Having given birth to daughter after daughter after daughter, she becomes desperate and turns to the first of her mystical advisors, Msgr. Philippe, who persuades her, among other things, that she is invisible.And then comes the moment of her greatest triumph with the birth of her son and the heir to the throne of all the Russias, the Tsarevich Alexei.All four volumes are (planned) as follows:1. 'The Funeral Bride' 1884-1894 - published November 20152. 'The Empress of Tears' 1895-1904 - published March 20163. 'The Pride of Eagles' 1905-1914 - to be published by November 20164. 'No Greater Crown' 1914-1918 - to be published by April 2017

    For the finished product, however, Alcott continued the story from the chapter "Six Years Afterwards" and so it ended up with nineteen chapters in all. The book revolves around Polly Milton, the old-fashioned girl who titles the story. Polly visits her wealthy friend Fanny Shaw in the city and is overwhelmed by the fashionable and urban life they live--but also left out because of her "countrified" manners and outdated clothes.

     The Gallagher family has called Deeprath Castle home for seven hundred years. Nestled in the Wicklow Mountains of Ireland, the estate is now slated to become a public trust, and book lover and scholar Carragh Ryan is hired to take inventory of its historic library. But after meeting Aidan, the current Viscount Gallagher, and his enigmatic family, Carragh knows that her task will be more challenging than she’d thought. Two decades before, Aidan’s parents died violently at Deeprath. The case, which was never closed, has recently been taken up by a new detective determined to find the truth. The couple’s unusual deaths harken back a century, when twenty-three-year-old Lady Jenny Gallagher also died at Deeprath under mysterious circumstances, leaving behind an infant son and her husband, a renowned writer who never published again. These incidents only fueled fantastical theories about the Darkling Bride, a local legend of a sultry and dangerous woman from long ago whose wrath continues to haunt the castle. The past catches up to the present, and odd clues in the house soon have Carragh wondering if there are unseen forces stalking the Gallagher family. As secrets emerge from the shadows and Carragh gets closer to answers—and to Aidan—could she be the Darkling Bride’s next victim?

    Famous teachers include John Crowe Ransom, and famous students include E.L. Doctorow.

    This is the America we believe in a nation of opportunity, constrained only by ability and effort. But during the last twenty-five years we have seen a disturbing opportunity gap emerge. Americans have always believed in equality of opportunity, the idea that all kids, regardless of their family background, should have a decent chance to improve their lot in life. Now, this central tenet of the American dream seems no longer true or at the least, much less true than it was. Robert Putnam about whom The Economist said, "His scholarship is wide-ranging, his intelligence luminous, his tone modest, his prose unpretentious and frequently funny," offers a personal but also authoritative look at this new American crisis. Putnam begins with his high school class of 1959 in Port Clinton, Ohio. By and large the vast majority of those students "our kids" went on to lives better than those of their parents. But their children and grandchildren have had harder lives amid diminishing prospects. Putnam tells the tale of lessening opportunity through poignant life stories of rich and poor kids from cities and suburbs across the country, drawing on a formidable body of research done especially for this book. Our Kids is a rare combination of individual testimony and rigorous evidence. Putnam provides a disturbing account of the American dream that should initiate a deep examination of the future of our country.

    Traveling abroad with her mother at the turn of the twentieth century to seek a titled husband, beautiful, vivacious Cora Cash, whose family mansion in Newport dwarfs the Vanderbilts', suddenly finds herself Duchess of Wareham, married to Ivo, the most eligible bachelor in England. Nothing is quite as it seems, however: Ivo is withdrawn and secretive, and the English social scene is full of traps and betrayals. Money, Cora soon learns, cannot buy everything, as she must decide what is truly worth the price in her life and her marriage. Witty, moving, and brilliantly entertaining, Cora's story marks the debut of a glorious storyteller who brings a fresh new spirit to the world of Edith Wharton and Henry James.

    This account of an American institution explores the possibility that the magazine, in purporting to teach about distant cultures, actually tells us much more about our own. Lutz & Collins go inside the Nat'l Geographic Society to investigate how its photographers, editors & designers select images & text to produce representations of 3rd World cultures. Thru interviews with editors, they describe the process as one of negotiating standards of balance, objectivity, informational content & visual beauty. Then, in a close reading of some 600 photos, they examine issues of race, gender, privilege, progress & modernity thru an analysis of the way such things as color, pose, framing & vantage point are used in representations of non-Western peoples. Finally, interviewing readers, they assess how the magazine's cultural narratives are received & interpreted, & identify a tension between the desire to know about other peoples' ways & the wish to validate middle-class American values. The result is a complex portrait of an institution & its role in promoting a kind of conservative humanism that acknowledges universal values & celebrates diversity while allowing readers to relegate non-Western peoples to earlier stages of progress. We see the magazine & the Society as a middlebrow arbiter of taste, wealth & power. We get a telling glimpse into middle-class culture & all the wishes, assumptions & fears it brings to bear on armchair explorations of the world.

    Two of these princesses would themselves produce children of immense consequence. All five would curiously come to share many of the social restrictions and familial machinations borne by nineteenth-century women of less-exulted class.Victoria and Albert's precocious firstborn child, Vicky, wed a Prussian prince in a political match her high-minded father hoped would bring about a more liberal Anglo-German order. That vision met with disaster when Vicky's son Wilhelm-- to be known as Kaiser Wilhelm-- turned against both England and his mother, keeping her out of the public eye for the rest of her life. Gentle, quiet Alice had a happier marriage, one that produced Alexandra, later to become Tsarina of Russia, and yet another Victoria, whose union with a Battenberg prince was to found the present Mountbatten clan. However, she suffered from melancholia and died at age thirty-five of what appears to have been a deliberate, grief-fueled exposure to the diphtheria germs that had carried away her youngest daughter. Middle child Helena struggled against obesity and drug addition but was to have lasting effect as Albert's literary executor. By contrast, her glittering and at times scandalous sister Louise, the most beautiful of the five siblings, escaped the claustrophobic stodginess of the European royal courts by marrying a handsome Scottish commoner, who became governor general of Canada, and eventually settled into artistic salon life as a respected sculptor. And as the baby of the royal brood of nine, rebelling only briefly to forge a short-lived marriage, Beatrice lived under the thumb of her mother as a kind of personal secretary until the queen's death.Principally researched at the houses and palaces of its five subjects in London, Scotland, Berlin, Darmstadt, and Ottawa-- and entertainingly written by an experienced biographer whose last book concerned Victoria's final days-- Victoria's Daughters closely examines a generation of royal women who were dominated by their mother, married off as much for political advantage as for love, and finally passed over entirely with the accession of their n0 brother Bertie to the throne. Packard provides valuable insights into their complex, oft-tragic lives as daughters of their time.

    It could not anticipate what was to come after, neither could it grasp what had happened in literary theory in the light of where it was to lead.

    Using the paintings of the era as his starting point - in his view, the one mode of Victorian art yet to be rescued from indifference - Paxman explores themes of family, urban life, industry, empire, and imagination to uncover truths (and explode some myths) about Victorian Britain.To Paxman, these paintings were the television of their day, immensely popular visual narratives that attracted crowds by the hundreds of thousands: a single picture show featuring Elizabeth Butler's Balaclava (depicting survivors of the Charge of the Light Brigade) drew 50,000 viewers, some of them openly weeping. The Victorians shows how artists like Butler, William Powell Frith, Sir Lawrence Alma-Tadema, Luke Fildes, and Ford Madox Brown were chronicling a world changing before their eyes, and his overview ranges across the whole of Victorian life and culture: from high gothic architecture to the birth of the football league, from the novels of Dickens to the technological marvels of Brunel.Published to coincide with a landmark BBC series, The Victorians is an opinionated, informed, surprising, and hugely enthusiastic appraisal of the birth of modern Britain - a glorious reminder of how the Victorians made us who we are today.

    Set in a small seaport town (1862), The Morgesons is the dramatic story of Cassandra Morgeson's fight against social and religious norms in a quest for sexual, spiritual, and economic autonomy. An indomitable heroine, Cassandra not only achieves an equal and complete love with her husband and ownership of her family's property, but also masters the skills and accomplishments expected of women.Counterpointed with the stultified lives of her aunt, mother, and sister, Cassandra's success is a striking and radical affirmation of women's power to shape their own destinies. Embodying the convergence of the melodrama and sexual undercurrents of gothic romance and Victorian social realism, The Morgesons marks an important transition in the development of the novel and evoked comparisons during Stoddard's lifetime with such masters as Balzac, Tolstoy, Eliot, the Brontes, and Hawthorne.

    Wright Mills is best remembered for his highly acclaimed work The Sociological Imagination, in which he set forth his views on how social science should be pursued. Hailed upon publication as a cogent and hard-hitting critique, The Sociological Imagination took issue with the ascendant schools of sociology in the United States, calling for a humanist sociology connecting the social, personal, and historical dimensions of our lives. The sociological imagination Mills calls for is a sociological vision, a way of looking at the world that can see links between the apparently private problems of the individual and important social issues.

    Jonathan Culler, an extremely lucid commentator and much admired in the field of literary theory, offers discerning insights into such theories as the nature of language and meaning, and whether literature is a form of self-expression or a method of appeal to an audience. Concise yet thorough, Literary Theory also outlines the ideas behind a number of different schools: deconstruction, semiotics, postcolonial theory, and structuralism, among others. From topics such as literature and social identity to poetry, poetics, and rhetoric, Literary Theory: A Very Short Introduction is a welcome guide for anyone interested in the importance of literature and the debates surrounding it.About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

    It began life as a slapstick comedy about Siamese twins, but as he wrote, something deepened. "The tale kept spreading along, and spreading along, and other people got to intruding themselves and taking up more and more time with their talk and their affairs. It changed from a farce to a tragedy while I was going along with it," Twain wrote in his frank afternote to the novel. In the end, the voice that comes to dominate the tale is Roxana's, a light-skinned slave who switches her infant son with her master's son to keep him from being sold down the river. Roxana, Twain's most complex and fully-realized adult female character, is a compelling and memorable tragic heroine, trapped with her son by the brutal system of slavery and by their own inescapable racial identities. At his best, Twain is the most uniquely American of writers, and it is inevitable that his best work revolves around the issues of race and of slavery embedded in the American psyche. The Tragedy of Pudd'nhead Wilson is a dark and powerful novel of race in America, written by the American master.

    Struggling to make ends meet, she decides to alleviate some of the burden of her father’s shoulders and reply to a mail order bride from out of state. While corresponding with this man, she decides to take the leap of fate and change her life.Joel Slayton is the celebrated sheriff of Keysville, Utah. A widower living with his sister, Joel can almost boast to have completely rid his town of crime, since he has focused all his life and energy on that. At the encouragement of his sister, he will start corresponding with a woman named Elisa and patiently awaits her to arrive and become his future wife.When an accident changes the course of his life, Elisa will meet a man she did not expect to find. Can they work through the hardships and the unprecedented horrors this newfound fate has brought them? And how can they reconstruct the past if the promise of their future together is in danger?Find out in this gripping tale of Western Romance, where love will have to dig deep to unearth the power of faith.