In their tiny home, matchboxes double as roomy dressers and postage stamps hang on the walls like paintings. Whatever the Clocks need they simply "borrow" from the "human beans" who live above them. It's a comfortable life, but boring if you're a kid. Only Pod is allowed to venture into the house above, because the danger of being seen by a human is too great. Borrowers who are seen by humans are never seen again. Yet Arrietty won't listen. There is a human boy up there, and Arrietty is desperate for a friend.

    She chooses the Metropolitan Museum of Art in New York City. Knowing her younger brother Jamie has money and thus can help her with a serious cash-flow problem, she invites him along.Once settled into the museum, Claudia and Jamie find themselves caught up in the mystery of an angel statue that the museum purchased at auction for a bargain price of $225. The statue is possibly an early work of the Renaissance master, Michelangelo, and therefore worth millions. Is it? Or isn’t it? Claudia is determined to find out. Her quest leads her to Mrs. Basil E. Frankweiler, the remarkable old woman who sold the statue, and to some equally remarkable discoveries about herself.

    Their goal is to stay together, and in the process they find a grandfather.

    He loves them so much that his home and office overflow with animals of every description. When Polynesia the parrot teaches him the language of the animals, Doctor Dolittle becomes a world-famous doctor, traveling even as far away as Africa to help his friends. This edition of the beloved children's classic contains black-and-white illustrations by Michael Hague and has been edited by award-winning authors Patricia and Fredrick McKissack for modern audiences.

    They set fire to Fred Shoemaker’s toolshed, blackmailed Wanda Pierce to get her charm bracelet, and smacked Alice Wendelken across the head. And that’s just the start! When the Herdmans show up at church for the free snacks and suddenly take over the Christmas pageant, the other kids are shocked. It’s obvious that they’re up to no good. But Christmas magic is all around and the Herdmans, who have never heard the Christmas story before, start to reimagine it in their own way.This year’s pageant is definitely like no other, but maybe that’s exactly what makes it so special.

    There were so many trucks making deliveries that it might take an hour for a car to travel a few blocks. People blamed the truck owners and the truck owners blamed the little wooden pushcarts that traveled the city selling everything from flowers to hot dogs. Behind closed doors the truck owners declared war on the pushcart peddlers. Carts were smashed from Chinatown to Chelsea. The peddlers didn’t have money or the mayor on their side, but that didn’t stop them from fighting back. They used pea shooters to blow tacks into the tires of trucks, they outwitted the police, and they marched right up to the grilles of those giant trucks and dared them to drive down their streets. Today, thanks to the ingenuity of the pushcart peddlers, the streets belong to the people—and to the pushcarts.The Pushcart War was first published more than fifty years ago. It has inspired generations of children and been adapted for television, radio, and the stage around the world. It was included on School Library Journal’s list of One Hundred Books That Shaped the Twentieth Century, and its assertion that a committed group of men and women can prevail against a powerful force is as relevant in the twenty-first century as it was in 1964.

    Now penniless and banished to a room in the attic, Sara is demeaned, abused, and forced to work as a servant. How this resourceful girl's fortunes change again is at the center of A Little Princess, one of the best-loved stories in all of children's literature. This unique and fully annotated edition appends excerpts from Frances Hodgson Burnett's original 1888 novella Sara Crewe and the stage play that preceded the novel, as well as an early story, "Behind the White Brick," allowing readers to see how A Little Princess evolved. In his delightful introduction, U. C. Knoepflmacher considers the fairy-tale allusions and literary touchstones that place the book among the major works of Victorian literature, and shows it to be an exceptionally rich and resonant novel.

    But when they vow to make a name for themselves, they have no idea it's going to be such hard work! They launch themselves into the world of show business, complete with working papers, the glare of the spotlight, and practice, practice, practice! Pauline is destined for the movies. Posy is a born dancer. But practical Petrova finds she'd rather pilot a plane than perform a pirouette. Each girl must find the courage to follow her dream.

    Before Sarah arrives, Anna and her younger brother Caleb wait and wonder. Will Sarah be nice? Will she sing? Will she stay?This children's literature classic is perfect for fans of Laura Ingalls Wilder's Little House on the Prairie books, historical fiction, and timeless stories using rich and beautiful language. Sarah, Plain and Tall gently explores themes of abandonment, loss and love.

    Before long, something must be done before they eat the Poppers out of house and home!A classic of American humor, this story of a gentle housepainter and his high stepping penguins has delighted children for generations.

    And best of all was the remarkable grandmother who made magic of all she touched, bringing the past alive as only a born storyteller could.Here are those marvelous tales—faithfully recalled for the delight of young and old alike, a touchstone to another day when life was simpler, perhaps richer; when the treasures of family life and love were passed from generation to generation by a child's questions...and the legends that followed enlarged our faith.Gifted storyteller Arleta Richardson grew up an only child in Chicago, living in a hotel on the shores of Lake Michigan. Under the care of her maternal grandmother, she listened for hours as her grandmother told stories from her own childhood. With unusual recall, Arleta began to write these stories for an audience that now numbers over 2 million. "My grandmother would be amazed to know her stories have gone around the world," Arleta says.

    And the winners are: Augustus Gloop, an enormously fat boy whose hobby is eating; Veruca Salt, a spoiled-rotten brat whose parents are wrapped around her little finger; Violet Beauregarde, a dim-witted gum-chewer with the fastest jaws around; Mike Teavee, a toy pistol-toting gangster-in-training who is obsessed with television; and Charlie Bucket, Our Hero, a boy who is honest and kind, brave and true, and good and ready for the wildest time of his life!

    She has crazy red pigtails, no parents to tell her what to do, a horse that lives on her porch, and a flair for the outrageous that seems to lead to one adventure after another!

    Despite a difficult start, Pollyanna's exuberance and positivity affect everyone who meets her, and she spreads joy and love wherever she goes. But when tragedy strikes, Pollyanna finds her optimistic attitude tested, and she must learn to find happiness again.A heartwarming tale that has become one of the most loved children's stories of all time, Eleanor H. Porter's 1913 best-seller—the first in a long series of Pollyanna novels by the author and other writers—is a beautiful story with a powerful moral message.

    Escaping over the orphanage wall to explore the outside world, Mandy discovers a tiny deserted cottage in the woods. All through the spring, summer, and fall, Mandy works to make it truly hers. Sometimes she "borrows" things she needs from the orphanage. Sometimes, to guard her secret, she even lies. Then, one stormy night at the cottage, Mandy gets sick, and no one knows how to find her--except a special friend she didn't know she had.