SuperF*ckers collects all four fan-favorite issues of Kochalka's over-the-top series, plus the all-new Jack Krak one-shot!

    The princess , however, loses her heart to a handsome recluse who visits their palace. Little does she know that he is none other than the Pandava prince, Arjuna, and that he reciprocates her feelings. It is left to her other brother,Krishna, to understand the situation and solve the dilemma.

    Because I was trapped in Texas at the time, I needed to believe that the broken tractor out back was a car of the future. Japanese, I’ll say, because of the exotic far-awayness of Japan from Texas, and because of the Japanese monster movies and woodblock prints that reached out to me in Texas. Japanese monster movies are part of the fabric of Texas.”In 1983, Panter finally got a chance to fully explore this world, and share it with an audience, when the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in monthly installments for over a decade.But none of these conceptual descriptions will prepare the reader for the confounding visual and verbal richness of Dal Tokyo, as Panter’s famous “ratty line” collides and colludes with near-Joycean wordplay, veering from more or less intelligible jokes to dizzying non-sequiturs to surreal eruptions that can engulf the entire panel in scribbles. One doesn't read Dal Tokyo; one is absorbed into it and spit out the other side.

    In a small park near the river, Alex sleeps on a bench. When he awakens, we can see that he's a mess. He is coming off a colossal bender. As he stirs, a book falls out of his coat: a high school yearbook. He flips through the pages and finds himself. "Alex Kalienka: Alex likes watching T.V., drawing cartoons, and doing nothing. Future places: Sunny California and Mickey Walt Cartoon Studios." Alex closes the book and vomits in the river.Alex is the story of failed dreams and the consequences faced by a man who discovers that accomplishing his career goals are no route to inner peace. It is a story about the redemptive power of art, and about how fleeting those chances for redemption can be in a society that emphasizes different values.This existential, 250-page exploration of depression and the healing power of art was originally published over ten years ago as a six-issue comic book series and is collected here as one book for the first time. Kalesniko is a former Disney animator with credits including The Prince and the Pauper, Mulan, The Lion King and The Little Mermaid. He has also created the graphic novels Why Did Pete Duel Kill Himself? and Mail Order Bride.

    The lines between character and actor are blurring under the verisimilitude of the Vegas strip, the desert sun and the impossibly shiny surface of Bradley’s shades.

    The colors are delicately applied, a visual feast. In short, not only is this tome exemplary of the cartoonist's art, it is similarly an exemplar of the printer's. A well-made book." - Comics Buyer's Guide, on MUTTS' first Sunday treasury, MUTTS SundaysMUTTS is known for its straight-forward, delightful artwork, its positive messages, and, of course, the antics of its charming furry protagonists, Earl the dog and Mooch the cat. But MUTTS has also garnered praise for its creative and colorful Sunday strips.Sunday Mornings is a collection of MUTTS Sunday strips hand-picked by creator Patrick McDonnell. Monday through Saturday, readers of every generation have wide-ranging reasons why they love MUTTS. But Sunday is a special visual adventure. The logo panel is almost a strip unto itself, often paying homage to cartooning of yesteryear, with Mooch and Earl in a comic book cover tribute or parodying a strip from decades gone by. Some readers may have never seen the logo panel, since they are sometimes dropped for space. Those cheated readers, as well as those who have come to love MUTTS' special Sunday full-color strips, will cherish this vibrant collection.

    It's visionary humor in a jugular vein, presented in a handsome hardcover format. Here is where it all began.

    An honour not without hazards as half the nobles in the court had their knives out for him. According to legend, he was constantly being tested and made to prove himself - a challenge he took up readily.Amar Chitra Katha presents enthralling stories of the greatest wit in the Mughal Court./A

    When her father is exiled from his kingdom, Hothal disguises herself as a man and fights alongside the valient Odha, who she eventually falls deeply in love with.

    He forms relationships with his inanimate surroundings and muses to a dead audience, specifically his bear rug Phillippe. His own tales eventually become entangled with that of the legendary Paul Bunyan, and the two become indirectly intertwined, illuminating the discrepancy between the character of the storyteller and the character within his stories. The lives of both Paul and Pete encounter such things as the questionable origin of an ocean and the desire for preservation of everything from a fallen bird to an overused expression that has strayed a stone's throw from its original meaning.

    Shrouded in mystery with the shining gold helmet that covers his face, his performances are mesmerizing, and many fans are starting to believe that he really is Elvis. Through a series of thought-provoking interviews and investigative reporting, a journalist makes it his personal mission to find out who The King really is. And along the way he discovers a lot more than he bargained for.

    If that's not enough to make you scream with delight, we're also adding a special color section featuring the two Creepy stories that helped re-launch Dark Horse Presents on MySpace You'll get all of this tantalizing terror for under twenty bucks - it's a killer deal

    In 2002, Fantagraphics embarked on a publishing plan to reintroduce the greatest strip of the first-half of the 20th Century (the Peanuts of its era) to a public that has largely never seen it: this volume is the fourth in a long-term plan to chronologically reprint strips from the prime of Herriman's career, most of which have not seen print since originally running in newspapers 75 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware, who may well go down as the best cartoonist of the 21st Century. Krazy & Ignatz 1931-1932 is a hot-baked brickbat of a volume, a dance with nearly two full years of the Sunday Krazy Kat (Herriman did not use color until 1935), snug between multiple pages of Herriman extras, including an extensive essay by series editor Bill Blackbeard on pre-Kat Herriman work (with reproductions from rare "Baron Mooch" and "Gooseberry Sprig" strips, and a rarely-seen 1923 full-page drawing of the Kat done for Circulation magazine), and, best of all, a 30-page sequence of over two straight months' worth of 1931 dailies! Plus a new "Debaffler" page decoding Krazy arcana, and a stunning layout front and back and throughout by the inimitable Chris Ware! Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    Sixteen pages of Sarah's Scribbles semi-autobiographical comics that follow the adventures of herself, her friends, and her beloved pets.

    Now the Krypton Man is born anew from the Earth’s fiery sun—the same place where the Man of Steel buried the mysterious Kryptonian Eradicator.