Among the 12 stories is the classic tale of a horse and buggy that enter a covered bridge -- and vanish. Introduction by the author; Sam Hawthorne chronology and bibliography by Marvin Lachman.

    Told from the perspective of a young wife who’s become increasingly frustrated with her mild-mannered husband, “The Trespassers” begins as a quiet domestic drama and quickly escalates into a nightmare. When Evan refuses to confront men who are illegally hunting on the couple’s remote homestead, Chris takes matters into her own hands, with terrifying results. Written in 1958, when Leonard was working at a Detroit advertising agency and writing short stories on the side, “The Trespassers” shows the emerging talent of a man whose spare style and dark wit would redefine a literary genre. Filled with as much sexual menace as Sam Peckinpah’s classic thriller “Straw Dogs,” this timelessly relevant story delivers a sly surprise that could only come from the mind of Elmore Leonard. ABOUT THE AUTHOR Elmore Leonard wrote forty-five novels across his six-decade career, including the bestsellers “Road Dogs,” “Up in Honey’s Room,” “The Hot Kid,” “Mr. Paradise,” “Tishomingo Blues,” and the critically acclaimed collection of short stories “When the Women Come Out to Dance.” Many of his books have been made into movies, including “Get Shorty,” “Out of Sight,” and “Jackie Brown.” “Justified,” the hit series from FX, is based on Leonard’s character Raylan Givens, who appears in “Riding the Rap,” “Pronto,” the short story “Fire in the Hole,” and the novel “Raylan.” Leonard received the National Book Foundation’s Medal for Distinguished Contribution to American Letters, the Lifetime Achievement Award from PEN USA, and the Grand Master Award of the Mystery Writers of America. He was known to many as the “Dickens of Detroit” and had lived in the Detroit area since 1934. PRAISE FOR ELMORE LEONARD “Elmore Leonard can write circles around almost anybody active in the crime novel today.” —The New York Times Book Review “There is no greater writer of crime fiction than Elmore Leonard, and no one who has more resplendent energy.” —The Guardian (UK) “Elmore ‘Dutch’ Leonard is more than just one of the all-time greats of crime fiction. He’s … an authentic American icon.” —The Seattle Times “People look on writers that they like as an irreplaceable resource. I do. Elmore Leonard, every day I wake up and—not to be morbid or anything, although morbid is my life to a degree—don’t see his obituary in the paper, I think to myself, ‘Great! He’s probably working somewhere. He’s gonna produce another book, and I’ll have another book to read.’ Because when he’s gone, there’s nobody else.” — Stephen King “The King Daddy of crime novelists.” —The Seattle Times “As crime fiction goes, Leonard has few living equals. His characters leap from the page with a few short keystrokes, like a form of bloodstained haiku.” —The Cleveland Plain Dealer “[Leonard’s] finely honed sentences can sound as flinty/poetic as Hemingway or as hard-boiled as Raymond Chandler. His ear for the way people talk—or should—is peerless.” —The Detroit News “A master of narrative … A poet of the vernacular … Leonard paints an intimate, precise, funny, frightening, and irresistible mural of the

    In her delicately menacing short fiction, assembled here in one volume, dangerous impulses seize the most unlikely individuals, and everyday existence is fast eclipsed by the bizarre. Among the compelling intrigues: The cold-blooded murder of Mrs. Byron Lloyd, shot dead during a writers' panel discussion . . . the enigma of the nameless toddler who walks out of the bushes one New England summer afternoon . . . the reappearance of a missing Constable drawing just where it can cause the most trouble . . . and other wonderful mysteries, many of which star the incomparable amateur sleuth Kate Fansler.

    Although Charley doesn't like the idea, he has no choice but to put up with it. Isherwood shows the squad what difference observation makes to how a potential crime scene is viewed, when asked to help by a member of the public who is worried for the safety of her sister. Is she right? Is the girl's fiance a monster who has already killed his previous wives? The problem is that he is perceived as a high profile member of society and the Chief warns the detectives to tread carefully. Will Isherwood tread on anyone's ego as he provides insight on this potential murder case? This is the first of the series of Isherwood Case Files in which our detective gets up close and personal with homicide, showing the squad the difference between the American approach and the more reserved British approach. Mystery 2:The Case of the Ghost Writer With Jon Isherwood being asked to help in the Los Angeles Police Department's homicide division, a call is received from a landlord who has found his tenant has been murdered. In this salubrious part of town, the ghost writer has found his demise. Will the clues be sufficient to pin the murder on anyone? Since the ghost writer lived a very private life, investigation takes Isherwood and his team to the home of a rich and famous author. There are many questions unanswered, though with forensics on their side, will they be able to work out the motive that anyone could have had to kill the solitary figure? Using observation, Isherwood and his team work toward finding a conclusion to a story which spells sadness, disappointment and revenge. But whose will the revenge be and will it be easy to crack the case? Readers will need to take the journey with our detectives to find the answers to their questions. Not all is always as it seems. Mystery 3:The Case of the Dead Man with No Identity When a victim is found at the bottom of the laundry chute in a hotel, where will the inquiries begin. There is no identification on the man and nothing to say who he was. Isherwood investigates the case of the dead man with no identity with his usual flare. Should he be looking in other places or are the clues there for him to find? As the story unfolds, is the killer who they think it is? Can a killer actually be charged with murder when the victim is seemingly already dead? One of Isherwood's most irritating cases, the blandness of the whole affair baffles him. Instead of being riddled with detail for him to unfold, this crime comes with no clues, no answers and no real leads. How will the detectives find out who killed Ian Bradshaw? And what stories can the dead body tell the coroner's office about how the death occurred? Readers will discover within the pages of this story. Mystery 4: A Case of Check Mate When a murderer leaves the calling card of a chess piece, Isherwood is left to find out the significance. Does this mean something particular? The preacher who was murdered seems an unlikely victim, though Isherwood is left to do what he can to make sense of the killing. Looking through past history, perhaps there are links that may have been missed, other than for that calling card.

    This collection contains three stories told by McCone herself, as well as a novella and a short story narrated by the agency's investigator Rae Kelleher, a story from the viewpoint of its office manager Ted Smalley, an investigation conducted by McCone's nephew Mick Savage, and one by her lover Hy Ripinsky.

    Then two girls are found murdered in the high fells, and suddenly there's no doubt about it. He's running. Set in his native Cumberland, this was Reginald Hill's very first novel and its cleverly interwoven strands of detective story, psychological thriller and Buchanesque adventure prefigure much that in the intervening decades has taken him into the topmost ranks of British crime fiction.

    William Bernhardt, author of seven bestselling novels featuring attorney Ben Kincaid, asked ten of his fellow lawyer/authors to contribute their most fiendishly clever short pieces for this anthology, and told them their imaginations were their only guides.  The result is Legal Briefs, a smorgasbord of stories boasting a wonderful variety of themes and styles.  From John Grisham's exploration of a doctor's guilt in "The Birthday" to Richard North Patterson's story of a lawyer's loyalty to his mentor in "The Client," to Grif Stockley's tale of a divorce lawyer who learns the hard way that things are not always what they seem, these pieces showcase the extraordinary depth and breadth of talent among the new breed of legal thriller writers.Some of these stories feature twisting and inventive plots; some illuminate the moral dilemmas and psychological complexities faced by the modern-day lawyer; some are good, old-fashioned yarns.  But for all their diversity of approaches and characters, these writers understand that the courtrooms and law firms from which they came offer the raw material for the most dramatic, suspenseful stories you can read.Legal Briefs will be a delight for fans of all these bestselling authors, and a splendid introduction to their talents for readers new to the genre.  Author proceeds from the sale of this book are being donated to the Children's Defense Fund.From the Hardcover edition.

    A classic mystery from Dashiell Hammett.

    Meanwhile, Ripley’s label, Galaxy Records, is preparing a secret merger agreement that would create the largest record conglomerate in the world. Trouble arises when rumors spread that Ripley and Simon are withholding Ripley’s new album in hopes of renegotiating his contract.When Simon and Judd are shot on the famed Grand Ole Opry stage during the filming of Ripley’s new music video, no one is more upset than Ripley—especially as everyone assumes the shots were meant for him. While Simon’s life hangs in the balance, Judd seeks help from Megan Olsen, Simon’s right hand and Ripley’s day-to-day manager. The two set off on a high-powered chase to disclose the real motive behind the shootings and spare Ripley from a second murder attempt.Not unlike John Grisham’s legal thrillers and Michael Crichton’s science-based thrillers, Stuart Dill’s “music industry thriller” can now be added to the literary lexicon. Murder on Music Row leads readers through a maze of twists and turns that connect Nashville, New York, Los Angeles, and London in a behind-the-scenes look at an industry where there are no limits in the pursuit of money, power, and fame.

    

    Four physicians have failed to bring the young lad back to health, and his nurses seem unable to bring him comfort. Sir Robert decides that he and Elizabeth Lady Carey should have the keeping of the child – despite the disgrace that will come to them if he dies in their care. It’s not long before Sir Robert begins to suspect that foul play lies behind the young Duke’s condition. Is there a poisoner at Court? If so, will Sir Robert find the miscreant in time to save the Duke? Patricia Finney is the author of six novels featuring Sir Robert Carey, all of them written under the pseudonym P F Chisholm and all available on Kindle. Patricia Finney’s latest Elizabethan crime novel, Do We Not Bleed?, features the ambiguous James Enys, his elusive sister, and a young playwright, Will Shakespeare. Do We Not Bleed? is also available on Kindle.

    With reminiscence and narration, a local sheriff must comb through his own humid world to unravel the truth behind the death of a local boy. But it’s not as easy as it seems, because no one is talking. The Other Side of the Bay is a remarkable portrait of the unique people in the Panhandle of Florida. The story weaves itself into the tall longleaf forests, and along the crests of the uneasy bay, telling a tale of the human spirit. This is a novel of how things aren't always as black and white as they ought to be, and how right and wrong aren't always easy to tell apart. It's an evocative tale that delivers its reader to the apricot sun rises and sepulchral storm clouds of their own bittersweet memories.

    She collects men, fast cars and designer dresses. But no matter how delicious the distractions, Phryne never takes her eyes off the main prize: bringing down villains.

    The FBI and city police call her the Yarn Woman. She's their textile forensics expert.In her first recorded case, 'Ghosts of the Albert Townsend, ' Ruth has only a blood-soaked nineteenth century shawl to unravel the link between the resurfacing of a ghostly schooner just offshore and the severe wounds on young Hauper Brown's body. A nearby fatal animal mauling only adds to her worry. In her second case in this first Yarn Woman mysteries book, 'The Fisherman's Wife, ' Ruth must decipher the meaning behind a dead man's hand-knit sweater while racing against time to save his otherworldly widow. Finally, Ruth helps identify the body of a playwright by the handwork in his shirt, and finds not only a young friend in Gabriel, a curly-haired boy with unusual abilities, she unearths a network of beggar-masters and their slaves deep in San Francisco's seamy underside.This first book, a trilogy of dramatic novellas, introduces a cast of characters who will recur as the Yarn Woman mystery series continues in 'Wailing Wood' and 'The Rusalka Wheel, ' with more cases on the horiz

    Short, fast-paced, high-impact entertainment. I know who killed my son. Molly Rourke’s son has been murdered… And she knows who’s responsible. Now she’s taking the law into her own hands. Never underestimate a mother’s love.