Aden Garrett is fresh out of security academy and looking for a little excitement. A little more than walking security at local space station bars and a little less than the job that got him kicked out of the academy. Meshelle and Janna are Vagnosian sisters that run a small transport and special operations ship, and they're looking to replace a fallen crew member. Chance brings them together and puts them work for one of the mysterious Kesari merchants who's looking for some expendable assets for a special job. It's a perfect match, except the crew of the Uma, Janna's ship, doesn't agree to being disposed of when the job is done. What follows is a game of cat and mouse through the galaxy with twists and turns at every solar system. Lost alien civilizations, six limbed insectoid warriors, plasma rifles, and more await. Much, much more… Keep your eye out for future Dark Universe novels: Book 1: Into the Dark Book 2: Out of the Dark Book 3: Chasing the Dark

    The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

    Little did she know that she would defend it with her life. For the entire unarmed human settlement lies smack between two varieties of monster, one spider-like, one human-like, but infinitely stronger. Monsters who will simply never stop…HUNTER’S PLANET by David BischoffOn Hunter's Planet, populated by genetically engineered creatures of all kinds, it seems that Predators have begun to seed Aliens. This is bad, real bad, for business, which is why Machiko Noguchi is sent in to confront the Predators she once considered friends. The only way for her to win is to take control of the most deadly planet in known space…WAR by S. D. PerryMachiko Noguchi is an outcast being tracked by the Predators who used to be her hunting band. Jess, Lara, and Ellis are the remnants of a bug-hunting team that wiped out an infestation in a Company space station. All four humans must join a desperate fight on the swamp planet Bunda, where fearsome Predators are at war with a ferocious colony of aliens.

    Filled with unforgettable characters, mind-bending speculation, and nonstop action, I, Robot is a powerful reading experience from one of the master storytellers of our time. I, ROBOT They mustn't harm a human being, they must obey hitman orders, and they must protect their own existence...but only so long as that doesn't violate rules one and two. With these Three Laws of Robotics, humanity embarked on perhaps its greatest adventure: the invention of the first positronic man. It was a bold new era of evolution that would open up enormous possibilities—and unforeseen risks. For the scientists who invented the earliest robots weren't content that their creations should ' remain programmed helpers, companions, and semisentient worker-machines. And soon the robots themselves; aware of their own intelligence, power, and humanity, aren't either. As humans and robots struggle to survive together—and sometimes against each other—on earth and in space, the future of both hangs in the balance. Human men and women confront robots gone mad, telepathic robots, robot politicians, and vast robotic intelligences that may already secretly control the world. And both are asking the same questions: What is human? And is humanity obsolete? In l, Robot Isaac Asimov changes forever our perception of robots, and human beings and updates the timeless myth of man's dream to play god. with all its rewards—and terrors.--front flap

    With its curious mixture of adventure, natural history and satire this early Canadian novel has become a landmark work of fantasy and science fiction.

    Then the enemies are forced to become allies when everyone becomes lost in an unfamiliar region of the galaxy and must fight their way back through primative planets and against alien fleets. As always with Smith, romance and action are equally mixed. The Seaton is forced back into action to stop a menace that threatens every civilized planet in the galaxy, but to do it he must create the greatest starship ever conceived. Finally read Triplanetary, the story that helped launch the Lensmen series. A brainy man and heroic woman fight against ruthless space pirates for life and love.

    Here are some of the remarkable features of Barnes & Noble ClassicsNew introductions commissioned from today's top writers and scholarsBiographies of the authorsChronologies of contemporary historical, biographical, and cultural eventsFootnotes and endnotesSelective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the workComments by other famous authorsStudy questions to challenge the reader's viewpoints and expectationsBibliographies for further readingIndices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences--biographical, historical, and literary--to enrich each reader's understanding of these enduring works. When Leaves of Grass was first published in 1855 as a slim tract of twelve untitled poems, Walt Whitman was still an unknown. But his self-published volume soon became a landmark of poetry, introducing the world to a new and uniquely American form. The "father of free verse," Whitman drew upon the cadence of simple, even idiomatic speech to "sing" such themes as democracy, sexuality, and frank autobiography.Throughout his prolific writing career, Whitman continually revised his work and expanded Leaves of Grass, which went through nine, substantively different editions, culminating in the final, authoritative "Death-bed Edition." Now the original 1855 version and the "Death-bed Edition" of 1892 have been brought together in a single volume, allowing the reader to experience the total scope of Whitman's genius, which produced love lyrics, visionary musings, glimpses of nightmare and ecstasy, celebrations of the human body and spirit, and poems of loneliness, loss, and mourning.Alive with the mythical strength and vitality that epitomized the American experience in the nineteenth century, Leaves of Grass continues to inspire, uplift, and unite those who read it. Karen Karbiener received a Ph.D. from Columbia University and currently teaches at New York University. She also wrote the introduction and notes for the Barnes & Noble Classics edition of Frankenstein.

    It has been celebrated for its beauty and mystery, its realistic depiction of space travel and dazzling display of visual effects, the breathtaking scope of its story, which reaches across millions of years, and the thought-provoking depth of its meditation on evolution, technology and humanity's encounters with the unknown. 2001 has been described as the most expensive avant-garde movie ever made and as a psychedelic trip, a unique expression of the spirit of the 1960s and as a timeless masterpiece. Peter Krämer's insightful study explores the complex origins of the film, the unique shape it took and the extraordinary impact it made on contemporary audiences. Drawing on new research in the Stanley Kubrick Archive at the University of the Arts London, Krämer challenges many of the widely-held assumptions about the film. He argues that 2001 was Kubrick's attempt to counter the deep pessimism of his previous film, Dr Strangelove (1964), which culminates in the explosion of a nuclear 'doomsday' device, with a more hopeful vision of humanity's future, facilitated by the intervention of mysterious extra-terrestrial artifacts. This study traces the project's development from the first letter Kubrick wrote to his future collaborator Arthur C. Clarke in March 1964 all the way to the dramatic changes Kubrick made to the film shortly before its release by MGM in April 1968. Krämer shows that, despite – or, perhaps, because of – Kubrick's daring last-minute decision to turn the film itself into a mysterious artifact, 2001 was an instant success with both critics and general audiences, and has exerted enormous influence over Hollywood's output of science fiction movies ever since. The book argues that 2001 invites us to enjoy and contemplate its sounds and images over and over again, and, if we are so inclined, to take away from it an important message of hope.

    With his country on the brink of war and in desperate need of a leader, his wife, Elizabeth (Helena Bonham Carter), the future Queen Mother, arranges for her husband to see an eccentric speech therapist, Lionel Logue (Geoffrey Rush). After a rough start, the two delve into an unorthodox course of treatment and eventually form an unbreakable bond. With the support of Logue, his family, his government and Winston Churchill (Timothy Spall), the King will overcome his stammer and deliver a radio-address that inspires his people and unites them in battle.As David Seidler writes in his introduction, "The King's Speech is about a great deal more than a speech impediment. It is about friendship. I'm talking about mentoring and support and a great deal of humor. We lose these deep, meaningful friendships at our peril."The Newmarket Press Book includes:A fascinating introduction by screenwriter David Seidler about how and why an idea that came to him almost thirty years ago evolved into the award-winning screenplayComplete Shooting ScriptComplete cast and crew credits

    No one is surprised that while the Halloran clan gathers at the crumbling old mansion for a funeral she wanders off to the secret garden. But when she reports the vision she had there, the family is engulfed in fear, violence, and madness. For Aunt Fanny's long-dead father has given her the precise date of the final cataclysm!

    The first family biography of Hollywood's Warners draws on letters and interviews to follow four brothers from their immigrant beginnings to their position as prime shapers of American entertainment, capturing the excitement and tension of Hollywood's evolution.

    But now a new and very mysterious employer recruits him for a last-chance run. The target: an unthinkably powerful artificial intelligence orbiting Earth in service of the sinister Tessier-Ashpool business clan. With a dead man riding shotgun and Molly, mirror-eyed street-samurai, to watch his back, Case embarks on an adventure that ups the ante on an entire genre of fiction.The winner of the Hugo, Nebula, and Philip K. Dick Awards, Neuromancer was the first fully-realized glimpse of humankind’s digital future—a shocking vision that has challenged our assumptions about our technology and ourselves, reinvented the way we speak and think, and forever altered the landscape of our imaginations.

    A treasured source used by almost all the significant writers in the American pulp tradition — H. P. Lovecraft, A. Merritt, Robert E. Howard, and many others — it endures as a work of remarkable power and one of the most chillingly original books in the genre.This collection reprints all the supernatural stories from The King in Yellow, including the grisly "Yellow Sign," the disquieting "Repairer of Reputations," the tender "Demoiselle d'Ys," and others. Robert W. Chambers' finest stories from other sources have also been added, such as the thrilling "Maker of Moons" and "The Messenger." In addition, an unusual pleasure awaits those who know Chambers only by his horror stories: three of his finest early biological science-fiction fantasies from In Search of the Unknown appear here as well.

    This magnificent trilogy also contains two other superb short novels. In Revenge, love causes the course of a man's life to be savagely and irrevocably altered. Nordstrom, in The Man Who Gave up his Name, is unable to relinquish his consuming obsessions with women, dancing and food.'

    Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone.The vignettes are drawn from Burroughs' own experiences in these places and his addiction to drugs (heroin, morphine, and while in Tangier, majoun [a strong hashish confection] as well as a German opioid, brand name Eukodol, of which he wrote frequently).[source wiki}