The intelligent action filled with facts and evidence appears to You. It proves that global events did not happen at all like it is generally understood.So, Kennedy wasn't killed by Oswald, who had been framed in advance, but by a woman - a professional sniper who worked on an unusual order. The man who planned and carried out the September 11 attacks in New York was just one kilometer from crumbling skyscrapers. The assassination attempt on Pope John Paul was being prepared to hide billion bank scams, and the pontiff knew about it. These and other significant events of the last 60 years turn out to be interconnected, leaving the trail to a criminal syndicate ... from one person, and from him to the highest establishment and intelligence services of the United States and other countries.In these times already, the "disappeared" archives belonging to those who died because of paying too much attention to the tragic events of September 11 end up with the American journalist of Russian origin Max Malin. Exciting events and mysterious coincidences, which many choose to forget about forever, lead the hero to dark shadows from the past. As a result of a complex and risky investigation, Malin discovers the perpetrators and mandators in the most remembered political assassination of the 20th century, the September 11 terrorist attack in New York, the assassination attempt on John Paul II, and the murder of a world-known banker. The novel is set in our time, and in parallel, it takes place in the days of the above horrific events - in 1963, 1981, 1999, and 2001. The book's ending is entirely unpredictable and shocking.The characters and protagonists of the novel are real and recognizable persons - from great politicians, billionaires, ministers of the Vatican to leaders of national and world crime syndicates. Most are acting under their real names. Of course, there are fantasy characters, but they are the connecting links in the chain of events. Some of the names are encrypted and easy to guess.

    She seeks refuge in her butterfly garden, which is filled with voices and memories from long ago.Jocelyn Anderson is a struggling writer who finds escape from her custody battle in the journal of her late mother-in-law. As she gets pulled through the pages of time, Jocelyn discovers her own husband has a hidden history she knows nothing about. Is this secret now Jocelyn's to keep?Krystal Axelrod is living a life she never dreamed she could have. And yet the demons of a dysfunctional childhood and mean girl culture from her cheerleading days cast their shadow over her ability to feel whole, capable, and worthy. Does Goldie hold the key to Krystal's path to freedom?A masterfully crafted tale of love, friendship, betrayal, and the risks we take in the pursuit of justice.

    Dalloway (1925) To the Lighthouse (1927) The Waves (1931) The Years (1937) Between the Acts (1941) THE 'BIOGRAPHIES' Orlando: a biography (1928) Flush: a biography (1933) Roger Fry: a biography (1940) THE STORIES Two Stories (1917) Kew Gardens (1919) Monday or Tuesday (1921) A Haunted House, and other short stories (1944) Nurse Lugton's Golden Thimble (1966) Mrs Dalloway's Party (1973) The Complete Shorter Fiction (1985) THE ESSAYS Mr. Bennett and Mrs. Brown (1924) The Common Reader I (1925) A Room of One's Own (1929) On Being Ill (1930) The London Scene (1931) A Letter to a Young Poet (1932) The Common Reader II (1932) Walter Sickert: a conversation (1934) Three Guineas (1938) Reviewing (1939) The Death of the Moth, and other essays (1942) The Moment, and other essays (1947) The Captain's Death Bed, and other essays (1950) Granite and Rainbow (1958) Books and Portraits (1978) Women And Writing (1979) 383 Essays from newspapers and magazines AUTOBIOGRAPHICAL WRITING A Writer's Diary (1953) Moments of Being (1976) The Diary Vols. 1–5 (1977-84) The Letters Vols. 1–6 (1975-80) The Letters of V.W. and Lytton Strachey (1956)  A Passionate Apprentice. The Early Journals 1887-1909 (1990)  THE PLAY Freshwater: A Comedy (both versions) (1976)

    Hers is no picturesque New England childhood but one of swap meets and factory seconds and powdered milk. Shame blankets her like the thick snow that regularly buries nearly everything in Waitsfield.As she grows older, Ruthie slowly learns how the town's prim facade conceals a deeper, darker history, and how silence often masks a legacy of harm--from the violence that runs down the family line to the horrors endured by her high school friends, each suffering a fate worse than the last. For Ruthie, Waitsfield is a place to be survived, and a girl like her would be lucky to get out alive.In her eagerly anticipated debut novel, Sarah Manguso has written, with characteristic precision, a masterwork on growing up in--and out of--the suffocating constraints of a very old, and very cold, small town. At once an ungilded portrait of girlhood at the crossroads of history and social class as well as a vital confrontation with an all-American whiteness where the ice of emotional restraint meets the embers of smoldering rage, Very Cold People is a haunted jewel of a novel from one of our most virtuosic literary writers.

    In the face of enormous personal tumult, he sits down to write. What follows is an audacious chronicle of his childhood and an unsparing account of his life's trials, failures, and triumphs that becomes a moving look at what family gives and takes away.With the intimacy of a diarist, he reckons with the ghosts of his parents and the current specters of his divorce, his children, his career, and his addictions. In unswervingly honest prose, Vilas explores his identity after great loss--what is a person without a marriage or without parents? What is a person when faced with memories alone? Already an acclaimed poet and novelist in Spain, Vilas takes his work to a whole new level with this autobiographical novel; critics have called it "a work of art able to cauterize pain."Elegiac and searching, Ordesa is a meditation on loss and a powerful exploration of a person who is both extraordinary and utterly ordinary--at once singular and representing us all--who transforms a time of crisis into something beautiful and redemptive.

    Here the reader is offered a glimpse of Mark Twain's sustained creative process, in what many critics consider the finest fiction of his later years. Begun in 1897 and revised first in 1902 and then 1908, the third version was the only manuscript titled The Mysterious Stranger. These texts offer a rare opportunity to observe Mark Twain's sustained literary struggle with a central theme.

    Thankfully Lily has a devoted father, Ben, who loves and adores her up until his sudden death, leaving Lily the sole caregiver for her ill mother, Daisy.The latest family tragedies have forced Lily to question the history her parents claimed to be true. With the discovery of disturbing diaries kept by her mother, Lily will uncover dark twists that her curiosity will not let stay buried in the past. Lily has always struggled to understand what made her mother so callous and unloving. Within the contents of the secret diaries, the sinister truth will finally come to light.

    I mean staggeringly beautiful, men falling at your feet with hopeless adoration as they gaze upon you dumbfounded. That beautiful. I could become that beautiful if I chose, but only with a steep price. Would you pay the price? Does that call to your heart? It doesn’t call to mine. Yes, when I look at the girl in the mirror, I see a young woman of average height and slight build. I see her lovely emerald green eyes and I see her coarse, orange hair poking out in all directions like some unnatural haystack. I see the forty-seven warts that line her face, which accompany one large lump and two small boils. You’d probably think that I would be more than eager to trade for the great gift of beauty because I know some, if not all of you, would call me hideous. But I don’t think of myself as ugly. I think of myself as powerful, strong and fierce – for I have magical powers – powers that amaze and terrify me at times. And today is the most important day of my life, because today my mother will say the words over me and seal my fate. For I, Olive, am the last of the Winnowwood and this is my story. Based on the award winning screenplay of the same name, The Ugly Princess will take you on an amazing adventure filled with twists, turns and an ending that will take your breath away because it is also a love story of the most unusual, magical kind. “In the tradition of The Princess Bride (with somewhat less whimsy) and The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, Smith’s debut is a fairy tale in a new world…. The twists along this charming road make for an enchanting journey.” -- Kirkus Reviews --

    This is an unforgettable journey into the untamed American frontier. Where nature is cruel, violence lurks behind every tree, and where only the strongest of the strong survive. This is a story of America. TO THE RIVER’S END Luke Ransom was just eighteen years old when he answered an ad in a St. Louis newspaper that would change his life forever. The American Fur Company needed one-hundred enterprising men to travel up the Missouri River—the longest in North America—all the way to its source. They would hunt and trap furs for one, two, or three years. Along the way, they would face unimaginable hardships: grueling weather, wild animals, hunger, exhaustion, and hostile attacks by the Blackfeet and Arikara. Luke Ransom was one of the brave men chosen for the job—and one of the few to survive . . . Five years later, Luke is a seasoned trapper and hunter, a master of his trade. The year is 1833, and the American Fur Company is sending him to the now-famous Rendezvous at Green River. For Luke, it may be his last job for the company. After facing death countless times, he is ready to strike out on his own. But when he encounters a fellow trapper under attack by Indians, his life takes an unexpected turn. A new friendship is forged in blood. And a dangerous new journey begins...

    Kimia, a successful spiritual advisor whose Iranian childhood continues to haunt her, collides with a mysterious giant bird in her mother’s California garage. She begins reliving her experience as a nine-year-old girl in war-torn Iran, including her friendship with a mystical storyteller who led her through the mythic Seven Valleys of Love. Grappling with her unresolved past, Kimia agrees to accompany her ailing mother back to Iran, only to arrive in the midst of the Green Uprising in the streets. Against the backdrop of the election protests, Kimia begins to unravel the secrets of the night that broke her mother and produced a dangerous enemy. As past and present collide, she must choose between running away again or completing her unfinished journey through the Valley of Death to save her brother.

    In the fall of 1991, as her children are growing older and more independent, Jane is overcome by a spiritual and intellectual restlessness that leads her to become involved with a local pro-life group. Following the tenets of her beliefs, she also adopts a little girl from Eastern Europe. But Mirela is a difficult child. Deprived of a loving caregiver in infancy, she remains unattached to her new parents, no matter how much love Jane shows her. As Jane becomes consumed with chasing therapies that might help Mirela, her relationships with her family, especially her older daughter, Lauren, begin to fray. Feeling estranged from her mother and unsettled in her new high school, Lauren begins to discover the power of her own burgeoning creativity and sexuality—a journey that both echoes and departs from her mother’s own adolescent experiences. But when Lauren is confronted with the limits of her youth and independence, Jane is thrown into an emotional crisis, forced to reconcile her principles and faith with her determination to keep her daughters safe. The Fourth Child is a piercing love story and a haunting portrayal of how love can shatter—or strengthen—our beliefs.

    But the savior isn’t human at all. Trapped by his Maker’s command to protect a mysterious box, Adem is forced to kill anyone who tries to steal it. When a young boy chances upon Adem’s temple, he resists temptation, intriguing the golem. As the boy and his sister convince Adem to leave the refuge of his temple, the group lands in a web of trouble. Now Adem will do whatever necessary to keep his new young charges safe, even if it means risking all to get rid of the box. Their saving grace comes in the form of an angel who offers to set Adem free of the box’s magic by granting his greatest desire—making him human. But first, Adem must bring back the angel’s long-dead human love from the Underworld. In doing so, he will risk breaking the barrier between the realms, a cataclysm that could launch the Third Realm War. To set things right, he may be forced to give up the only thing he’s ever truly wanted…a chance at a soul of his own

    It offers a textbook-level depth of exploration with easy-to-understand examples and encouraging dialogue. Just as many biological symptoms (e.g., pain, fever, sweating) serve various functions, the book investigates an intriguing question: What if anxiety symptoms aren't merely the effect of some cause, but also personality-based and purposeful means to achieve goals?

    Bawdy, funny, touching, and downright outrageous, there's simply no one else like Roald Dahl.This volume is a diabolical collection of 28 of Dahl's best stories. Shiver to classics like The Man From the South, Taste, Royal Jelly and The Great Switcheroo and hard-to-find gems like Poison, The Wish and Neck. It's the perfect remedy for a sleepless night. From Someone Like YouTasteLamb to the SlaughterMan from the SouthThe SoldierDip in the PoolGalloping FoxleySkinPoisonWishNeckSound MachineNunc DimittisGreat Automatic GrammatizatorClaud's DogRatcatcherRumminsMr HoddyMr FeaseyFrom Kiss KissLandladyWilliam and MaryThe Way Up to HeavenRoyal JellyGeorgy PorgyGenesis and CatastropheEdward the ConquerorPigChampion of the WorldFrom Switch BitchGreat SwitcherooLast ActBitch