. . A sprawling tome that combines fact with fiction and covers 900 years in the history of New Forest, a 100,000-acre woodland in southern England . . . Rutherfurd sketches the histories of six fictional families, ranging from aristocrats to peasants, who have lived in the forest for generations. . . . But the real success is in how Rutherfurd paints his picture of the wooded enclave with images of treachery and violence, as well as magic and beauty.”–The New York Post

    

    Her bold presence draws three very different suitors: the gentleman-farmer Boldwood, soldier-seducer Sergeant Troy and the devoted shepherd Gabriel Oak. Each, in contrasting ways, unsettles her decisions and complicates her life, and tragedy ensues, threatening the stability of the whole community. The first of his works set in the fictional county of Wessex, Hardy's novel of swift passion and slow courtship is imbued with his evocative descriptions of rural life and landscapes, and with unflinching honesty about sexual relationships.

    Told through a variety of shifting perspectives- wives and husbands, friends and lovers, masters and their servants, and a gravedigger's son-Falling Angels follows the fortunes of two families in the emerging years of the twentieth century.

    

    Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.

    Ten years ago, he strangled several women, but he was never caught by the police. He eventually promised his daughter that it would never happen again, and their lives seemed to go back to normal. But now there's another body... Timid and shy, Lisa struggles to make sense of the world. Everyone tells her that she's different, that she's a little slow in the head. Last time her father killed, she was an impressionable young girl who believed all his excuses. Having just lost her mother, she was terrified of being left all alone. Now, however, Lisa's a young woman, and ignoring the truth isn't so easy. Can she still stand by while her father commits terrible crimes? Or will she take a stand and try to stop him? Is he even telling the truth about why he kills? And if she finally disobeys his instructions, how far will he go in order to keep his deadly secrets? Could Lisa be his next victim?

    What should be easy work for kindly employers quickly turns sour when Gus discovers that the neighboring Slash-M ranch have been rustling the Aronsons' cattle. Even worse, Gus becomes the corrupt sheriff's main suspect in a string of violent crimes plaguing the county. Gus finds an unlikely ally in beautiful Libby, but she has her own reasons for wanting to take down the Slash-M, and the Aronsons' seductive daughter Sara has secrets that could get Gus killed if he lets himself get too close.... This is a new release of an edition originally published by C.J. Petit.

    Beam Piper with active table of contents.Works include:The AnswerThe Cosmic ComputerCrossroads of DestinyDay of the MoronDearestThe Edge of the KnifeFlight From TomorrowFour-Day PlanetGenesisGraveyard of DreamsHe Walked Around the HorsesThe KeeperLast EnemyLittle FuzzyThe MercenariesMinistry of DisturbanceMurder in the GunroomNaudsonceNull-ABCOomphel in the SkyOmnilingualOperation R.S.V.P.PatrolPolice OperationRebel RaiderThe ReturnA Slave is a SlaveSpace VikingTemple TroubleTime and Time AgainTime CrimeUllr Uprising

    It takes a horrific incident like 26/11 to make each of them realize the shortcomings of the parties they swear by and to look at the larger picture.

    Literature and film adaptations studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text. Focussing on several film versions and adaptations, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are many references to the literary text and screenplays and the book also features quotations from directors, critics and others linked with the chosen film and text.