Taking up the Prophet's teaching that 'Ninety-nine Beautiful Names' are truly predicated of God, the author explores the meaning and resonance of each of these divine names, and reveals the functions they perform both in the cosmos and in the soul of the spiritual adept. Although some of the book is rigorously analytical, the author never fails to attract the reader with his profound mystical and ethical insights, which, conveyed in his sincere and straightforward idiom, have made of this book one of the perennial classics of Muslim thought, popular among Muslims to this day.

    In this updated and expanded edition of The Search for Beauty in Islam, Abou El Fadl offers eye-opening and enlightening insights into the contemporary realities of the current state of Islam and the West. Through a "conference of the books," an imagined conference of Muslim intellects from centuries past, Abou El Fadl examines the ugliness that has come to plague Muslim realities and attempts to reclaim what he maintains is a core moral value in Islam-the value of beauty. Does Islamic law allow, or even call for, the gruesome acts of ugliness that have become so commonly associated with Islam today? Has Islam become a religion devoid of beauty, compassion and love? Based on actual cases, this book tackles different issues and problems in each chapter through a post-9/11 lens, discussing such topics as marriage, divorce, parental rights, the position of women, the veil, sexual abuse, wife-beating, terrorism, bigotry, morality, law, and the role of tradition. Abou El Fadl argues that the rekindling of the forgotten value of beauty is essential for Muslims today to take back what has been lost to the fundamentalist forces that have denigrated their religion.

    Taking his own spiritual journey as a starting point, Professor Ayoub explores all aspects of Islam; from the Qur'an and Islamic law to the epic poetry of the Sufis; from the spread of Islam worldwide to reform movements in the US and Europe.

    

    But MT Vasudevan Nair (popularly known as “MT”) turned him into a three-dimensional figure, more sensitive and thoughtful than he is usually given credit for. “He took familiar building blocks and created an entirely new, incredibly compelling construct from them,” says Prem Panicker, senior journalist, Rediff.com co-founder and a long-time admirer of MT’s work.

    Those who are familiar with Parra's work will find the humor more sharply honed and darker, the anger closer to the surface and sometimes breaking through, the language tighter, the compassion deeper and the statements more political--or anyway more social.

    In postulating a positive theory of the hijâb, the author challenges with great sophistication both the commonly held view of Muslim women being subjugated by men, as well as the liberal feminists' who criticize the choice of women to cover themselves as ultimately unliberating. The author argues that in a culture of consumerism, the hijâb can be experienced as a liberation from the tyranny of the beauty myth and the thin "ideal" woman. In dispelling some widely held myths about Muslim women and the hijâb, the author introduces respectability to the voice of believing Muslim women, claiming that liberation and the equality of women are fundamental to Islam itself.

    It also looks at the origins of Arabic, its palaeography and orthography, the so-called Mushaf of Ibn Mas‘ud, and the strict methodology employed in assembling textual fragments. This scholarly work provides an essential basis for sincere study of the Qur’an at a time when mis-representation of Islam’s Holy Book has become all too common.The author also investigates the histories of the Old and New Testaments, relying entirely on Judeo-Christian sources, and by so doing the book attains an absolutely epic scope. Through this the author makes a sophisticated and passionate case for questioning the aims of Western scholarship towards Islam’s Holy Book and illustrates convincingly that such research, motivated by more than mere curiosity, has no scientific bearing on the Qur’an’s integrity. A truly monumental effort, an indispensable tool for Muslims and non-Muslims alike, this work presents a cogent and powerful argument for the Qur’an’s unique inviolability and will serve as a cornerstone addition to any personal library and Islamic curriculum.

    Professor Michael Sells has captured the complexity, power, and poetry of the early suras of the Qur’án, the sacred scripture of Islam. In this second edition, Sells introduces important new translations of suras and a new preface that addresses the ongoing controversy over teaching about Islam and the Qur’an in American universities. Approaching the Qur’án presents brilliant translations of the short, hymnic suras associated with the first revelations to the Prophet Muhammad. Most of these early revelations appear at the end of text and are commonly reached only by the most resolute reader of existing English translations. These suras contain some of the most powerful, prophetic and revelatory passages in religious history. They offer the vision of a meaningful and just life that anchors the religion of one-fifth of the world’s inhabitants. Approaching the Qur'án is enriched by inclusion of free downloadable audio recordings of Quranic reciters, allowing readers an opportunity to hear the Qur'án in its original form. The book includes Sells’ Introduction to the Qur’án, commentaries of the suras, a glossary of technical terms, and chapters discussing the sound nature and gender aspects of the Arabic text.

    It dispels the ambiguities surrounding the Shari'ah, serving as an essential reference work for the Muslims of this age. It clarifies the Lawful (halal) and why it is lawful, and prohibited (haram) and why it is prohibited, referring to the Qur'an and the Sunnah. It answers many of the questions which Muslims face today. In a very simple way, the book delves into the authentic references in Islamic jurisprudence and fiqh to extract judgements of interest to contemporary Muslims on matters of worship, business dealings, marriage and divorce, food and drink, dress and adornment, patterns of behavior, individual and group relations, family and social ethics, habits and social customs. Referring to authentic texts, it carifies that "Permissibility, is the rule in everything, unless it is otherwise specified in matters that adversely affect individuals or groups." It also stipulates that "Allah is the only authority who has the right to legislate for the lawful and the prohibited."

    Yet, as the armies of nightmare draw closer, she discovers that war is not the ultimate evil.

    It is an indispensable reference for every Muslim or student of Islam who needs to research on Islamic rulings on daily Muslim life.

    Dividing the time into three periods: 600-900, 900-1500 and 1500-1800, they set the artistic development in each era within its historical context and use art as a window into Islamic culture. Written in a lively and accessible style, and illustrated throughout with photographs, maps and plans, the book captures the essence of Islamic culture as expressed in its buildings, books and applied arts, and provides an essential introduction to the subject for both the student and the general reader.

    . . . According to tradition and the testimony of Sufi mystics, The Prayer--or Salat--was first taught by the angels, who themselves practiced it in celestial adoration. The Prayer is God's gift to all humankind, and in this gorgeously illustrated volume, its simple, archetypal practice unfolds like a fragrant, many-petaled flower, joining words and movements into a single luminous event that engages our entire being. These ancient rituals are presented here as a gift for anyone with a heartfelt desire to set aside for a moment the concerns of every day and enter a sacred time and space in which to explore the beckonings of the spirit. The authors take us through the words, movements, and hidden meanings of the Call to Prayer, the Ablutions, The Prayer itself, and the Peaceful Embrace afterwards. Faithful practice lends a sacred rhythm to each day and creates a psychological force that helps us nurture and express a profound inner harmony. This first, marvelously accessible interpretation of The Prayer also offers a compelling introductin to the wisdom and teachings of the beloved contemporary Sufi master Bawa Muhaiyaddeen, who brought new life to this mystical tradition by opening a passage to its deepest, universal realities. It is the loving handiwork of two of Bawa's best-known students, Coleman Barks and Michael Green, who also created The Illuminated Rumi. Like a jewel given extra brilliance by its setting, The Prayer is surrounded by the wisdom and understanding of the thirteenth-century Sufi master Rumi, whose generous poetry has become an essential canon for modern-day seekers in the West. The final gift is the Primeval Kalima, the core practice and most profound teaching of the Sufi, the "open secret" that leads to Divine Luminous Wisdom.

    Moved by the guilt of never having worked with his hands, Neruda opens with the despairing confession, “Why did I not make a broom? / Why was I given hands at all?” The themes of hands and work grow in significance as Neruda celebrates the carpenters, longshoremen, blacksmiths, and bakers—those laborers he admires most—and shares his exuberant adoration for the earth and the people upon it.Yes, I am guiltyof what I did not do,of what I did not sow, did not cut, did not measure,of never having rallied myself to populate lands,of having sustained myself in the desertsand of my voice speaking with the sand.Pablo Neruda (1904–1973) was a Chilean poet and diplomat who received the Nobel Prize in Literature in 1971. Recognized during his life as “a people’s poet,” he is considered one of the greatest artists of the twentieth century.William O’Daly is the best-selling translator of six of Pablo Neruda’s books, including The Book of Questions and The Sea and the Bells. His work as a translator has been featured on The Today Show.