Rich with references ranging from Goethe's Werther to Winnicott, from Plato to Proust, from Baudelaire to Schubert, A Lover's Discourse artfully draws a portrait in which every reader will find echoes of themselves.

    he is later found in a vegetative state at a railway station, where an old rag-picker takes him to his home where Mumukshu gradually recovers.Eventually, the old man dies leaving Mumukshu alone once again. slowly Mumukshu realizes that the old man was much wiser than what he appeared to be. he soon starts teaching the slum children from where he is eventually invited to serve in well known NGO.With his focus and dedication, Mumukshu becomes a well - known personality, yet he still feels a void inside him. One day almost 25 years post fateful incident of his wife's demise, Mumukshu meets tara, a young reporter, who constantly reminds him of his late wife. As the bond between the two grows, Mumukshu must find out the truth behind the same and decode the mysteries of life as he stands at the crossroads once again.About the Author:Niles is a writer, a poet a philanthropist but most importantly a seeker. His first book " Ladakh: Chronicles from the land of lamas " which was published in 2009. "Beyond The Night. Before the Dawn" is an attempt from him to share his experiences and learnings through the aid of a comprehensible fictional narrative of love story stretching beyond life.

    The colorful artwork leaps off the page while the stories bring you right to the heart of how it feels to be alive today.

    For when Jeanette Winterson looks at works as diverse as the Mona Lisa and Virginia Woolf's The Waves, she frees them from layers of preconception and restores their power to exalt and unnerve, shock and transform us."Art Objects is a book to be admired for its effort to speak exorbitantly, urgently and sometimes beautifully about art and about our individual and collective need for serious art."--Los Angeles Times

    Today the general wealth of social life finds itself confronted by mutations in the mechanisms of control, from the proliferation of capitalist logistics through governance by credit and management of pedagogy. Working from and within the social poesis of life in the undercommons Moten and Harney develop and expand an array of concepts: study, debt, surround, planning, and the shipped. On the fugitive path of an historical and global blackness, the essays in this volume unsettle and invite the reader to the self-organised ensembles of social life that are launched every day and every night amid the general antagonism of the undercommons.

    Includes several lectures and two interviews.

    . . . All the virtues of the author's astounding intelligence and compelling rhetoric are evident from the first sentence onward."—Anthony C. Yu, Journal of Religion

    Artifice of Absorption, a key essay, is written in verse, and its structures and rhythms initiate the reader into the strength and complexity of the argument. In a wild variety of topics, polemic, and styles, Bernstein surveys the current poetry scene and addresses many of the hot issues of poststructuralist literary theory. Poetics is the continuation of poetry by other means, he writes. What role should poetics play in contemporary culture? Bernstein finds the answer in dissent, not merely in argument but in form--a poetic language that resists being easily absorbed into the conventions of our culture.Insisting on the vital need for radical innovation, Bernstein traces the traditions of modern poetry back to Stein and Wilde, taking issue with those critics who see in the postmodern a loss of political and aesthetic relevance. Sometimes playful, often hortatory, always intense, he joins in the debate on cultural diversity and the definition of modernism. We encounter Swinburne and Morris as surprising precursors, along with considerations of Wittgenstein, Khlebnikov, Adorno, Jameson, and Pac-Man. A Poetics is both criticism and poetry, both tract and song, with no dull moments.

    How can recklessness guide the poet, the artist, and the reader into art, and how can it excite in us a sort of wild receptivity, beyond craft? "Poetry is not a discipline," Young writes. "It is a hunger, a revolt, a drive, a mash note, a fright, a tantrum, a grief, a hoax, a debacle, an application, an affect . . ."

    In Why We Need Love, Simon Van Booy curates an enlightening collection of excerpts, passages, and paintings, presenting works by Geoffrey Chaucer, William Shakespeare, John Donne, William Blake, George Eliot, Emily Dickinson, O. Henry, W. B. Yeats, James Joyce, E. E. Cummings, Anaïs Nin, Marc Chagall, J. Krishnamurti, and others.Provocative and eye-opening, Why We Need Love is one of three slim selections of philosophical texts and excerpts—along with Why We Fight and Why Our Decisions Don’t Matter—introduced and contextualized by acclaimed author Simon Van Booy (Love Begins in Winter, The Secret Lives of People in Love).

    Frye persuasively presents the Bible as a unique text distinct from all other epics and sacred writings. “No one has set forth so clearly, so subtly, or with such cogent energy as Frye the literary aspect of our biblical heritage” (New York Times Book Review). Indices.

    In MILLENNIUM, Hakim Bey both sustains and expands the ideas of his groundbreaking work, THE TEMPORARY AUTONOMOUS ZONE. Here, Bey suggests that mere detachment from (or even outright rejection of) the monolith of global capital is not enough; that either we accept ourselves as the 'last humans,' or else we accept ourselves as the opposition. The book also contains an illuminating interview with Bey, in which he discusses his body of work and assesses our collective position at the turn of the millennium.

    Published originally in 1881, The Critic As Artist is one of Oscar Wilde's major aesthetic statements.

    Originally released as a series of magazines, then a collected edition which sold thousands before going out of print, ANSWER Me! has been blamed for a White House shooting and a triple suicide. It has been banned in several countries and put on trial for obscenity in the USA. Chock full of well-written rants, interviews, and articles on topics ranging from music and subcultures to sex, love, hate, murder, serial killers, and suicide, this fat, gorgeous anthology contains the legendary rant-zine's first three issues in their entirety. It also contains sixty new pages of wistful ANSWER Me! memories and tasty new articles written by philanthropist and humanitarian Jim Goad. There's a strong chance that this is the best book ever published. Only an idiot would refuse to buy it. ANSWER Me! was so wonderful because it reminded me of when my uncle Joey turned me on to National Lampoon when I was eight years old. After National Lampoon I was always looking for uglier forms of humor, and then comes along ANSWER Me! -- Shaun Partridge, Partridge Family Temple ANSWER Me! is a nasty little book ... more than worth its cover price for the jaw dropping serial killer and suicide guides. -- debased.com

    Essential reading for students and anyone interested in the great philosophers, this book opens up appreciation of Heidegger beyond the study of philosophy to the reaches of poetry and our fundamental relationship to the world. Featuring "The Origin of the Work of Art," a milestone in Heidegger's canon, this enduring volume provides potent, accessible entry to one of the most brilliant thinkers of modern times.