The story begins on a rainy morning as Father Declan de Loughry stands fishing in an Irish salmon stream, pondering the recent deathbed confession of one of his parishioners. Kevin Dennehy and his wife, Enda, have been sweetly living a lie for some 50 years, a lie the full extent of which Father Declan learns only when Enda finally confides "the all of it." Her tale of suffering mesmerizes the priest, who recognizes that it is also a tale of sin and scandal, a transgression he cannot ignore. The resolution of his dilemma is a triumph of strength and empathy that, as Benedict Kiely has said, makes The All of It "a book to remember."

    Emma's maid implores the help of Harmon Westbourne, the Earl of Easton, to rescue Emma from her father's home. But Emma's dilemma doesn't end there.

    A young actress begins an affair with a damaged older man, the leading playwright at the theatre where she works. Rebellious and flirtatious, Molly Allgood is a girl of the inner city tenements, dreaming of stardom in America. She has dozens of admirers but in the backstage of her life there is a secret.Her lover, John Synge, is a troubled genius, the son of a once prosperous landowning family, a poet of fiery language and tempestuous passions. Yet his life is hampered by convention and by the austere and God-fearing mother with whom he lives. Scarred by a childhood of loneliness and severity he has long been ill, but he loves to walk the wild places of Ireland. The affair, sternly opposed by friends and family, is turbulent, sometimes cruel, often tender.Many years later, an old woman makes her way across London on the morning after a hurricane. Christmas is coming. As she wanders past bombsites and through the city's forlorn beauty, a snowdrift of memories and lost desires seems to swirl. She has twice been married: once widowed, once divorced, but an unquenchable passion for life has kept her afloat as her dazzling career has faded.A story of love's commitment, of partings and reconciliations, of the courage involved in living on nobody else's terms, Ghost Light is a profoundly moving and ultimately uplifting novel.

    She's the girl with purple hair from the wrong part of town. He's a high school senior who hangs with the cool crowd. Until a car accident leaves him haunted by guilt, and Jonah starts spending time at Stella's favorite refuge…the local cemetery.Stella knows she should keep her distance—after all, she spent her girlhood being bullied by Jonah's friends. Once he's sorted out his tangled emotions, Jonah won't have time for her anymore. Too bad she's already fallen for him.

    Told through the eyes of a young man who yearns to find excitement, truth, and a deeper family bond in his life, Weaver's approachable and revealing stories, lists, fragments, and memories delve into the weird, funny, and sometimes unsettling world of a midwest kid finding his own path."Thank god you can come across a writer like Troy James Weaver. In the future people will just say these stories are like Troy James Weaver stories and you'll know exactly what they mean." --Scott McClanahan "There are moments, reading Witchita Stories, where everything dropped away, and I was speechless, or at least whatever the equivalent of speechless is when you're not talking in the first place. There is a deep sadness to these stories, and humor, but most importantly, honesty. This feels real and heavy and it's just about the best thing I've read in a long time." --J. David Osborne

      The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the family station wagon, and drinking borrowed liquor from old mayonnaise jars. But no matter how wild, they always managed to escape any real danger—until the adoring Berie sees that Sils really does need her help—and then everything changes.

    He has just returned home from the Second World War, and he has no face. He does have a gun and a mission: to murder his childhood hero.Francis lost most of his face when he fell on a grenade in France. He received the Silver Star for bravery, but was it really an act of heroism? Now, having survived, he is looking for a man he once admired and respected, a man adored by many people, a man who also received a Silver Star for bravery. A man who destroyed Francis's life

    But when he tries to expose the truth with leaflets, he's tried for treason. Sentenced to death and waiting in a jail cell, Helmut's story emerges in a series of flashbacks that show his growth from a naive child caught up in the patriotism of the times, to a sensitive and mature young man who thinks for himself.

    He was the self-styled spokesman of the "Lost Generation" and author of The Great Gatsby (1925). His debut novel, This Side of Paradise (1920) examines the lives and morality of post-World War I youth. Flappers and Philosophers (1920) was his first collection of short stories. His second novel, The Beautiful and Damned (1922), demonstrates an evolution and maturity in his writing, and provides an excellent portrait of America during the Jazz Age, as does Tales of the Jazz Age (1922).

    His father is an abusive drunk with muddled religious views, and his mother, as hard as she tries to defend her son, only ever ends up delaying the inevitable. Things take a turn for the worse one Friday when Bobby brings home a black eye from school. The following day his father brings him out into the woods on a mission to do “God’s Work” and bring him into adulthood. A coming-of-age story about the sins of a father and a son’s chance to absolve himself from them.

    Fingal Flahertie O’Reilly made most readers’ acquaintance in Patrick Taylor’s bestselling novel An Irish Country Doctor, he appeared in a series of humorous columns originally published in Stitches: The Journal of Medical Humour. These warm and wryly amusing vignettes provide an early glimpse at the redoubtable Dr. O’Reilly as he tends to the colourful and eccentric residents of Ballybucklebo, a cozy Ulster village nestled in the bygone years of the early sixties. Those seminal columns have been collected in The Wily O’Reilly: Irish Country Stories. In this convenient volume, Patrick Taylor’s legions of devoted fans can savor the enchanting origins of the Irish Country series . . . and newcomers to Ballybucklebo can meet O’Reilly for the very first time.An ex-Navy boxing champion, classical scholar, crypto-philanthropist, widower, and hard-working general practitioner, Fingal Flahertie O’Reilly is crafty and cantankerous in these charming slices of rural Irish life. Whether he’s educating a naive man of the cloth in the facts of life, dealing with chronic hypochondriacs and malingerers, clashing with pigheaded colleagues, or raising a pint in the neighborhood pub, the wily O’Reilly knows a doctor’s work is never done, even if some of his “cures” can’t be found in any medical text!

    Broken bowls, belligerent cows, swanky aubergines, trembling moonrises and horrifying sunsets, the physical world depicted in these stories is unsettling yet intimately familiar and soon takes on a life of its own. Captivated by the stellar charms of seclusion but restless with desire, the woman’s relationship with her surroundings becomes boundless and increasingly bewildering. Claire-Louise Bennett’s startlingly original first collection slips effortlessly between worlds and is by turns darkly funny and deeply moving.

    His only possession is a worn copy of Walden, by Henry David Thoreau. And so he becomes Henry David-or "Hank" and takes first to the streets, and then to the only destination he can think of--Walden Pond in Concord, Massachusetts. Cal Armistead's remarkable debut novel is about a teen in search of himself. Hank begins to piece together recollections from his past. The only way Hank can discover his present is to face up to the realities of his grievous memories. He must come to terms with the tragedy of his past, to stop running, and to find his way home.

    A couple drive out to the hills in a last-ditch effort to save their marriage. A horse crashes a house party. Set on an imagined island off the west coast of Ireland, John Patrick McHugh’s debut collection of stories draw a complete community of characters – misdirected, posturing and self-deceiving. But in his fidelity to and compassion for their faults, McHugh embeds us in the moments on which these lives twist and turn, probing unflinchingly what most of us would rather ignore. Pure Gold heralds the arrival of a vibrant new literary voice.