But the truth is life is threadbare and unpromising until the mysterious Bridget moves in to the Park. The wife of a disgraced Ponzi schemer, she brings with her glamour and wild dreams and an unexpected friendship. Drawn in, Kara forgets for a moment who she’s there to protect.

    After escaping from the Norfolk Island penal colony on a whaling ship, Bloodworth and his three fellow convicts are left on a remote southern island by a captain who promises to pick them up in a year's time.It will be many years before they see another ship.Durign that time four men, with nothing in common but a desire to escape and a need to survive, live together in cramped and freezing isolation. Slangam believes hard work will see them though, Toper puts his faith in the divine, Gargantua leans on his learning and Bloodworth watched – both his fellow felons and the inhospitable environment.Based on the true story of four convicts who spent more than nine years on the Snares Islands in the early years of the nineteenth century, Charlotte Randall's latest novel is a riveting, intelligent and powerful work of fiction.

    It’s 2019: Charlie’s tightly contained Wellington life with her grandson Tommy is interrupted by the unexpected intrusions of Tommy’s first girlfriend, Jenna, and the father he has never known, Jim. The year turns, and everything changes again.Loop Tracks is a major New Zealand novel, written in real time against the progress of the Covid-19 pandemic and the New Zealand General Election and euthanasia referendum.‘Loop Tracks is an urgent and unexpected novel about freedom and responsibility – about a woman forced to wear her solitary and unsupported choice as a puzzling mistake, and about the very present past that she must face to help her family and herself.’ —Elizabeth Knox‘This fictional inter-generational story will speak to a wide readership about the choices that are important for our future.’ —Dame Margaret Sparrow

    What clues can Frances find in her own history, and who is the mysterious Mazarine? Following the narrative thread left by her daughter, she travels through cities touched by terrorism and surveillance, where ways of relating are subtly changed, and a startling new fiction seems to be constructing itself.

    En route she discards section after section of her manuscript in the spirit of editing The Ice Shelf into a stronger, sleeker work of literature.The Ice Shelf is an electrifying allegory for the dangers of wasting love and other non-renewable resources.

    Of sorts.At dusk he lights the candelabrum, creating an island of light in the centre of the room, animating the faces of the two dressed mannequins, glinting off the cutlery, the long array of glasses, the cellophane wrappers on the biscuits, the chocolate's silver foil. And the margins of the room are lost in the murk, might as well not exist. Richard smiles at the effect, at the little oasis of festivity and commemoration in a wide dark world. Christchurch, days after the February 2011 earthquake. Richard hides, with a lost dog, in an abandoned, leaning hotel. Annie returns from England, seeking a lost father in her battered home town. Vince relives the most significant emotional experience of his life. What binds these lives together, and what tore them apart?Joe Bennett's first novel is the work of a superb writer at the top of his game.

    The sight of a spam ad for ‘lonely Asian women looking for fun’ becomes a moment of profound realisation that she, too, is but a lonely Asian woman looking for fun. Paula's new outlook leads her to shoplift a cheesecake-laden supermarket trolley. The trolley contains an unexpected attachment. Lonely Asian Woman is not the story of a young woman coming to her responsibilities in the world. Instead, Lam defies the expected and leads the reader and her characters to a deft climax against the grain of the titular lonely Asian woman.

    Auē can be heard in the sound of the sea he loves and hates, and in the music he draws out of the guitar that was his father’s. It spills out of the gang violence that killed his father and sent his mother into hiding, and the shame he feels about abandoning his eight-year-old brother to a violent home.But Ārama is braver than he looks, and he has a friend and his friend has a dog, and the three of them together might just be strong enough to turn back the tide of sorrow. As long as there’s aroha to give and stories to tell and a good supply of plasters.Here is a novel that is both raw and sublime, a compelling new voice in New Zealand fiction. Haere mai, Becky Manawatu.

    . .] leaving surrealist art installations all over the house— a tiny cow in a teapot in a hat on the doorstep, of course! A stuffed crocodile in a silk camisole perched beside a woollen chick in a beanie on the bread-bin, why not!'Just as they are despairing about being able to conceive another child, Jason comes into their family. He arrives under fraught circumstances, but might just make a perfect sibling for Billy. Jason is a ‘ lovely, poor, sad, unfortunate, ordinary, annoying, delightful nuisance of a ratbag of a hoot of a kid ' and the boys grow close over the ensuing years. But after a terrible accident, Billy turns into a bird. He utterly believes it: and as his behaviour becomes increasingly worrying, Liam and Iris must find a way to stop their family flying apart.When extracts of Billy Bird won the NZSA/Philip and Dianne Beatson Fellowship, the judges said the project was ‘inventive, joyful and beautifully written'. Ripe with playfulness, yet also unforgettably poignant, this novel will unstitch — and then mend — your heart several times over.

    Our narrator doesn't know where she stands with Ilana, her not-quite-girlfriend. She has a complex history with her best friend, Ashi. She's haunted by the spectre of her emotionally abusive ex-boyfriend. And her period's now weeks late.Attraction is a meditative novel of connection, inheritance and the stories we tell ourselves. In lyrical fragments, Porter explores what it means to be and to belong, to create and to destroy.

    Set in New Zealand's South Island, it describes the unusual bond formed between 62-year-old photographer Edwin and 22-year-old Matilda, as their relationship grows in ways neither could possibly have predicted.'I liked the look of concentration on his face when we made love. His hands moved gently over my body; it was as if he was turning the pages of some fragile book - the type of book that has tissue pages, like an old-fashioned Bible. He reminded me, too, of a child learning to read. I pictured his fingertips tracing the words on the page, his lips mouthing the sounds, so intense was his focus. 'Edwin,' I teased, 'am I a good book?'

    With a surprising twist at the end, this book is gripping and hugely satisfying.It can be read on many levels - as a story of people grappling with love and fidelity; as a story about the importance of books in everyday life; as a commentary on living in complex modern-day Europe; and as a page-turning mystery.Peopled mainly by lecturers and students of the Sorbonne The Necessary Angel touches on the machinations of various players as they position for power. Written against the wider backdrop of the political turmoil of 2014 - ISIS, Syria and the threat of Brexit - these themes become global. One of the characters quotes Flaubert: 'There is no truth, there is only perception', and this thread runs throughout.This is a sophisticated novel that shows CK Stead writing at the height of his powers.

    Roads are closed and all rail is halted. For their own safety, city workers are told that they must go home early.Sita is a Tamil Sri Lankan refugee living in the Hutt Valley. She’s just had a call from her boss. If she doesn’t get to her cleaning job in the city she’ll lose her contract.

    Valerie reads George Eliot to get to sleep – just to take her mind off worries over her patients, her children, their father and the next family dinner. Elena is so obsessed with health, traditional food, her pregnancy and her blog she doesn’t notice that her partner, Malcolm the ethicist, is getting himself into a moral dilemma of his own making. Evie wants to save the world one chicken at a time. Meanwhile her boyfriend, Michael is on a quest to reconnect with his Māori heritage and discover his own identity. Rosa is eight years old and lost in her own fantasy world, but she’s the only one who can tell something’s not right. Crisis has the power to bring this family together, but will it be too late?

    As reported by a much-followed columnist and awarded journalist, these rich, fascinating, and occasionally disturbing stories of settlements follow people living throughout New Zealand, from Kawakawa in the north to Mosgiel in the south, and Samoa and Antarctica overseas. Funny, moving, and at times terrifying, this book provides a platform from which New Zealand reveals itself and proves that rarely are people and places as they first appear.