Trampling over the boundaries between the religious and the secular in order to tackle some of the key questions facing Muslims in the contemporary age, this text presents an account of modern Islam.

    It was an antique whose value I had realised.’ With these words Bishwanath Ghosh embarks on an exploration of a city that, as a probashi - non-resident Bengali, he has only recently fallen in love with. He probes the lives of its inhabitants - some famous and others faceless - and at the same time strolls along the Hooghly, wanders in and out of Park Street, College Street, Kalighat, Kumartuli, Sonagachhi, even ending up in a dance bar in Salt Lake.With his adventurous spirit and undeniable wit intact, Bishwanath Ghosh pieces together his own unique idea of a unique city.

    Falling into three categories, the first 40 sayings each have a full, unbroken chain of transmission that goes back to God through the medium of the Prophet Muhammad. The second category are sayings mostly taken from well-known written collections. The final section is drawn from similar books, with Ibn 'Arabi adding one extra hadith, orally transmitted. Comprised of a full introduction explaining the meaning of Hadith, the text stresses the importance of this tradition in Ibn 'Arabi's writing.

    Trained in combat since he was a youth, and taught the dark arts of war by a brilliant ex-monk, he is determined to prove wrong those who say he is unfit for command. As he follows the trail of devastation left by the raiders, he discovers that Valentina, his half-brother's betrothed, has been taken captive. The mission that he has viewed merely as an adventure now turns into a personal quest to save the headstrong daughter of his father's closest ally from the slave markets of Arabia.In the capital of Toledo, the sudden death of the monarch unravels old alliances, sparking a fierce competition for the throne. As the country descends into civil war, Musa ibn Nosseyr, Caliph al-Walid's ambitious governor in Carthage, sees the Iberian nation's troubles as an opportunity to expand the reach of the caliphate into Europe.

    Islam confronts what is immutable in God with what is permanent in man." These are the opening words of what has become a classic work on Islam, perhaps the most misunderstood of the great Revelations. And yet the purpose of this book "is not so much to give a description of Islam as to explain . . . why Moslems believe in it." Both Westerners unfamiliar with Islam and Moslems seeking a deeper understanding of the basis of faith will be struck by Schuon's masterful elucidation of the spiritual world of Islam.Schuon's foundation is always the intrinsic nature of things rather than any confessional point of view. This perspective opens up new avenues of approach and surprising insights into the "five pillars" of faith, the Quran, the Sunna, the Prophet and the esoteric dimension which is the kernel of Moslem spirituality. A hallmark of the author's perspective is an intellectual universality, which in examining a given religious framework readily draws upon parallels and concepts from other traditions, especially that of the Vedanta. For "what is needed in our time, and indeed in every age remote from the origins of Revelation, is . . . to rediscover the truths written in an eternal script in the very substance of man's spirit."

    

    Available for the first time in paperback, his portrayal of the Judaeo-Islamic tradition is set against a vivid background of Jewish and Islamic history.

    A novel about a helpless orphan girl who discovers the real meaning of the holy Quran which helps her cope with the vagaries of her miserable life.It appeared March-August 2011 in Khawateen Digest

    This book aims to unravel the mystery in two ways. Firstly, it looks at the Ottomans and their world in terms relevant to an eastern Islamic society, with its own principles and practices that seemed merely barbaric to the West. The book also comes to terms with the West's expectations of the Ottomans. The author's aim is both to tell the story and offer some explanation. The book interprets the Ottomans, to make sense of a society that to Western eyes seemed feckless and utterly corrupt, cruel and craven by turns. It was frequently all of these things but not without reason or cause.

    Misrepresented in the media as a black parallel to the Hell's Angels, portrayed as everything from a vicious street gang to quasi- Islamic revolutionaries, The Five Percenters are a movement that began as a breakaway sect from the Nation of Islam (NOI) in 1960s Harlem and went on to impact the formation of hip-hop. References to Five Percent language and ideas are found in the lyrics of wide-ranging artists, such as Nas, Rakim, the Wu-Tang Clan, and even Jay-Z. The Five Percenters are denounced by white America as racists, and orthodox Islam as heretics, for teaching that the black man is Allah. Michael Muhammad Knight ("the Hunter S. Thompson of Islamic literature" -The Guardian) has engaged this culture as both white and Muslim; and over the course of his relationship with The Five Percenters, his personal position changed from that of an outsider to an accepted participant with his own initiatory name (Azreal Wisdom). This has given him an intimate perch from which to understand and examine the controversial doctrines of this influential movement. In "Why I Am a Five Percenter," Knight strips away years of sensationalism to offer a serious encounter with Five Percenter thought. Encoded within Five Percent culture is a profound critique of organized religion, from which the movement derives its name: Only Five Percent can act as "poor righteous teachers" against the evil Ten Percent, the power structure which uses religion to deceive the Eighty- Five Percent, the "deaf, dumb, and blind" masses. Questioning his own relationship to the Five Percent, Knight directly confronts the community's most difficult teachings. In "Why I Am a Five Percenter," Knight not only illuminates a thought system that must appear bizarre to outsiders, but he also brilliantly dissects the very issues of"insiders" and "outsiders," territory and ownership, as they relate to religion and privilege, and to our conditioned ideas about race.

    She raised her children with the income from just a few acres of land that she managed on her own, tending to the cattle and crops with maternal concern, all the while minding her unruly husband. Every obligation met, all accounts squared up, each meal cooked to satiate the tongue and heart—Amma never rested, not even when bedridden with Parkinson’s. She lived a farmer’s life and died a farmer’s death.Amma is a homage to a way of life and values—simplicity, honesty and hard work—lost to us today. Peppered with unsentimental nostalgia and delightful humour, and vividly documenting village and farming life in the Kongu region, Amma tugs at generational memory. Murugan’s non-fiction writing, his first to appear in English, is as deeply affecting as his fiction.

    Did the old man's past come back to haunt him? As Erlendur reopens this very cold case, he follows a trail of unusual forensic evidence, uncovering secrets that are much larger than the murder of one old man. Silence of the Grave When a skeleton is discovered half-buried in a construction site outside of Reykjavík, Inspector Erlendur finds himself knee-deep in both a crime scene and an archeological dig. As Erlendur tries to crack this cold case, he must also save his drug-addicted daughter from self destruction and somehow glue his hopelessly fractured family back together. Voices The Christmas rush is at its peak in a grand Reykjavík hotel when Inspector Erlendur is called in to investigate a murder. As Christmas Day approaches, Erlendur must deal with his difficult daughter, pursue a possible romantic interest, and untangle a long-buried web of malice and greed to find the murderer.

    

    The lead character, Moazzam Ali joins the fight against the British with the army of Siraj ud-Daula. The story goes around as the character moves from one place in India to another in search of the lost glory and freedom.

    This is the only english language translation that includes translation and inline commentary. The language is simple and easy to understand and unlike other translations leaves no room for ambiguity and misunderstanding. The work is a recent project and does not use "old" english or difficult to understand words.This is the complete english version which includes all 30 sections of the Quran as well as the inline commentary and introduction to the Quran.