothing special about Daniel’s destitute ten- year-old girl—or is there?

    Epic battles. Artificial Intelligence's longing for meaning. Life as we know it, ending... Sci-Fi Bridge is thrilled to present its second collection from bestselling authors and newly emerging writers. These stories span the near and far future. They transport you to worlds unknown. They examine today's fears amid tomorrow's technologies. From the far corners of the galaxy to the inner reaches of the human heart, the exciting stories in At the Helm will thrill, inspire, and make you wonder--do humans have what it takes to build a better future? Or are we doomed by our own failings? Foreword by Jay Allan. "Scout" by Will McIntosh. "Gelassenheit" by Chris Pourteau. "Rubbish with Names" by Felix R. Savage. "Galaxy's Edge" by Jason Anspach and Nick Cole “A God Among Us” by Rhett C. Bruno "Just An Old Fashioned Lust Story" by Christopher J. Valin "The Quarium Wars" by E. E. Giorgi "Death-Life on Kepler 452b" by Hall & Beaulieu "The Tunnel" by Andreas Christensen "Caterpillar" by Isaac Hooke "The Null" by Vincent Trigili "The Machine" by Mark R. Healy "Bottled Lightning" by Philip Harris "The Gambit" by Rysa Walker "Control" by Will Swardstrom "The Greatest Serial Killer in the Universe" by Robert Jeschonek "Magnet" by David Adams "Stasis Dream" by Josi Russell

    Pull up a chair, grab a glass of your favorite, and listen to the stories spun by time travelers, cybernetic aliens, telepaths...and a bunch of regular folks on a mission to save the world, one customer at a time.Callahan's Crosstime Saloon contains the following stories, virtually all of which were published in Analog Science Fiction and Fact: * "The Guy With the Eyes" * "The Time-Traveler" * "The Centipede's Dilemma" * "Two Heads Are Better Than One" * "The Law Of Conservation of Pain" * "Just Dessert" * "A Voice is Heard in Ramah..." * "Unnatural Causes" * "The Wonderful Conspiracy"

    Even if you're jaded with time-travel (Dinosaurs? Again?) you'll find something new in these pages. Included are:THE CHILDREN'S ROOM, by Raymond F. JonesSIDETRACK IN TIME, by William P. McGivernGEORGE ALL THE WAY, by Richard WilsonABSOLUTELY NO PARADOX, by Lester del ReyTHE HOHOKAM DIG, by Theodore PrattGUARANTEED TENURE, by H.B. FyfeTHROUGH TIME AND SPACE WITH FERDINAND FEGHOOT: 42, by Grendel BriartonNEVER GO BACK, by Charles V. de VetTHE ANCESTRAL THREAD, by Emil PetajaTHE SONS OF JAPHETH, by Richard WilsonMEDDLER, by Philip K. DickTHE MAN WHO LIKED LIONS, by John Bernard DaleyFLAME FOR THE FUTURE, by William P. McGivernDINOSAUR GOES HOLLYWOOD, by Emil PetajaTIME OUT FOR TOMORROW, by Richard WilsonREMEMBER THE ALAMO! by R. R. FehrenbachGUN FOR HIRE, by Mack ReynoldsTHROUGH TIME AND SPACE WITH FERDINAND FEGHOOT: 63, by Grendel BriartonIf you enjoy this volume of classic stories, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 220+ other entries in this series, science fiction, fantasy, horror, mysteries, westerns -- and much, much more!

    Now, in "Overtime," the Laundry is on a skeleton staff for Christmas—leaving one bureaucrat to be all that stands between the world and annihilation by the Thing That Comes Down Chimneys. Written especially for Tor.com's holiday season, Charles Stross's novelette is a finalist for the 2010 Hugo Award. Charles Stross is the Hugo-winning author of some of the most acclaimed novels and stories of the last ten years, including Singularity Sky, Accelerando, Halting State, the "Merchant Princes" series beginning with The Family Trade, and the story collections Toast and Wireless.

    This is only the start, and the close of the 21st century will look absolutely nothing like its inception. It has been said that science fiction is an ongoing dialogue about the future, and the front line of that dialogue is the short story. The field has a long history of producing famous anthologies to showcase its distinguished short fiction, but it has been several years since there has been a prestigious all-original science fiction anthology series. Fast Forward is offered in the tradition of Damon Knight’s prestigious and influential anthology series, Orbit, and Frederik Pohl’s landmark Star SF. Fast Forward marks the start of a new hard science fiction anthology series, dedicated to presenting the vanguard of the genre and charting the undiscovered country that is the future. Contributors scheduled for the first volume include:Robert Charles Wilson - YFL-500Justina Robson - The Girl Hero's Mirror Says He's Not the OnePaolo Bacigalupi - Small OfferingsRobyn Hitchcock - They Came From the FutureKage Baker - Plotters and ShootersTony Ballantyne - Aristotle OSElizabeth Bear - The Something-Dreaming GameStephen Baxter - No More StoriesA.M. Dellamonica - Time of the SnakeLarry Niven and Brenda Cooper - The Terror BardLouise Marley - p dolceKen MacLeod - Jesus Christ, ReanimatorMike Resnick and Nancy Kress - Solomon's ChoiceIan McDonald - Sanjeev and RobotwallahPamela Sargent - A Smaller GovernmentMary A. Turzillo - PrideRobyn Hitchcock - I Caught IntelligenceGeorge Zebrowski - SettlementsGene Wolfe - The Hour of the SheepJohn Meaney - Sideways from NowPaul Di Filippo - Wikiworld

    So being a Colonial Union officer attached to an interplanetary diplomatic mission sometimes means taking a fall. Literally.

    Gene Wolfe, of whom The Washington Post said, “Of all SF writers currently active none is held in higher esteem,” has selected the short fiction he considers his finest into one volume.  There are many award winners and many that have been selected for various Year’s Best anthologies among the thirty-one stories, which include: “Petting Zoo,” “The Tree Is My Hat,” “The Island of Dr. Death and Other Stories,” “The Hero as Werewolf,” “Seven American Nights,” “The Fifth Head of Cerberus,” “The Detective of Dreams,” and “A Cabin on the Coast.” Gene Wolfe has produced possibly the finest and most significant body of short fiction in the SF and fantasy field in the last fifty years, and is certainly among the greatest living writers to emerge from the genres.  This is the first retrospective collection of his entire career.  It is for the ages.Contents11 • The Island of Doctor Death and Other Stories • [Archipelago] • (1970) • shortstory by Gene Wolfe23 • Afterword (The Island of Doctor Death and Other Stories) • essay by Gene Wolfe25 • The Toy Theater • (1971) • shortstory by Gene Wolfe30 • Afterword (The Toy Theater) • essay by Gene Wolfe31 • The Fifth Head of Cerberus • (1972) • novella by Gene Wolfe76 • Afterword (The Fifth Head of Cerberus) • essay by Gene Wolfe78 • Beech Hill • (1972) • shortstory by Gene Wolfe83 • Afterword (Beech Hill) • essay by Gene Wolfe84 • The Recording • (1972) • shortstory by Gene Wolfe86 • Afterword (The Recording) • essay by Gene Wolfe88 • Hour of Trust • (1973) • novelette by Gene Wolfe112 • Afterword (Hour of Trust) • essay by Gene Wolfe114 • The Death of Dr. Island • [Archipelago] • (1973) • novella by Gene Wolfe158 • Afterword (The Death of Dr. Island) • essay by Gene Wolfe159 • La Befana • (1973) • shortstory by Gene Wolfe162 • Afterword (La Befana) • essay by Gene Wolfe163 • Forlesen • (1974) • novelette by Gene Wolfe201 • Afterword (Forlesen) • essay by Gene Wolfe202 • Westwind • (1973) • shortstory by Gene Wolfe208 • Afterword (Westwind) • essay by Gene Wolfe209 • The Hero as Werwolf • (1975) • shortstory by Gene Wolfe221 • Afterword (The Hero as Werwolf) • essay by Gene Wolfe222 • The Marvelous Brass Chessplaying Automaton • (1977) • novelette by Gene Wolfe236 • Afterword (The Marvelous Brass Chessplaying Automaton) • essay by Gene Wolfe237 • Straw • (1975) • shortstory by Gene Wolfe243 • Afterword (Straw) • essay by Gene Wolfe244 • The Eyeflash Miracles • (1976) • novella by Gene Wolfe291 • Afterword (The Eyeflash Miracles) • essay by Gene Wolfe292 • Seven American Nights • (1978) • novella by Gene Wolfe331 • Afterword (Seven American Nights) • essay by Gene Wolfe333 • The Detective of Dreams • (1980) • shortstory by Gene Wolfe346 • Afterword (The Detective of Dreams) • essay by Gene Wolfe347 • Kevin Malone • (1980) • shortstory by Gene Wolfe355 • Afterword (Kevin Malone) • essay by Gene Wolfe356 • The God and His Man • (1980) • shortstory by Gene Wolfe360 • Afterword (The God and His Man) • essay by Gene Wolfe361 • On the Train • [Redwood Coast Roamer] • (1983) • shortfiction by Gene Wolfe362 • Afterword (On the Train) • essay by Gene Wolfe363 • From the Desk of Gilmer C. Merton • (1983) • shortstory by Gene Wolfe367 • Afterword (From the Desk of Gilmer C. Merton) • essay by Gene Wolfe368 • Death of the Island Doctor • [Archipelago] • (1983) • shortstory by Gene Wolfe372 • Afterword (Death of the Island Doctor) • essay by Gene Wolfe373 • Redbeard • (1984) • shortstory by Gene Wolfe377 • Afterword (Redbeard) • essay by Gene Wolfe379 • The Boy Who Hooked the Sun • (1985) • shortstory by Gene Wolfe381 • Afterword (The Boy Who Hooked the Sun) • essay by Gene Wolfe382 • Parkroads—A Review • (1987) • shortfiction by Gene Wolfe384 • Afterword (Parkroads—A Review) • essay by Gene Wolfe385 • Game in the Pope's Head • (1988) • shortstory by Gene Wolfe390 • Afterword (Game in the Pope's Head) • essay by Gene Wolfe391 • And When They Appear • (1993) • novelette by Gene Wolfe408 • Afterword (And When They Appear) • essay by Gene Wolfe409 • Bed and Breakfast • (1996) • shortfiction by Gene Wolfe (variant of Bed & Breakfast)426 • Afterword (Bed and Breakfast) • essay by Gene Wolfe427 • Petting Zoo • (1997) • shortstory by Gene Wolfe431 • Afterword (Petting Zoo) • essay by Gene Wolfe433 • The Tree Is My Hat • (1999) • novelette by Gene Wolfe452 • Afterword (The Tree Is My Hat) • essay by Gene Wolfe454 • Has Anybody Seen Junie Moon? • (1999) • shortstory by Gene Wolfe464 • Afterword (Has Anybody Seen Junie Moon?) • essay by Gene Wolfe466 • A Cabin on the Coast • (1984) • shortstory by Gene Wolfe475 • Afterword (A Cabin on the Coast) • essay by Gene Wolfe

    "Anda's Game" is a spin on the bizarre new phenomenon of "cyber sweatshops," in which people are paid very low wages to play online games all day in order to generate in-game wealth, which can be converted into actual money. Another tale tells of the heroic exploits of "sysadmins" — systems administrators — as they defend the cyber-world, and hence the world at large, from worms and bioweapons. And yes, there is a story about zombies, too.

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    Mensah and follows the events in Exit Strategy.Home: Habitat, Range, Niche, Territory was originally given free to readers who pre-ordered Martha’s Murderbot novel, Network Effect.

    talk show Arthur C. Clarke was once asked to name his favorite writer. His answer was "Larry Niven." Countless others agree. The Baltimore Sun and Kirkus Reviews have both dubbed Niven "the premier writer of hard SF," and Gregory Benford has hailed him as "the paradigm of SF personality of the last several decade."Now Larry Niven presents us with his undisputed masterwork. N-Space contains, very simply, the best SF of his career--marvelous fiction, a wealth of anecdotes and gossip, plus Niven's own special brand of wit and excitement.Contents:1 • Introduction: The Maker of Worlds • (1990) • essay by Tom Clancy3 • On Niven • (1992) • essay by Frederik Pohl and Steven Barnes and David Brin and John Hertz and Wendy All and Gregory Benford15 • Dramatis Personae • (1990) • essay by Larry Niven25 • Foreword: Playgrounds for the Mind • (1990) • essay by Larry Niven31 • From World of Ptavvs (excerpt) • (1990) • shortfiction by Larry Niven36 • Bordered in Black • (1966) • shortstory by Larry Niven56 • Convergent Series • (1967) • shortstory by Larry Niven (variant of The Long Night)62 • All the Myriad Ways • [Time Travel - Parallel Universe] • (1968) • shortstory by Larry Niven73 • From A Gift From Earth (Excerpt) • (1990) • shortfiction by Larry Niven90 • The Meddler • (1968) • novelette by Larry Niven112 • Passerby • [State] • (1969) • shortstory by Larry Niven126 • Down in Flames • (1969) • essay by Larry Niven139 • From Ringworld (Excerpt) • (1990) • shortfiction by Larry Niven148 • The Fourth Profession • (1971) • novelette by Larry Niven195 • "Shall We Indulge in Rishathra?" • (1978) • shortfiction by Larry Niven195 •  "Shall We Indulge in Rishathra?" • (1978) • interior artwork by William Rotsler199 • Man of Steel, Woman of Kleenex • (1969) • essay by Larry Niven208 • Inconstant Moon • (1971) • novelette by Larry Niven234 • What Can You Say About Chocolate Covered Manhole Covers? • (1971) • shortstory by Larry Niven245 • Cloak of Anarchy • [Known Space] • (1972) • shortstory by Larry Niven269 • From Protector (excerpt) • (1990) • shortfiction by Larry Niven279 • The Hole Man • (1974) • shortstory by Larry Niven293 • Night on Mispec Moor • [State] • (1974) • shortstory by Larry Niven305 • Flare Time • (1978) • novella by Larry Niven347 • The Locusts • (1979) • novelette by Larry Niven and Steven Barnes389 • From The Mote in God's Eye (excerpt) • (1990) • shortfiction by Larry Niven and Jerry Pournelle394 • Building the Mote in God's Eye • [A Step Farther Out] • (1976) • essay by Larry Niven and Jerry Pournelle420 • Brenda • (1988) • novella by Larry Niven465 • The Return of William Proxmire • (1989) • shortstory by Larry Niven475 • The Tale of the Jinni and the Sisters • (1988) • shortstory by Larry Niven491 • Madness Has Its Place • [Man-Kzin Wars] • (1990) • novelette by Larry Niven519 • Niven's Laws (1990 version) • (1990) • essay by Larry Niven528 • The Kiteman • [Integral Trees] • (1990) • novelette by Larry Niven571 • The Alien in Our Minds • (1987) • essay by Larry Niven580 • Space • (1990) • essay by Larry Niven597 • Bibliography of Larry Niven • (1990) • essay by uncredited

    She erred in not considering commercial and political consequences. Now, someone wants to steal or bury her research and, perhaps, her with it. With no way to fight this unknown foe, Jaswinder knows she has but one chance—complete her research and publish. To do that, she has to stay alive and stay free. Pilot Johannes Yrden desires a courtesan, someone to keep him company on the 8 month trip to the planet Liberty and back. He wants someone not from the Yrden Family spaceship and to hell with his brother, Captain Matt Yrden, who believes the TransPlanetary Corporations will stock his line-up with spies. Yrden's plan runs afoul of circumstance, which throws him together with one 'Jazz Saro', a woman on the run. Forced to run with her, Yrden allows her to convince him to sign her on as courtesan. He needs a companion; she needs a ship, a place to hide. It seems a simple enough arrangement. Jaswinder thinks she's found her perfect solution: a hiding place in hyperspace, where she can complete her research using the ship as her laboratory. Unfortunately, she hasn't reckoned on the possibility of one of her pursuers booking passage, forcing her to maintain the fiction of her alias. The pilot's family, with troubles of their own, grow suspicious and it becomes apparent she cannot complete her research openly. That leaves her the choice: Do what she needs to do to in order to save Jaswinder's life or become Jazz Saro.