Sam was an easy going man by nature, but he was a man who knew when to stand his ground. When that time came, it was a serious mistake to be on the wrong end of his gun. He was still having trouble wrapping his mind around the fact that he had killed two men in five days. Books #2, #3, #4, #5, #6, #7, and #8 are now available. Sherman Buckhorn recommends that you read the books in numerical order for best story continuity. (Sherman Buckhorn)Book #1: Marshal Sam CallappBook #2: Trouble at Cougar PassBook #3: Jubilee's RevengeBook #4: Sam and Jubilee Go BountyBook #5: Returning Home Book #6: A Star Again for Marshal SamBook #7: Little Sam ArrivesBook #8: Sam Callapp, Peacekeeper

    So when he wants the notorious McPeek gang brought to justice — dead or alive — he turns to bounty hunter Quill Callaghan. But running down such a bloodthirsty bunch as that led by Wes and Penn McPeek is a tough trail even for the experienced and deadly Callaghan.

    Chris tells the remarkable story of the magazine, from the tatty rag produced in his Newcastle bedroom to becoming one of the bestselling magazines in the UK.Chris was the creator of many of the characters and was responsible for all the magazine’s written content. Characters from the magazine, such as Sid the Sexist and the Fat Slags, are now household names.This is an engaging tale told in Chris’s unique, wry way. Chris takes us from his train-spotting childhood in the ’70s through to setting up the magazine with family and friends, and struggling to sell even a few copies of Viz in the local pub. The comic’s success swiftly grew, however, and remarkable events ensued, such as how Chris was invited to tea by Prince Charles, taken in for questioning by New Scotland Yard's Anti-Terrorist Branch and caught his wife up to no good with Keith Richards in Peter Cook's attic.Chris includes many original drawings in this integrated book as well as some fascinating images of early Viz creations.

    When a wagon train of homesteaders is massacred by outlaws, a young male survivor is determined to rescue his stolen siblings. Dragged from his now peaceful existence, former military scout, Holton Lang invests himself in the search for the stolen captives as well as the difficult task of keeping the young man alive. As the search continues across three states, Holton meets old friends and finds new meaning in life as his job of survival embraces a newfound kinship.

    

     Ranch hand Samson Stockton and Sheriff Amis were almost at the town’s borders, both of them on their horses and loaded with guns and ammunition. Samson had his Smith & Wesson New Model 3, as well as a Colt Frontier, chambered for the .44-40 Winchester. The sheriff also carried two Colt Peacemakers on him, and an old Sharps ’67. Between them, they had enough rounds to take out a small village, even though Samson would do anything to avoid a fight at that point. They were simply trying to find their hideout – Stels McHuay’s hideout – so that they could come up with a plan. McHuay and his gang are ruthless with a simple plan: kidnapping and violating young women. The women’s pleas and cries mean nothing to the gang, not when they can smell the money that the women can bring them. When Samson gets in McHuay’s way, McHuay sees only one way to get what he wants. He must have Samson killed. But Samson has help from the brave though inexperienced sheriff, as well as from a young, feisty lady Avie Hearst.

    

    With ten months to live, he decided to accept his imminent death and went on the road. His calm, philosophical response made him even more beloved and admired. And then the strangest thing happened: he didn't die. Don't You Leave Me Here is the story of his life in music, his life with cancer, and his life now - in the future he never thought he would see.

    An electrifying live performer, superb writer, and virtuosic vocalist, he has successfully bridged two musical worlds that usually have little use for each other--commercial country and its alternative/Americana/roots-rocking counterpart. Defying the label "too country for rock, too rock for country," Yoakam has triumphed while many of his peers have had to settle for cult acceptance. Four decades into his career, he has sold more than 25 million records and continues to tour regularly, with an extremely loyal fan base.In Dwight Yoakam, award-winning music journalist Don McLeese offers the first musical biography of this acclaimed artist. Tracing the seemingly disparate influences in Yoakam's music, McLeese shows how he has combined rock and roll, rockabilly, country, blues, and gospel into a seamless whole. In particular, McLeese explores the essential issue of "authenticity" and how it applies to Yoakam, as well as to country music and popular culture in general. Drawing on wide-ranging interviews with Yoakam and his management, while also benefitting from the perspectives of others closely associated with his musical success (including producer-guitarist Pete Anderson, Yoakam's partner throughout his most popular and creative decades), Dwight Yoakam pays tribute to the musician who has established himself as a visionary beyond time, an artist who could title an album Tomorrow's Sounds Today and deliver it.

    Yet a spiraling descent into drug abuse and depression snuffed his flame out prematurely when he quit the pro tour at just 22. Faltered comebacks, spectacular bursts of free-surfing, and manic breakdowns followed as the surfing world watched a freakish talent self-combust. After years spent immobile and overweight on the couch, Occy eventually emerged from his cocoon, reborn and ready to tackle a whole new generation of surf stars. His celebrated comeback to win the world title in 1999 is a sporting fairytale without equal. In this no-holds barred account, Occy tells the complete, remarkable story of his spectacular rise, terrifying fall, and miraculous rebirth.

    Now he's being released. Some men want to rebuild their lives when they're released from prison. Robichaud doesn't have a life to rebuild. They destroyed that and everything in it when they falsely imprisoned him. All he has now is revenge. Sweet revenge served cold. He intends to get it in spades.

    Through the press and in person he lobbied naval brass about America's woefully unprepared defensive air power but his talk of dogfights over the Pacific with superior planes was laughed at and dismissed by all. Mitchell's vision of a US Air Arm would have meant massive, costly upgrades to the nation's dated flying machines owned by private firms holding patents on aircraft machinery. Old guard soldiers, like John J. Pershing, dismissed as delusional ravings Mitchell's belief that a battleship could be destroyed by a bomber. Mitchell's outspoken press conferences about an airplane trust supported by corrupt government officials led to his court-martial for insubordination in 1925. He died in 1936, a man ahead of his times.*Includes annotations and images.

     *Includes Newman's own quotes about his life and career. "The first time I remember women reacting to me was when we were filming Hud in Texas. Women were literally trying to climb through the transoms at the motel where I stayed. At first, it's flattering to the ego. At first. Then you realize that they're mixing me up with the roles I play - characters created by writers who have nothing to do with who I am." - Paul NewmanA lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, readers can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.Over the course of his long film career, Paul Newman was once one of the most bankable stars in Hollywood during his peak, and that was decades before he won an Academy Award for Best Actor for his role in The Color of Money (1986), one of the eight times he was nominated for an Oscar. Having come to prominence as a handsome but rebellious young man in the mold of James Dean, Newman was able to maintain an aura that viewers found both cool and irresistible even into his 60s, typically an age when leading men find themselves on the outs. Newman was even nominated for an Academy Award for Best Supporting Actor for Road to Perdition (2002), when he was in his late 70s, and he continued working in the industry until just shortly before his death in 2008.While Newman was a recognizable film star in his time, younger generations know Newman more as a pop culture fixture than as a movie star. Newman acted and directed in Hollywood for six decades, but he was noteworthy off the screen for various pursuits, including running a racing team that was successful in IndyCar racing, but especially for the food products that bore his name. Newman established the food company Newman's Own as a philanthropic endeavor, once joking, "When I realized I was going to have to be a whore, to put my face on the label, I decided that the only way I could do it was to give away all the money we make. Over the years, that ethical stance has given us a 30 per cent boost. One in three customers buys my products because all the profits go to good causes and the rest buy the stuff because it is good." Although he started jokingly referring to himself as the "star of oil and vinegar and the oil and vinegar of the stars", consumers still find Newman's face on labels for goods like salad dressing and popcorn, and the brand name is still very popular today, helping carry Newman's name and legacy forward.American Legends: The Life of Paul Newman examines the versatile life and career of an American icon. Along with pictures of important people, places, and events, you will learn about Paul Newman like never before, in no time at all.

     Sheriff Rowan Keller is the new sheriff of Blackgate. There’s just one problem. The old sheriff doesn’t want to leave. He’s spent years taking bribes from criminals so they could pass through unscathed, and he’s not eager to give things up. But Rowan’s about to put an end to all that. Blackgate’s got a poker tournament coming up, and it’s drawing all the wrong kinds of people. But no one beats Wade Sharp. Evil, corrupt, and soulless, Wade has a gang of men who will kill anyone who gets in their way. Even women and children. When Rowan puts up a fight, Wade decides him and the entire town must pay. Especially Tillie. She’s pretty and kind, and Wade’s taking her with him when he leaves. But if he thinks Rowan is just going to let her go, he’s mistaken. Rowan’s ready to go into battle, even if he has to do it alone. Can Rowan save Tillie and the entire town, or are they already good as dead?

    How can we begin to understand what drives people to treat each other as they do? “Medieval” is a word often used. Well-informed commentators analyse political and military issues but give little insight into the cultural and domestic backgrounds of the protagonists."Living with Arabs" is an account of nine years spent visiting and living among the Bedouin tribes of Petra in southern Jordan; in some ways a world away from the neighbouring war zones. Through insightful accounts of day-to-day life, a world of nobility and simplicity is revealed: so too is a world of violence, gender imbalance, and the significance of Islam. It is a story that begins viewed through rose-coloured spectacles and moves to a gripping realisation of reality. The shocking, the funny, the heart-warming – it is all here.Joan Ward was born and bred in Birmingham, UK. She spent four years commissioned in the Royal Air Force before starting a teaching career that lasted 33 years. From 2004-2006, she was Head of English at the International Community School in Amman. On her retirement in 2006, she remained in Jordan and spent six years living in Um Sayhoun with the Petra Bedouin.