She is distrustful of marriage, prefers freedom above all else, and walks alone at night on the moors above the isolated rural village of Haworth. But Emily’s life is turned upside down by the arrival of an idealistic clergyman named William Weightman. A heart-wrenching love story, Emily’s Ghost plumbs the depths of faith, longing, and romantic solitude.

    The Brontë sisters created a world in which we still live - the intense, passionate world of Jane Eyre and Wuthering Heights; and the phenomenon of this strange explosion of genius remains as baffling now as it was to their Victorian contemporaries. In this panoramic novel we see with new insight the members of a uniquely close-knit family whose tight bonds are the instruments of both triumph and tragedy. Emily, the solitary who turns from the world to the greater temptations of the imagination: Anne, gentle and loyal, under whose quietude lies the harshest perception of the stifling life forced upon her: Branwell, the mercurial and self-destructive brother, meant to be king, unable to be a prince: and the brilliant, uncompromising, tormented Charlotte, longing for both love and independence, who establishes the family's name and learns its price.

    Thrale's dinner party when the twenty-six-year-old Fanny has the incomparable thrill of hearing Dr. Johnson himself admiringly acknowledge her authorship of Evelina, her first novel, anonymously published for fear of upsetting her adored father, and now the talk of the town. We see her growing up, daughter of the charming and gifted musician and teacher Dr. Charles Burney, who was the very embodiment of a new class: talented, energized, self-educated, self-made, self-conscious, socially ambitious and easily endearing himself to aristocratic patrons.We see Fanny partly enjoying, partly rejecting the celebrity engendered by Evelina, and four years later by Cecilia ("If you will be an author and a wit," says Mrs. Thrale, "you must take the consequences"). And we see her mingling with the most famous men and women of the time, not only Dr. Johnson but Joshua Reynolds, Sheridan, David Garrick, Mrs. Siddons, Horace Walpole and, later, Chateaubriand and Madame de StaÎl.For five years, during the time of George III's madness, Fanny Burney held a position in the Royal Household as Second Keeper of the Robes to Queen Charlotte. For her father, Fanny's going to court was like going to heaven, but for Fanny it was more an incarceration. Her journals, published posthumously in 1842, gave her some solace. She saw herself as an eavesdropper. Dr. Johnson wryly called her "a spy." Her marriage at forty-one to a penniless Catholic exile, Alexandre d'Arblay, resulted in trans-Channel crossings that left her stranded for almost a decade in Napoleon's France, and then, after a dramatic flight from Paris, trapped in Brussels on the eve of Waterloo.Claire Harman's biography of Fanny Burney is as lively as it is meticulously researched and authoritative. It gives us the woman, her world and the early-blooming artist whose acute grasp of social nuance, gift for satire, drama and skillful play among large casts of characters won her comparison with the best of Smollett, Richardson and Fielding, the admiration of Jane Austen and Lord Byron and a secure place in the pantheon of the English novel.

    Their first biographer, Mrs Gaskell, transformed their story of literary ambition into one of the great legends of the 19th century, a dramatic tale of three lonely sisters playing out their tragic destiny on top of a windswept moor. Lucasta Miller reveals where this image came from and how it took such a hold on the popular imagination.Each generation has rewritten the Brontës to reflect changing attitudes - towards the role of the woman writer, towards sexuality, towards the very concept of personality. The Brontë Myth gives vigorous new life to our understanding of the novelists and their culture. It is a witty, erudite and refreshingly unsentimental unravelling of what Henry James described as "the most complete intellectual muddle ever achieved on a literary question by our wonderful public."

    Dora's charm and indefatigable spirit carry her through this rude awakening as she contends with violent debt collectors, an epileptic daughter, evil doctors, a rheumatic husband, errant workmen, nosy neighbors, and a constant stream of wealthy dilettantes. When she suddenly finds herself forced to offer an internship to a mysterious, fugitive American slave, Dora realizes she has been pulled into in an illegal trade of sex, money, and deceit.The Journal of Dora Damage whips up a vision of London when it was the largest city in the world, grappling with the filth produced by a swollen population. Against a backdrop of power and politics, work and idleness, conservatism and abolitionism, Belinda Starling explores the restrictions of gender, class and race, the ties of family and love, and the price of freedom in this wholly engrossing debut novel.

    Watson, sets out to answer these questions and recount the thrilling "lost" adventure of Holmes's attempt to rescue the love of his life from a mad King Ludwig of Bavaria, his own life is threatened by a figure in a familiar Inverness coat and deerstalker cap.In this extraordinary novel, Sena Jeter Naslund, author of the critically acclaimed national bestseller Ahab's Wife, brilliantly reweaves the colorfully cryptic, fog-enshrouded world of Sherlock in Love is at once a rewarding entertainment and a remarkable homage to the greatest sleuth in literature.

    Lenoble de Beaubocage, but he did not insist upon this distinction; and on sending out his only son to begin the battle of life in the great world of Paris, he recommended the young man to call himself Lenoble, tout court.

    But to be fashionable in 1700s London meant more than simply being well dressed. Fashion denoted membership of a new type of society - the beau monde, a world where status was no longer determined by coronets and countryseats alone but by the more nebulous qualification of metropolitan 'fashion'. Conspicuous consumption and display were crucial: the right address, the right dinner guests, the right possessions, the right jewels, the right seat at the opera.The Beau Monde leads us on a tour of this exciting new world, from court and parliament to London's parks, pleasure grounds, and private homes. From brash displays of diamond jewelry to the subtle complexities of political intrigue, we see how membership of the new elite was won, maintained - and sometimes lost. On the way, we meet a rich and colorful cast of characters, from the newly ennobled peer learning the ropes and the imposter trying to gain entry by means of clever fakery, to the exile banned for sexual indiscretion.Above all, as the story unfolds, we learn that being a Fashionable was about far more than simply being 'modish'. By the end of the century, it had become nothing less than the key to power and exclusivity in a changed world.

    A story of betrayal and treachery, of death and delusion, of ruthless obsession and ambition.The atmosphere of Bleak House, the sensuous thrill of Perfume, and the mystery of Jonathan Strange & Mr. Norrell all combine in a story of murder, deceit, love, and revenge in Victorian England."After killing the red-haired man, I took myself off to Quinn's for an oyster supper."So begins the extraordinary story of Edward Glyver--booklover, scholar, and murderer. As a young boy, Glyver always believed he was destined for greatness. A chance discovery convinces him that he was right: greatness does await him, along with immense wealth and influence. Overwhelmed by his discovery, he will stop at nothing to win back a prize that he knows is rightfully his.Glyver's path to reclaim his prize leads him from the depths of Victorian London, with its foggy streets, brothels, and opium dens, to Evenwood, one of England's most beautiful and enchanting country houses, and finally to a consuming love for the beautiful but enigmatic Emily Carteret. His is a story of betrayal and treachery, of death and delusion, of ruthless obsession and ambition. And at every turn, driving Glyver irresistibly onward, is his deadly rival: the poet-criminal Phoebus Rainsford Daunt.The Meaning of Night is an enthralling novel that will captivate readers right up to its final thrilling revelation.

    Some are outright fabrications; others contain a kernel of truth that has been embellished over the years. Collaborating with The Colonial Williamsburg Foundation, Mary Miley Theobald has uncovered the truth behind many widely repeated myth-understandings in our history in Death by Petticoat including:* Hat makers really were driven mad. They were poisoned by the mercury used in making hats from furs. Their symptoms included hallucinations, tremors, and twitching, which looked like insanity to people of the 17th and 18th centuries--and the phrase "mad as a hatter" came about.* The idea that portrait painters gave discounts if their subjects posed with one hand inside the vest (so they didn't have to paint fingers and leading to the saying that something "costs an arm and a leg") is strictly myth. It isn't likely that Napoleon, King George III, or George Washington were concerned about getting a discount from their portrait painters.- - Pregnant women secluded themselves indoors, uneven stairs were made to trip up burglars, people bathed once a year, women had tiny waists, apprenticeships lasted seven years--Death by Petticoat reveals the truth about these hysterical historical myth-understandings.

    In his fourth novel, The Unburied, Palliser turns to the late Victorian era to give us an equally authoritative reconstruction of the past and a tightly compressed narrative filled with treachery, drama, and interconnected mysteries.The novel opens with a brief preface in which Philip Barthram, editor of the manuscript we're about to read, travels to Geneva for an enigmatic encounter with an old, dying woman. At the end of this encounter -- which makes numerous references to events and people we know nothing about -- the narrative shifts abruptly, taking us into "The Courtine Account," a memoir written by Cambridge historian Edward Courtine. The memoir recounts Courtine's 1881 visit to the cathedral town of Thurchester, site of the mysteries that will gradually dominate the novel.Ostensibly, Courtine has come to Thurchester to visit his former college roommate, Austin Fickling. Courtine and Austin parted bitterly 20 years before and hope to effect a belated reconciliation. Courtine also hopes to unearth a manuscript -- rumored to reside in the Thurchester library -- that will shed new light on his academic specialty, the reign of King Alfred, medieval ruler of Wessex. As he attempts to follow both his personal and professional agendas, Edward finds himself embroiled in a pair of unresolved mysteries. One concerns the 200-year-old murders of William Burgoyne and Launcelot Freeth, whose violent deaths continue to generate controversy and speculation. The other concerns the brutal killing of a local banker, a killing that takes place -- or appears to take place -- just minutes after Courtine and Austin have visited the banker's home. As the novel progresses, the details of the two crimes echo each other with an eerie frequency. With unobtrusive skill, Palliser leads us through a cumulatively fascinating labyrinth composed of fact, rumor, legend, and supposition. Within this labyrinth, objective "truth" proves to be an illusive, perhaps unattainable goal. But Courtine, a historian who believes in the power of the imagination, continues to pursue that goal. In the course of his pursuit, which is never wholly successful, he finds himself forced to reassess the central elements of his life: his embattled relationship with Austin Fickling, the painful failure of his marriage, two decades before, and the unperceived weaknesses of his own character.Admirers of Charles Dickens, Wilkie Collins, John Fowles, and Umberto Eco should take this novel to their hearts. The Unburied is exciting, audacious, mysterious, moving, and intellectually challenging, all at once. Like The Quincunx, it speaks clearly and directly to the modern sensibility and leaves a lingering aftertaste behind.--Bill SheehanBill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has recently been published by Subterranean Press (www.subterraneanpress.com).

    In a cold parsonage on the gloomy Yorkshire moors, a family seems cursed with disaster. A mother and two children dead. A father sick, without fortune, and hardened by the loss of his two most beloved family members. A son destroyed by alcohol and opiates. And three strong, intelligent young women, reduced to poverty and spinsterhood, with nothing to save them from their fate. Nothing, that is, except their remarkable literary talent.So unfolds the story of the Brontë sisters. At its center are Charlotte and the writing of Jane Eyre. Delicately unraveling the connections between one of fiction's most indelible heroines and the remarkable woman who created her, Sheila Kohler's Becoming Jane Eyre will appeal to fans of historical fiction and, of course, the millions of readers who adore Jane Eyre.

    Maeve Brennan and Alice Adams movingly explore what cats can mean to their humans; Patricia Highsmith imagines the intriguingly alien feline point of view; Kipling celebrates the independence of cats in his timeless tale, 'The Cat That Walked by Himself'. Cats flaunt their superiority in Angela Carter's bawdy retelling of 'Puss-in-Boots' and Stephen Vincent Benét's uncanny 'The King of the Cats', while humour abounds in stories by comic masters P.G. Wodehouse and Saki. The essential unknowableness of cats can inspire the most exotic flights of fancy: Italo Calvino's secret city of cats in 'The Garden of Stubborn Cats'; the disappearing animal in Ursula K. Le Guin's brain-teasing 'Schrodinger's Cat'; the cartoon rodent and his cartoon nemesis in Steven Millhauser's 'Cat 'n' Mouse'. In these and other stories, this delightful anthology offers cat lovers a many-faceted tribute to the mysterious objects of their affection.

    Policemen could only stand in awe of the occupations and illegal practices which grew up.Kellow Chesney begins his book by taking a general look at the society and its penal methods. Then, ranging over the whole spectrum of underworld life from travelling showmen and religious fakes to cracksmen, garrotters, and incorrigible pickpockets, he recreates in detail the squalid lives and the 'lays' of those who thronged the rookeries and alleys of Victorian cities. Curious stories emerge from this world of crime and penury, and, throughout, the study highlights the vast substratum of vice feeding on that 'most enlightened age'.

    It is the story of diplomats, traders, scientists, and aristocratic amateur naturalists charged by Sir Stamford Raffles with collecting amazing creatures from all four corners of the globe.It is the story of the first zoo in history, a weird and wonderful oasis in the heart of the filthy, swirling city of Dickensian London, and of the incredible characters, both human and animal, that populated it—from Charles Darwin and Queen Victoria to Obaysch the celebrity hippo, the first that anyone in Britain had ever seen. This is a story of Victorian grandeur, of science and empire, and of adventurers and charlatans.And it is the story of a dizzying age of Empire and industrialization, a time of change unmatched before or since.This is the extraordinary story of London Zoo.