Their theft tragically unleashes a series of events, among them murder and suicide.

    At age thirty-five he’s living in Key West, owner of a forty-two-foot charter fishing boat, The Maine. Mac served five years in the Army as an infantry officer with two tours in Afghanistan. He returned with the Silver Star, two Purple Hearts, scars that don’t tan, and a boat with a big bank loan. Truth be told, Mac’s finances are more than a little shaky.One day, Mac is sitting in the famous Green Parrot Bar in Key West, contemplating his life, and waiting for Carlos, a hotshot Miami lawyer heavily involved with anti-Castro groups. Carlos wants to hire Mac and The Maine for a ten-day fishing tournament to Cuba at the standard rate, but Mac suspects there is more to this and turns it down. The price then goes up to two million dollars, and Mac agrees to hear the deal, and meet Carlos’s clients—a beautiful Cuban-American woman named Sara Ortega, and a mysterious older Cuban exile, Eduardo Valazquez.What Mac learns is that there is sixty million American dollars hidden in Cuba by Sara’s grandfather when he fled Castro’s revolution. With the “Cuban Thaw” underway between Havana and Washington, Carlos, Eduardo, and Sara know it’s only a matter of time before someone finds the stash—by accident or on purpose. And Mac knows if he accepts this job, he’ll walk away rich…or not at all.Brilliantly written, with his signature humor, fascinating authenticity from his research trip to Cuba, and heart-pounding pace, Nelson DeMille is a true master of the genre.

    While on special assignment with the Cuban Special Forces, Malcolm receives a blow from a sniper rifle that almost ends his life. It is in this moment of darkness that Malcolm calls upon this God in faith, thus beginning his miraculous journey in search of truth, and his eventual discovery of and conversion to the gospel of Jesus Christ.

     The Cold War between the United States of America and the Soviet Union lasted for more than 40 years. In general, this was a war of spies and subterfuge, of covert action and espionage. There was always a danger, however, that an error of judgment on either side could suddenly cause the Cold War to turn red-hot with an exchange of nuclear weapons. On many occasions, tensions between the countries increased, but the prospect of all-out nuclear war between America and Russia was never closer than during a two-week period in October of 1962. In response to the placement of American nuclear missiles in Turkey, Soviet leader Nikita Khrushchev secretly ordered the transport of Russian nuclear missiles to the island of Cuba in the Caribbean. These were capable of reaching and destroying almost all American cities in a matter of minutes. When this was discovered, the U.S. administration under President John F. Kennedy decided that the threat had to be removed, even if this meant risking war with Russia. The Americans set up a blockade of the island and considered air strikes and even a full-scale invasion of Cuba. Forty thousand heavily armed Russian and Cuban troops supported by tanks, aircraft, and even tactical nuclear weapons stood by to do anything required to repel an American attack. Inside you will read about... ✓ From World War to Cold War ✓ Mutually Assured Destruction ✓ Revolution in Cuba ✓ The Missile Gap ✓ American Build-up and Provocation ✓ Russian Missiles Arrive in Cuba ✓ Kennedy Speaks to America And much more! It was clear that the United States refused to accept the presence of Russian nuclear missiles less than one hundred miles from the coast of Florida. It was equally clear that Russia was determined not to remove the missiles and desert its Cuban ally. An armed confrontation between the two superpowers appeared inevitable, and there seemed a very strong possibility that the world was on the brink of full-scale nuclear war.

    With personal stories that depict a people torn between following the directives of their government and finding a way to better their lot, journalist Ben Corbett gives us the daily life of many considered outlaws by Castro's regime. But are they outlaws or rather ingenious survivors of what many Cubans consider to be a forty-year mistake, a tangle of contradictions that has resulted in a strange hybrid of American-style capitalism and a homegrown black market economy. At a time when Cuba walks precariously on the ledge between socialism and capitalism, This Is Cuba gets to the heart of this so-called outlaw culture, taking readers into the living rooms, rooftops, parks, and city streets to hear stories of frustration, hope, and survival. Updated with a new preface.

    Granted unprecedented access to travel throughout the country, the author presents us with a rare insight into one of the world's only Communist countries. Its best-known personalities and ordinary citizens talk to him about the U.S. embargo and tell their favorite Fidel jokes as they stand in line for bread at the Socialism or Death Bakery. Miller provides a running commentary on Cuba's food shortages, exotic sensuality, and baseball addiction as he follows the scents of Graham Greene, José Marti, Ernest Hemingway, and the Mambo Kings. The result of this informed and adventurous journey is a vibrant, rhythmic portrait of a land and people too long shielded from American eyes.

    An intellectual biography but also a sentimental and even passionate one: what I thought and think about my time is inseparable from what I felt and feel. Itinerary is the story and description of a journey through time, from one point to another, from my youth to my present moment. The line that traces this plan is neither straight nor circular but a spiral that turns back ceaselessly and ceaselessly distances itself from the point of departure. What we are living today brings me close to what I lived seventy years back and, simultaneously, irremediably and definitively distances me. Strange lesson: there is no turning back but there is no point of arrival. We are in transit. Itinerary is the final work of a great thinker and magnificent writer.

    Selections, with English translations, from the author's "El oro de los tigres" and "La rosa profunda".

    Tell him to come here right away. I have so many things to tell him!" Fidel didn't answer my letter. I kept writing him letters from a sweet and well-behaved child, a brave but sad girl. Letters resembling those of a secret, spurned lover...

    (Nancy Pearl)

    This is convincing proof that Manual Puig was one of our most talented writers - no matter what the medium. Puig is the author of seven novels, translated into fourteen languages.

    It was a popular winter destination for North American tourists in the 1950s, and this cookbook recaptures the spirit of Old Havana-- Habana la vieja-- and its celebrated culinary traditions. Cuban cuisine, though derived from its mother country, Spain, has been modified and refined by locally available foods like pork, rice, corn, beans and sugar, and the requirements of a tropical climate. Fine Gulf Stream fish, crabs and lobsters, and an almost infinite variety of vegetables and luscious tropical fruits also have their places on the traditional Cuban table. This cookbook includes over 50 recipes, each in Spanish with side-by-side English translation-- all of them classic Cuban fare and old Havana specialties adapted for the North American kitchen. Among the recipes included are: Ajiaco (famous Cuban Stew), Boiled Pargo with Avocado Sauce, Lobster Havanaise, Tamal en Cazuela (Soft Tamal), Quimbombo (okra), Picadillo, Roast Suckling Pig, and Boniatillo (Sweet Potato Dulce), along with a whole chapter on famous Cuban cocktails and beverages.

    A clash of two cultures, total exploitation for maximum profit vs. reverence for the land and what flows from it. As in this novel: We all are poor people, delight in the machine, in the airplane, the radio precisely because we have lost our attachment to the soil. This loss leaves us apathetic and distracted. That's why we need gasoline - to anesthetize us, to make us insensible of our loss, of our pain, gasoline that deludes us with speed so that we can flee all the quicker from ourselves and the needs of the heart. A Collector's Edition

    An internationally acclaimed playwright, Eduardo Machado has grappled with questions of identity, loss and resistance throughout his life and work. He hasmore than any other playwrightbeen able to convey the experiences of both the Cubans who chose to stay in Cuba and those who chose to leave. His fearless style and unabashed politicism in the face of dissent have made him a controversial figure to the Cubans and Americans on opposite sides of an intense conflict. In his memories and in his more recent travels to Cuba, he has found that the most natural means of connecting with todays Cuban experience is through food. Machado says, When I taste something I havent tasted in twenty years, I cant resist that connection to the past, to the conflict, to the identity that is mine. I know the feeling as I taste the flavor. There are no arguments, no political controversies, just the real sensation. If its that complex, it must be Cuban. To any exile, food represents not only the lost comfort of home, but the best chance to reclaim it. The stories of Machados lifefrom child of privilege in pre-Revolutionary Cuba; to exile in Los Angeles; to actor, director, playwright and professor in New Yorkare interleaved with recipes for the meals that have enriched him. Every recipe has been updated for the modern home cook, enabling us to recreate the flavors of traditional Cuban dishes such as Machados favorite roast pork and his grandfathers arroz con pollo, as well as the cuisine of necessity he encountered in 1960s suburban America: Velveeta, SPAM, and otherprocessed wonders. What emerges is a larger picture of what it means to be a Latino in America today. For anyone who has ever longed for a home, real or imagined, Tastes Like Cuba delivers a fascinating story of two worldsand one delectable life.

    This critical look at the life of the Cuban writer pulls apart and reassembles the myths that have come to define her culture, blending illusion with reality and exploring themes of art, family, language, superstition, and the overwhelming need to escape--from the island, from memory, from stereotype, and, ultimately, from the self. We're taken into a sick man's fever dream as he waits for a train beneath a strange night sky, into a community of parachute makers facing the end in a windy town that no longer exists, and onto a Cuban beach where the body of a boy last seen on a boat bound for America turns out to be a giant jellyfish.With Adios Happy Homeland!, Menendez puts a contemporary twist on the troubled history of Cuba and offers a wry and poignant perspective on the conundrum of cultural displacement. Smart, accessible, and literary, it is a captivating portrayal of how stories are translated, (mis)interpreted, and shaped across time and traditions.