But by the time Madeline inherits the shop nearly twenty years later, family troubles and her own bitter losses have hardened Madeline’s heart toward her once-treasured aunt—and the now struggling bookshop left in her care.While Madeline intends to sell the shop as quickly as possible, the Printed Letter’s two employees have other ideas. Reeling from a recent divorce, Janet finds sanctuary within the books and within the decadent window displays she creates. Claire, though quieter than the acerbic Janet, feels equally drawn to the daily rhythms of the shop and its loyal clientele, finding a renewed purpose within its walls. When Madeline’s professional life takes an unexpected turn, and when a handsome gardener upends all her preconceived notions, she questions her plans and her heart. She begins to envision a new path for herself and for her aunt’s beloved shop—provided the women’s best combined efforts are not too little, too late.The Printed Letter Bookshop is a captivating story of good books, a testament to the beauty of new beginnings, and a sweet reminder of the power of friendship.

    Frustrated, she seeks comfort in her friends: fierce Leigh, with her high-powered career and doting family, and sweet, uncomplicated Wendy, who has a rock-solid marriage any woman would envy.Leigh and Wendy’s lives seem perfect. But beneath the surface are secrets that could tear their friendship apart.Leigh has grown tired of her stay-at-home husband and is looking for excitement—outside of the marriage bed. And after seventeen years of marriage, Wendy can’t shake the sense that there is something missing in her life.As Jill is drawn deeper into her friends’ relationships, she is confronted by a temptation of her own: an intriguing stranger whose good looks and charm spark an instant connection.Full of the realities of modern-day marriage, The Secrets of Married Women asks the question: how well can we ever know our husbands, our friends, or even ourselves? Revised edition: This edition of Secrets Of Married Women includes editorial revisions.

    Violeta comes into the world on a stormy day in 1920, the first girl in a family of five boisterous sons. From the start, her life will be marked by extraordinary events, for the ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth.Through her father's prescience, the family will come through that crisis unscathed, only to face a new one as the Great Depression transforms the genteel city life she has known. Her family loses all and is forced to retreat to a wild and beautiful but remote part of the country. There, she will come of age, and her first suitor will come calling. . . .She tells her story in the form of a letter to someone she loves above all others, recounting devastating heartbreak and passionate affairs, times of both poverty and wealth, terrible loss and immense joy. Her life will be shaped by some of the most important events of history: the fight for women's rights, the rise and fall of tyrants, and, ultimately, not one but two pandemics.Told through the eyes of a woman whose unforgettable passion, determination, and sense of humor will carry her through a lifetime of upheaval, Isabel Allende once more brings us an epic that is both fiercely inspiring and deeply emotional.

    She’s driven, energetic, and a positive thinker. She has a great career working for famed self-help guru Ian Fortune, she lives in a cute studio apartment in Manhattan, and her family is supportive and loving (albeit a little kooky). Her life is perfect. Absolutely wonderful. Except for one tiny little thing.After a decade of disastrous relationships and an infertility diagnosis, Gemma doesn’t want a Mr. Right (or even a Mr. Right Now), she just wants a baby.And all she needs is an egg, some sperm, and IVF.So Gemma makes a New Year’s resolution: have a baby.Josh Lewenthal is a laid back, relaxed, find-the-humor-in-life kind of guy. The polar opposite of Gemma. He’s also her brother’s best friend. For the past twenty years Josh has attended every Jacobs’ family birthday, holiday, and event – he’s always around. Gemma knows him. He’s nice (enough), he’s funny (-ish), he’s healthy (she thinks) and he didn’t burn any ants with a magnifying glass as a kid. Which, in Gemma’s mind, makes him the perfect option for a sperm donor.So Gemma wants to make a deal. An unemotional, businesslike arrangement. No commitments, just a baby.To Gemma’s surprise, Josh agrees.They have nothing in common, except their agreement to make a baby and their desire to keep things businesslike.But the thing about baby-making…it’s hard to keep it businesslike, it’s nearly impossible to keep it unemotional, and it’s definitely impossible to keep your heart out of the mix. Because when you’re making a baby together, things have a way of starting to feel like you’re making other things too – like a life, and a family, and love. And when the baby-making ends, you wish that everything else didn’t have to end too.

    She’ll be back.”That’s what the police tell Jessica Moore when her seventeen-year-old daughter, Wyn, vanishes. All signs point to this being true. But days become weeks. Weeks become months. And Jessica begins to fear the terrible truth—that she may never see her daughter again.Then, one year later, when all hope seems lost, Jessica gets a flurry of text messages from Wyn that freezes her blood: mom. please help. i think he’s going to kill me. But Wyn’s terrified plea comes with a warning not to call the police. Her kidnapper wears a badge.As Jessica’s fears are raised again, so are the stakes. Delving into the months leading up to Wyn’s disappearance, Jessica stumbles upon information that could put her own life in danger. With each revelation, the nightmare deepens. Now she must decide just how far she’ll go to bring her daughter home.

    And a potential Mr. Right. He’s sweet, simple, and dependably clueless about what she’s up to. The only thing unpredictable about him is his needy ex-girlfriend, who is this close to shattering Sylvia’s dreams. But Sylvia’s not going to let that happen.Riki McFarlan has a good career and an amazing boyfriend who wants to settle down. If only she didn’t have feelings for her neighbor—who happens to be her close friend’s husband. With everything going so right, why is Riki flirting with something so wrong, so…dangerous?Embry Taylor is as devoted to her children as she is to her husband, who’s a bartender by night, an aspiring actor by day. She is his biggest fan. But with his career not taking off and tensions high, even sweet Embry has something she’s desperate to keep hidden.Lies, secrets, and revenge. For three neighbors with stakes so high, someone is headed for a downfall.

    Unable to conceive, they find themselves facing a difficult choice they had never anticipated. After many appointments with specialists, endless research, and countless conversations, they make the decision to use a donor. Two months pass and Christine is happily pregnant. but one day, she is shocked to see a young blond man on the TV news being arrested for a series of brutal murders-and the blond man bears an undeniable and uncanny resemblance to her donor. Delving deeper to uncover the truth, Christine must confront a terrifying reality and face her worst fears. Riveting and fast-paced, with the depth of emotionality that has garnered Lisa Scottoline legions of fans, Most Wanted poses an ethical and moral dilemma: What would you do if the biological father of your unborn child was a killer?

    Both Lila and her brother, Henry, fled north after high school, establishing fulfilling lives of their own. In contrast, their younger sister, Abigail, opted to remain behind to dote on their domineering, larger-than-life mother, Geneva. Yet despite their independence, Lila and Henry know deep down that they've never quite reckoned with their upbringing.When their elderly mother dies suddenly and suspiciously in the muscadine arbor behind the family estate, Lila and Henry return to the town that essentially raised them. But as they uncover more about Geneva's death, shocking truths are revealed that overturn the family's history as they know it, sending the pair on an extraordinary journey to chase a truth that will dramatically alter the course of their lives. The Sweet Taste of Muscadines reminds us all that true love never dies.

    And she thinks Will is emotionally unavailable, slightly brittle and very mistrustful. They’re both right.But the more they bicker, the worse Blossom behaves, and they realise they have to form some sort of truce in order to dog-parent (or “pawrent” as Margot calls it, to which Will rolls his eyes) her together. It’s almost as if Blossom has plans of her own…

    But everything she thought she knew about herself, her marriage, and her relationship with her best friend, Margot, is upended when she stumbles upon an envelope containing her husband’s wedding ring—the one he claimed he lost one summer when their daughter, Ruby, was five.Flora and Julian struggled for years, scraping together just enough acting work to raise Ruby in Manhattan and keep Julian’s small theater company—Good Company—afloat. A move to Los Angeles brought their first real career successes, a chance to breathe easier, and a reunion with Margot, now a bona fide television star. But has their new life been built on lies? What happened that summer all those years ago? And what happens now?With Cynthia D’Aprix Sweeney’s signature tenderness, humor, and insight, Good Company tells a bighearted story of the lifelong relationships that both wound and heal us.

    All’s fair in love and business. The de la Rosa family and their wedding planning business have been creating happily ever afters in the Washington, DC area for years, making even the most difficult bride’s day a fairytale. But when their parents announce their retirement, the sisters—Marisol, Janelyn, and Pearl—are determined to take over the business themselves. But the sisters quickly discover that the wedding business isn’t all rings and roses. There are brides whose moods can change at the drop of a hat; grooms who want to control every part of the process; and couples who argue until their big day. As emotions run high, the de la Rosa sisters quickly realize one thing: even when disaster strikes—whether it’s a wardrobe malfunction or a snowmageddon in the middle of a spring wedding—they’ll always have each other. Perfect for fans of the witty and engaging novels of Amy E. Reichert and Susan Mallery, The Key to Happily Ever After is a fresh romantic comedy that celebrates the crucial and profound power of sisterhood.

    When a stranger contacts Laura claiming to be her brother who disappeared forty years earlier when the family lived in Bangkok, Laura ignores Bea’s warnings of a scam and flies to Thailand to see if it can be true. But meeting him in person leads to more questions than answers. Bangkok, 1972: Genevieve and Robert Preston live in a beautiful house behind a high wall, raising their three children with the help of a cadre of servants. In these exotic surroundings, Genevieve strives to create a semblance of the life they would have had at home in the US—ballet and riding classes for the children, impeccable dinner parties, a meticulously kept home. But in truth, Robert works for American intelligence, Genevieve finds herself drawn into a passionate affair with her husband’s boss, and their serene household is vulnerable to unseen dangers of a rapidly changing world and a country they don’t really understand. Alternating between past and present as all of the secrets are revealed, What Could Be Saved is an unforgettable novel about a family shattered by loss and betrayal, and the beauty and hope that can exist even in the midst of brokenness.

    In the tradition of Jonathan Tropper and Tom Perrotta comes Matthew Norman's Domestic Violets—a darkly comic family drama about one man’s improbable trials of love, loss, and ambition; of attraction, impotence, and infidelity; and of mid-life malaise, poorly-planned revenge, and the Pulitzer Prize for Fiction.

    Ray McMillian loves playing the violin more than anything, and nothing will stop him from pursuing his dream of becoming a professional musician. Not his mother, who thinks he should get a real job, not the fact that he can't afford a high-caliber violin, not the racism inherent in the classical music world. And when he makes the startling discovery that his great-grandfather's fiddle is actually a priceless Stradivarius, his star begins to rise. Then with the international Tchaikovsky Competition—the Olympics of classical music—fast approaching, his prized family heirloom is stolen. Ray is determined to get it back. But now his family and the descendants of the man who once enslaved Ray's great-grandfather are each claiming that the violin belongs to them. With the odds stacked against him and the pressure mounting, will Ray ever see his beloved violin again?

    When Quinn Cruz receives that cryptic text message from her older sister Nora, she doesn’t think much of it. They haven’t seen each other in nearly a year and thanks to Nora’s fierce aloofness, their relationship consists mostly of infrequent phone calls and an occasional email or text. But when a haunted Nora shows up at the lake near Quinn's house just hours later, a chain reaction is set into motion that will change both of their lives forever. Nora’s “something” is more shocking than Quinn could have ever imagined: a little girl, cowering, wide-eyed, and tight-lipped. Nora hands her over to Quinn with instructions to keep her safe, and not to utter a word about the child to anyone, especially not their buttoned-up mother who seems determined to pretend everything is perfect. But before Quinn can ask even one of the million questions swirling around her head, Nora disappears, and Quinn finds herself the unlikely caretaker of a girl introduced simply as Lucy. While Quinn struggles to honor her sister’s desperate request and care for the lost, scared Lucy, she fears that Nora may have gotten involved in something way over her head—something that will threaten them all. But Quinn’s worries are nothing compared to the firestorm that Nora is facing. It’s a matter of life and death, of family and freedom, and ultimately, about the lengths a woman will go to protect the ones she loves.