A vital counter-interpretation of madness in women, showing how it is often a consequence of, rather than a deviation from, the traditional female role.

    

    Aidan Dodson has completely revised the book whilst carefully preserving its succinct and lucid qualities.

    Based on firsthand sources, it recounts legends of the Egyptians, Babylonians, Assyrians, Hittites, and Canaanites, in addition to discussing the mythological elements of Jewish apocalyptic literature and the New Testament.S. H. Hooke, a distinguished scholar who taught at the University of London and served as Speaker's Lecturer at Oxford University, presents a well-documented commentary. Accessible and informative, his text highlights the similarities between a variety of Middle Eastern legends and offers revealing citations from documents, tablets, and inscriptions recovered by archaeological excavations. Familiar stories such as the events described in Genesis and those surrounding Noah's flood and Christ's nativity and resurrection — whatever their basis in fact — have parallels in other cultures. Professor Hooke provides a broad perspective on these and other tales, encompassing the roots of Greek, Roman, and even Celtic mythology.

    But at the centre of their cosmos stands a gnarled old ash tree from which all distances and times are measured. When the old tree creaks, Ragnarok - the end of the world and of the gods themselves - is at hand. It is from this tree that Odin, father of the gods, hanged himself in search of the wisdom of the dead: a disturbing image of divine sacrifice far removed from the feasting and fighting of his otherworld home, Valhalla. This is the first book to show how the Norse myths have resonated from era to era: from Viking-age stories of ice and fire to the epic poetry of Beowulf; and from Wagner's Ring to Marvel Comics' Mighty Thor. Heather O'Donoghue considers the wider contexts of Norse mythology, including its origins, medieval expression and reception in post-medieval societies right up to the present. From Asgard to Valhalla is a book that will intrigue and delight anyone with an interest in how the Norse myths have so profoundly shaped the western cultural heritage.

    Ian Hodder and Scott Hutson argue that archaeologists must consider a variety of perspectives in the complex and uncertain task of "translating the meaning of past texts into their own contemporary language". While remaining centered on the importance of meaning, agency and history, the authors explore the latest developments in post-structuralism, neo-evolutionary theory and phenomenology. Previous Edition Hb (1991): 0-521-40142-9 Previous Edition Pb (1991): 0-521-40957-8

    She shows how the female hero in modern mythology has broken through the traditional boy's club barrier to reveal the pivotal role of high-heeled crimefighters in popular culture. Chapter topics include love and compassion, spies and sexuality, daddy’s girls, and the complicated roles of superwomen who are also mothers. The book also includes a glossary of modern mythic women, as well as a foreword by acclaimed cultural commentator Roz Kaveney, author of Superheroes! Capes and Crusaders in Comics and Films.http://www.ink-stainedamazon.com/

    But to the people of the Arab and Islamic worlds, the picture is dramatically different. Legends of the Fire Spirits looks beyond Westernized caricatures to immerse the reader in the vibrant lore of the jinn—the wondrous, often troublesome, and sometimes terrifying spirit beings of ancient Arab and Islamic tradition.Robert Lebling delves into long-lost accounts, medieval histories, colonial records, anthropologist’s reports, and traveler’s tales to explore the origin and evolution of legends that continue to thrive in the Middle East and beyond. He cuts through centuries of Orientalists’ cultural presumption to craft a study that stands apart from the overwhelming body of literature concerned with religion in the Middle East.A captivating synthesis of history and folklore, this is the most diverse collection of jinn lore ever assembled in one volume. From ancient scriptures to The Arabian Nights and beyond, and with a foreword by acclaimed filmmaker Tahir Shah, Lebling has constructed a comprehensive account that not only transcends geographical borders but also spans some four millennia.

    Egyptian Mythology: A Very Short Introduction explains the cultural and historical background to the fascinating and complex world of Egyptian myth, with each chapter dealing with a particular theme.To show the variety of source material for Egyptian myth, each chapter features a particular object--such as the obelisk known as Cleopatra's Needle, a golden statue of Tutankhamun, and a papyrus containing a story in which the Egyptian gods behave outrageously--which is illustrated by a photograph or line-drawing. The myth "The Contendings of Horus and Seth" is looked at in detail, and the many interpretations it has provoked are examined. In addition to a list of major deities and myths, there are explanations of related topics such as how hieroglyphs work, royal names and titles, and the Egyptian cosmos. There is also a timeline of Egyptian history, a glossary of technical terms and an up-to-date bibliography.

    Now, with a new introduction and full-color artwork, this passionate and important text shows even more clearly that the religion of the Goddess—which is tied to the cycles of women’s bodies, the seasons, the phases of the moon, and the fertility of the earth—was the original religion of all humanity.

    S. dollar bill? Did a pharaoh inspire Moses to worship one God? What’s a Canaanite demoness doing at a rock concert?Since the beginning of time, people have been insatiably curious. They’ve asked questions about where we come from, why the stars shine and the seasons change, and what constitutes evil. The imaginative answers crafted by our ancestors have served as religion, science, philosophy, and popular literature. In this latest installment of the New York Times bestselling Don’t Know Much About® series, Kenneth C. Davis introduces and explains the great myths of the world using his engaging and delightfully irreverent question-and-answer style. He tackles the epic of Gilgamesh; Achilles and the Trojan War; Stonehenge and the Druids; Odin, Thor, and the entire Norse pantheon; Native American myths, and much more, including the dramatic life and times of the man who would be Buddha. From Mount Olympus to Machu Picchu, here is an insightful, lively look at the greatest stories ever told.

    His influence on 20th-century thinking and issues is arguably unparalleled, affecting attitudes on sex, religion, art, culture, and more. Written for the layperson, Freud for Beginners explains the doctor's dogma with wit and clarity, all in a contemporary context.

    With its copious illustrations, it forms an indispensable and unrivaled reference work for everybody interested in art, drama, poetry, anthropology or religion.There is no surviving account in ancient Greek literature of of stories as important as the fall of Troy or Theseus and the Minotaur. It is to visual sources that we have to turn for much of our knowledge of the myths. Vase paintings, engraved gems and sculpture in bronze and and stone often pre-date reference to the myths in literature or offer alternative versions to the familiar accounts; always they throw light on the way the Greeks understood the stories of gods and heroes.

    This is a comprehensive, illustrated anthology of more than 300 myths from around the world which have shaped humankind's collective experience.

    Ong offers fascinating insights into oral genres across the globe and through time, and examines the rise of abstract philosophical and scientific thinking. He considers the impact of orality-literacy studies not only on literary criticism and theory but on our very understanding of what it is to be a human being, conscious of self and other.This is a book no reader, writer or speaker should be without.