. . possess a rare, disorienting force. When you look up from them, the quality of light seems a little different. It’s a reminder to those of us who have almost forgotten what literature can sometimes do.”—Boston Book Review“The most honest, observant and timely book written this year about the American generation now approaching thirty . . . Chaon speaks with clarity of feeling, and more than a little oddball wit, about the lives of those left behind the demographic curve of America—men and woman with pointless jobs, doughy faces, soured relationships, bad credit. . . . Each story pulls you into its subtle emotional vortex, largely because of Chaon’s knack for simple but poignant detail.”—New York Newsday“Remarkable . . . Each story is a marvel of complexity, dense with meaning and nuance. . . . Very few first works are as solid, moving, and pitch-perfect as Chaon’s.”—The Cleveland Plain Dealer“[AN] OFTEN PERCEPTIVE, LUCID VOICE.”—The New York Times Book Review

    Based on the Tamil Original Vikramaadityan Kadaigal. All the 24 riddles/stories that the Betal narrated to King Vikramaadityan. Also included is the story of the origin of the Betal - Who is the Betal? How did he/she become a Betal? What is its redemption?

    An FBI agent falls in love with a robot built for a suicide mission. A young woman unintentionally cheats on her husband when she is transformed, nightly, into a deer. Two strangers become lovers and find themselves somehow responsible for the resurrection of a dog. A woman tries to start her life anew after the loss of a child but cannot help riddling that new life with lies. Thirteen pregnant teenagers develop a strange relationship with the Founding Fathers of American history. A lonely woman’s fertility treatments become the stuff of science fiction.Magic intrudes. Technology betrays and disappoints. Infidelities lead us beyond the usual conflict. Our bodies change, reproduce, decay, and surprise. With her characteristic unguarded gaze and offbeat humor, Hunt has conjured stories that urge an understanding of youth and mortality, magnification and loss, and hold out the hope that we can know one another more deeply or at least stand side by side to observe the mystery of the world.

    In"Bog Girl", a revelatory story about first love, a young man falls in love with a two thousand year old girl that he's extracted from a mass of peat in a Northern European bog. In "The Prospectors," two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. In the brilliant, hilarious title story, a new mother desperate to ensure her infant's safety strikes a diabolical deal, agreeing to breastfeed the devil in exchange for his protection. The landscape in which these stories unfold is a feral, slippery, purgatorial space, bracketed by the void--yet within it Russell captures the exquisite beauty and tenderness of ordinary life. Orange World is a miracle of storytelling from a true modern master.

    In Blueprints for Building Better Girls, her highly anticipated follow-up, she has crafted another provocative, keenly observed, and wickedly smart work of fiction that maps America's shifting cultural landscape from the late 1970s to the present day.In these eight darkly funny linked stories, Schappell delves into the lives of an eclectic cast of archetypal female characters—from the high school slut to the good girl, the struggling artist to the college party girl, the wife who yearns for a child to the reluctant mother— to explore the commonly shared but rarely spoken of experiences that build girls into women and women into wives and mothers. In “Monsters of the Deep,” teenage Heather struggles to balance intimacy with a bad reputation; years later in “I’m Only Going to Tell You This Once,” she must reconcile her memories of the past with her role as the mother of an adolescent son. In “The Joy of Cooking,” a phone conversation between Emily, a recovering anorexic, and her mother explores a complex bond; in “Elephant” we see Emily’s sister, Paige, finally able to voice her ambivalent feelings about motherhood to her new best friend, Charlotte. And in “Are You Comfortable?” we meet a twenty-one-year-old Charlotte cracking under the burden of a dark secret, the effects of which push Bender, a troubled college girl, to the edge in “Out of the Blue into the Black.” Weaving in and out of one another’s lives, whether connected by blood, or friendship, or necessity, these women create deep and lasting impressions. In revealing all their vulnerabilities and twisting our preconceived notions of who they are, Elissa Schappell, with dazzling wit and poignant prose, has forever altered how we think about the nature of female identity and how it evolves.

    In these ten bracingly transgressive tales, all her gifts of characterisation and observation are fully engaged, ushering concealed horrors into the light. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game.Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road on a Greek island, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.

    A South American president revisits the scenes of his ruthless rise to power-shortly after his own funeral. A transformed and sparkling city of London sets the scene for a company chairman's nemesis at the hands of his wife. In Andalucia, the spirit of the "duende" inspires an elderly widow to dance a death-defying flamenco. We meet splendacious Mrs. da Silva, sixty-five year old matriarch of Rebel War Band, as she boogies at a carnival. The ghost of Dante's Virgil, leading his pilgrim along perilous paths, is brought to mind as one friend guides another on her final journey.

    Nothing is certain in this world where weddings and birthday parties go unpredictably awry, strangers blurt out disturbing confessions, and even the family pets reveal themselves to be agents of discord and disruption.In this short-story collection by one of the most gifted fiction writers of our time, Francine Prose shows us how the seemingly tranquil surface of ordinary happiness barely conceals the darker, more mysterious and brutal truths about this deceptively peaceable kingdom.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    Or so believes Larry, who returns home from Desert Storm to find his hair gone and his bones rapidly disintegrating. Then there’s Lance Corporal James Laverne of the US Marines, who grows a third ear in Kuwait. And in the audaciously comic novella “Notes from a Bunker Along Highway 8,” a Green Beret deserts his team after seeing a vision of George Washington, only to find a new calling—administering aid to wounded Iraqi civilians; he’s hindered only by the furtive nature of his mission and an unruly band of chimpanzees. Together these narratives form a bracing amalgamation of devastating humor and brilliant cultural observation, in which Gabe Hudson fearlessly explores the darker implications of American military power.

    . . an alphabet soup of -delight in language. Eat up."—Alice Sebold"Brilliant. Wildly inventive, profane, and hilarious."—Bret Easton EllisThe author of the acclaimed cult classic Dear Dead Person ("refreshing, nauseating, hilarious"—Kirkus) returns with this long-awaited collection of brilliantly written and outrageously imaginative short stories.Benjamin Weissman is the author of Dear Dead Person (High Risk/Serpent’s Tail, 1995). He is a contributing editor to Bomb Magazine and writes regularly for the contemporary art magazines Parkett and Artforum. A painter and a professor at Art Center College of Design and Otis College of the Arts, he now lives in Los Angeles.

    Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically. In one story, suburban families perform oblations to cattlelike angels who live on their roofs, believing that their “thoughts and prayers” will protect them from the world’s violence. In another, inhabitants of an unnamed dictatorship slowly lose their own agency as pieces of their bodies go missing and, with them, the essential rights that those appendages serve. “The Great Escape” tells of an old woman who hides away in her apartment, reliving the past among beautiful objects she’s hoarded, refusing all visitors, until she disappears completely. In the title story, children begin to levitate, flying away from their parents and their home country, leading them to eat rocks in order to stay grounded. With elements of science fiction and fantasy, fabulism and magical realism, Brenda Peynado uses her stories to reflect our flawed world, and the incredible, terrifying, and marvelous nature of humanity.

    Swirling voices and skeins of story, laughter and rage, ferocious attention to detail and sweeping nuttiness, tears and chortling—these stories will remind readers of the late giant David Foster Wallace, in their straightforward accounts of anything-but-straightforward events; of modern short story pioneer Raymond Carver, a bit, in their blunt, unadorned dialogue; and of Julia Whitty, a bit, in their willingness to believe what is happening, even if it absolutely shouldn’t be. Funny, piercing, unique, memorable, this is a collection of stories readers will find nearly impossible to forget:... The barber who shaves the heads of the thugs in Bin Laden’s cave tells cheerful stories of life with the preening video-obsessed leader, who has a bald spot shaped just like Iceland.... A husband gathers all of his wife’s previous boyfriends for a long day on a winery-touring bus.... A teenage boy drives off into the sunset with his troubled sister’s small daughters…and the loser husband locked in the trunk of the car.... The late Joseph Kennedy pours out his heart to a golf-course bartender moments before the stroke that silenced him forever.… A man digging in his garden finds a brand-new baby boy, still alive, and has a chat with the teenage neighbor girl whose son it is.... A man born on a Greyhound bus eventually buys the entire Greyhound Bus Company and revolutionizes Western civilization.... A mountainous bishop dies and the counting of the various keys to his house turns… tense.... A man discovers his wife having an affair, takes up running to grapple with his emotions, and discovers everyone else on the road is a cuckold too.And many others.

    Long dead serial killers are appearing before adoring fans, but it doesn't take them long to realise that Nightingale is in the wrong place at the wrong time. Wrong Turn is a fast-paced supernatural story of 14,000 words. Jack Nightingale appears in the full-length novels Nightfall, Midnight, Nightmare, Nightshade, Lastnight, San Francisco Night and New York Night. He also appears in several short stories including Blood Bath, Cursed, Still Bleeding, Tracks, My Name Is Lydia, The Creeper, The Undead, The Asylum and The Mansion. The Jack Nightingale time line is complex, this story is set after Lastnight. Jack Nightingale has his own website at www.jacknightingale.com

    In these labors, there is one friend that they can count on, day in and day out . . . he’s a constant companion in their headsets with the Smack and Crack, Sno Bro, and other music they love, as well offering a seemingly endless stream of friendship and encouragement: the morning DJ on Company Radio Channel D, Robin Whitlake. But, Robin is more than a warm human voice in the endless night, he is a man with a heroic, yet deadly and dangerous secret past that could condemn him to death at any time. Disfigured and aging rapidly, he must work harder and harder to project the youth and vitality that he brings to his broadcasts, all the while wondering when and if his past will catch up with him. On 14 January 2314, it did. A disaster in the mining colony brings the heroic and deadly elements of Robin’s past into sudden collision. Not only must he decide whether to subject himself to possible execution, Robin has to call upon all his professionalism as a broadcaster, the skills he spent decades honing in his former life, and the Morse code abilities of a red-headed, pig-tailed Space Scout named Elaine, in a desperate “Hail Mary” improvisation with thousands of innocent lives hanging in the balance. Good Morning Vendemiatrix is an 8800 word stand-alone novelette set in the “Man of War” universe. Fans of Honsinger’s other work will recognize the setting and be treated to a cameo appearance by a familiar character, while new readers will not find themselves “lost in space.” It is a humorous and exciting piece of shorter fiction written to be enjoyed by all Science Fiction readers.