To A Girl I Haven't Met takes you on a journey through poetry and prose that reminds us all what it takes to keep believing in true love.

    It tells the story of how Orbis Rex, Young Matt and his Circle of Friends, Queen Dido and the blind Dom'nic did battle with 'a wet and withered bat' from Wuhan.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    104 pages of gossiping, loving and pestering of the British upper class, accompanied by illustrations, will definitely not disappoint.

    He collects ordinary oddities and links them together in a conversational stream of consciousness, thus disguising profundity in the everyday (or finding it there?) and only occasionally relying on the sort of portentous phrases to which so much poetry is indebted. Yet there is shape to this apparent arbitrariness, and in reading Ashbery's newest collection, Your Name Here, distinct themes do begin to coalesce and assert themselves.Many of the poems share, for instance, an unmistakably elegiac tone. In a poem like "Strange Occupations," the word "remember" appears four times in the first eight lines. The book is very much the searching-backward gaze of an older man -- Ashbery is in his 70s -- who clings to memories of people and places but is haunted by missed opportunities and unforeseen consequences. Ashbery sifts through the attic of his life, but he intertwines its contents with the colorful stuff of dreams and fictions, and he directs his remembrances to others; the book is full of constant references to "you," invocations of friends, addresses to the absent. One of the book's recurring images is that of a spool -- conjuring up the skein of days, the thread of a life unwinding in memories. Writing becomes a transcript of the aging process, a literal book of days; it preserves a sense of self before time's lens, defying the idea of "life as a sandbar...that the tide is frantically trying to erase." But the danger lies in representation replacing action: "My life at my back now, my discourse/like weeds far out on a lake" wrings its hands at the passive nostalgia of later years. In "telling my adventures to anyone who will listen" (from a poem called "Cinema V�rit�"), the poet's life is reduced to art, not transformed by it. pLooking back at his mistakes, the poet wants to know, "In what way do things get to be wrong?" and he thinks "how heavenly it would have been/if it had all happened later or differently." But an awareness of the gulf between freedom and necessity, expectation and reality, also deepens with age, Ashbery seems to say. One never forgets death, the ultimate end, but getting there can take so many routes, and therein lies the urgency of living: "One can wait on the curb for the rest/of one's life, for all anyone cares, or one can cross/when the light changes to green..." "Escape is never possible" if life is reduced to a labyrinth -- but "there is still time for surprises," for the shock of novelty, adventure, chance. "We know, they say, and keep going," one of the book's final poems declares, supplying the only possible answer for the future to iYour Name Here/i's wistful questioning of the past.p--iJonathan Cook/i

    All are linked to the new Dorset Gardens Theatre where feisty young Betsy Brand is playing First Witch in Macbeth. It seems that a shadowy figure called The Salamander, who haunted London during the Fire, has returned to wreak cruel revenge on his enemies. With the authorities utterly baffled, Betsy takes on a new role as an investigator. She reasons that perhaps a clever, courageous actress can unravel the deepening mystery. But soon she faces a more terrible foe than ever stalked upon a stage—and finds her own life is at stake.

    This mission will have him escorting the prisoner across America. When things go awry, Mack finds himself in the middle of a forest surrounded by the plane’s debris. Initially, he believes the crash to have been the result of a mechanical error, but soon discovers that the electrical malfunction may have been the result of an EMP. As the sole survivors, Mack and Grace will have to band together to find their way to a military bunker for shelter, but she lacks the necessary skills and means to survive. Will her inexperience be too much of a cross to bear? Can they find out the truth about what caused the devastating crash before succumbing to the elements?

    After she confronts the tormentors from her past, she realizes her future lies in Montana with Gabriel. As Savannah Montgomery recovers from her tragic loss, her relationship with Jeremy McLeod deepens. However, she must sever ties to her past to live the life she desires and learn to trust again. Undaunted Love follows the McLeod, Sullivan, and Russell families as they struggle against injustice, persevere against loss and betrayal, and learn that the strongest bonds are the ones forged by loyalty and love.

    Dunn's landscape at the end of the century embraces the spectrum of urgencies and obsessions that we live with and for. It's a landscape that we share with citizens and spies, revelers and mourners, women who weep, men who keep secrets, and especially with the poet himself.

    The book features raw, blunt, and in your face poems depicting the darker side of relationships. Readers will find themes such as lies, cheating, and heartache abundant in much of this collection. Midnight Milkshakes, being the second volume of Ray's Ice Cream And Suicide, is great for returning readers to the series. The book focuses on much of the same style and mood that is common in his writings.

    

    In an essay on his career, Edward Hirsch describes They Feed They Lion as his "most eloquent book of industrial Detroit . . . The magisterial title poem--with its fierce diction and driving rhythms--is Levine's hymn to communal rage, to acting in unison." Of The Names of the Lost: "In these poems Levine explicitly links the people of his childhood whom 'no one remembers' with his doomed heroes from the Spanish Civil War."

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    Imagine stepping from a bush plane on to a frozen lake where the temperature is 60 degrees below zero. Three miles away sits a cabin that will be your home for the next year. Now, imagine not finding it for six bitter cold days. This is where the unforgettable true story begins for two young men in search of adventure in the Canadian wilderness. Share their struggle for survival, hunt moose for winter meat and build a cabin at Paradise Creek. Discover the joy and hardships of living for one year in a wilderness log cabin. This is a coming of age story. The range of emotions stretch from the pain of frostbite to the awesome splendor of Northern Lights. From the darkness and loneliness of a subarctic winter to the bliss of watching a sunset on a home-made swing. Journey with these two young men on an adventure you will never forget.

    The armies of North and South stand on the brink of America’s civil war. Nathanial Starbuck arrives in the capital of the Confederate South, where he enlists in an elite regiment. He is a northern boy fighting for the southern cause. But nothing can prepare him for the shocking violence to follow in the war which broke America in two.COPPERHEADNathanial Starbuck is a Copperhead: a northerner fighting for the rebel South in America’s Civil War. Expelled from the Faulconer Legion, Starbuck must travel a hard road before he can rejoin his comrades. His journey will take him through the savage prisons of Richmond, across the blood-sodden battlefields of Virginia, and into the deadly high command of the northern army.BATTLE FLAGThe epic battle for control of the Confederate capital continues through the hot summer of 1862. It’s a battle that Captain Nate Starbuck, a Yankee fighting for the Southern cause, has to survive and win.THE BLOODY GROUNDIt is late summer 1862 and the Confederacy is invading the United States of America.Nate Starbuck, a northern preacher’s son fighting for the rebel South, is given command of a punishment battalion – a despised unit of shirkers and cowards. His enemies expect it to be his downfall, as Starbuck must lead this ramshackle unit into a battle that will prove to be the bloodiest of the Civil War.