Johnson explores his childhood, adolescence, and college years in New Jersey and Virginia. From the memories of getting his teeth kicked out by bullies at age five, to flea marketing with his loving grandmother, to his first sexual relationships, this young-adult memoir weaves together the trials and triumphs faced by Black queer boys.Both a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color, All Boys Aren't Blue covers topics such as gender identity, toxic masculinity, brotherhood, family, structural marginalization, consent, and Black joy. Johnson's emotionally frank style of writing will appeal directly to young adults.

    Taking time, and specifically the months of the year as an overarching structure, Dimitrov elevates the every day and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, NASA’s golden record to the Ouija board, the speaker is convinced that love is “our best invention.” While he navigates darkness and fear, loneliness and guilt, Dimitrov doesn’t resist joy even in despair. There is a determined curiosity about who we are as people and a shameless interest in the idea of hope. These poems are obsessed with everything around us, even the terrible and fraught.

    Then Erik learned he was Blooded: descended from the Gods.Struggling with a power he doesn’t understand and can barely control, Erik discovers that a secret government agency is selling off Blooded like lab rats to a rival branch of preternatural beings in ’Zebub—San Francisco’s mirror city in an alternate dimension.Lil, a timid apprentice in ’Zebub, is searching for answers to her parents’ sudden and mysterious deaths. Surrounded by those who wish her harm and view her as a lesser being, Lil delves into a forgotten history that those in power will go to dangerous lengths to keep buried.What neither Erik nor Lil realize is that a darkness is coming, something none have faced in living memory. It eats. It hunts. And it knows them. In The Root, the dark and surging urban fantasy debut from Na’amen Tilahun, two worlds must come together if even a remnant of one is to survive.

    Personal and strong, these stories present an evocative new view of the shaping of California and the lives of Indians during the Mission period in California. The result is a work of literary art that is wise, angry and playful all at once.

    After all, they've been though a lot together, including the astronomical rise of Moonlight Overthrow, the world-famous queer pop band they formed in middle school, never expecting to headline anything bigger than the county fair.But after a sudden falling out leads to the dissolution of the teens' band, their friendship, and Eva and Celeste's starry-eyed romance, nothing is the same. Gina and Celeste step further into the spotlight, Steph disappears completely, and Eva, heartbroken, takes refuge as a songwriter and secret online fangirl...of her own band. That is, until a storm devastates their hometown, bringing the four ex-best-friends back together. As they prepare for one last show, they'll discover whether growing up always means growing apart. "It Goes Like This was everything my music nerd heart needed AND wanted. Lyrical and heart-wrenching...beautiful representation, sweetest longing and the pop-star romance of my dreams; Swifties will swoon happily with this story tattooed on their hearts." —Erin Hahn, author of You'd Be Mine and More Than Maybe

    While staying at his grandmother’s condo in Key Largo, he signs up for introductory dive classes, where he meets Joaquim Oliveira, a Brazilian dive instructor with wanderlust. Driven by an instant, magnetic pull, what could have been just a hookup quickly deepens. As their relationship evolves, they must learn to navigate the challenges of Reid’s mental illness—on their own and with each other.

    Eric Gansworth tells the story of his life, of an Onondaga family living among Tuscaroras, and of Native people in America, including the damaging legacy of government boarding schools—and in doing so grapples with the slur common in Native communities, for someone “red on the outside, white on the inside,” and reclaims it.

    "An absorbing...fascinating world is created...not only is it an exploration of racism, it is a powerful and moving testament..."--New York Times Book Review

    Guet Imm, a young votary of the Order of the Pure Moon, joins up with an eclectic group of thieves (whether they like it or not) in order to protect a sacred object, and finds herself in a far more complicated situation than she could have ever imagined.

    She was raised in isolation by a mysterious, often absent mother known only as The Lady. The Lady sends her to the capital of the global empire of Aritsar to compete with other children to be chosen as one of the Crown Prince’s Council of 11. If she’s picked, she’ll be joined with the other Council members through the Ray, a bond deeper than blood. That closeness is irresistible to Tarisai, who has always wanted to belong somewhere. But The Lady has other ideas, including a magical wish that Tarisai is compelled to obey: Kill the Crown Prince once she gains his trust. Tarisai won’t stand by and become someone’s pawn—but is she strong enough to choose a different path for herself?

    Examining how trauma becomes a part of the language we use, Scott takes us back to our roots: childhood incidents, the violence our scars betray, forgotten forebears and histories. The hungers of sexual encounters are underscored by the risks that threaten when we give ourselves to or accept another. But the poems celebrate joy and tenderness, too, as in a sequence re-imagining the love poetry of Verlaine.The collection crescendos to Scott's tour de force, 'Oh My Soho!', where a night stroll under the street lamps of Soho Square becomes a search for true lineage, a reclamation of stolen ancestors, hope for healing, and, above all, the finding of our truest selves.

    But Blythe spends her days pouring latte art at her family’s coffee shop, so why should she care about having apocalyptic abilities?She’s given a reason when magician anarchists crash into said coffee shop and kidnap her family.Heartbroken but determined, Blythe knows she can’t save them alone. A war is brewing between two magician governments and tensions are too high. So, she packs up her family’s bright yellow Volkswagen, puts on a playlist, and embarks on a road trip across the United States to enlist the help of six strangers whose abilities are unparalleled—the other Guardians.

    She is happy to be an anonymous drudge, so long as it keeps anyone from guessing the dangerous secret she hides.But when Malini accidentally bears witness to Priya’s true nature, their destinies become irrevocably tangled. One is a vengeful princess seeking to depose her brother from his throne. The other is a priestess seeking to find her family. Together, they will change the fate of an empire.

    The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as easily as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio, is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain.

    Extraordinary." —Marlon James"Staccato prose and peripatetic storytelling combine the cadences of the Bible with an urgency reminiscent of James Baldwin in this powerfully emotional memoir." —BookPageThe testament of a boy and a generation who came of age as the world came apart—a generation searching for a new way to live.Casey Gerald comes to our fractured times as a uniquely visionary witness whose life has spanned seemingly unbridgeable divides. His story begins at the end of the world: Dallas, New Year's Eve 1999, when he gathers with the congregation of his grandfather's black evangelical church to see which of them will be carried off. His beautiful, fragile mother disappears frequently and mysteriously; for a brief idyll, he and his sister live like Boxcar Children on her disability checks. When Casey—following in the footsteps of his father, a gridiron legend who literally broke his back for the team—is recruited to play football at Yale, he enters a world he's never dreamed of, the anteroom to secret societies and success on Wall Street, in Washington, and beyond. But even as he attains the inner sanctums of power, Casey sees how the world crushes those who live at its margins. He sees how the elite perpetuate the salvation stories that keep others from rising. And he sees, most painfully, how his own ascension is part of the scheme.There Will Be No Miracles Here has the arc of a classic rags-to-riches tale, but it stands the American Dream narrative on its head. If to live as we are is destroying us, it asks, what would it mean to truly live? Intense, incantatory, shot through with sly humor and quiet fury, There Will Be No Miracles Here inspires us to question--even shatter--and reimagine our most cherished myths.