She remembers the exhilaration of whipping a snowball at a car and having it hit straight on. She remembers playing with the skin on her mother's knuckles, which "didn't snap back; it lay dead across her knuckle in a yellowish ridge." She remembers the compulsion to spend a whole afternoon (or many whole afternoons) endlessly pitching a ball at a target. In this intoxicating account of her childhood, Dillard climbs back inside her 5-, 10-, and 15-year-old selves with apparent effortlessness. The voracious young Dillard embraces headlong one fascination after another--from drawing to rocks and bugs to the French symbolists. "Everywhere, things snagged me," she writes. "The visible world turned me curious to books; the books propelled me reeling back to the world." From her parents she inherited a love of language--her mother's speech was "an endlessly interesting, swerving path"--and the understanding that "you do what you do out of your private passion for the thing itself," not for anyone else's approval or desire. And one would be mistaken to call the energy Dillard exhibits in An American Childhood merely youthful; "still I break up through the skin of awareness a thousand times a day," she writes, "as dolphins burst through seas, and dive again, and rise, and dive."

    As the storytellers in this book start careers, build homes, and raise families, we witness the life-affirming joy of partnership, the comfort of shared sorrows, and profound gratitude in the face of loss.These stories are also testament to the heart’s remarkable endurance. In ALL THERE IS we encounter love that survives discrimination, illness, poverty, distance—even death. In the courage of people’s passion we are reminded of the strength and resilience of the human spirit. This powerful collection bares witness to real love, in its many varied forms, enriching our understanding of that most magical feeling.

    When Victor Villasenor turned sixteen, his father's gift of a brand-new, turquoise pick-up truck was accompanied by another gift: words of wisdom that would guide him on his path to manhood. You are a man now, he said, and to be an hombre, a man must not only know right from wrong, he must also know who he is and who he isn't. In the weeks to come, however, Victor disregards his father's advice. Swayed by his friends' ridicule, he has his new truck painted white to cover the vibrant turquoise, once his favorite color. Soon, he realizes his mistake. I'd done exactly what my dad had told me not to. I'd listened to other people's opinions instead of listening to what I'd felt inside. So begins this poignant and moving account of Villasenor's coming of age. Growing up on his parents' ranch in North San Diego County, Victor Villasenor's teenage years were marked by a painful quest to find a place for himself in a world he didn't fit into. During his search, Victor wrangles with the usual questions of adolescence: Is it normal to think about sex all the time? Do good girls like sex? Is sex before marriage a sin? But Victor struggles with more than just his burgeoning sexual awareness. The son of a self-made, successful man, he is different from his peers because of his Mexican heritage, and the experiences both subtle and outright discrimination because of this. Raised in a tight-knit, Catholic family, he questions the tenets of his Catholic faith and the restrictions it places on his own developing spirituality. After high school, Victor's quest for whohe is and who he isn't takes him to Mexico, where he is shocked to learn that Mexicans--aside from his father--are successful. They are architects, professors, and artists. This incredible revelation allows him to appreciate his own potential and realize his dreams of making a difference in the world through writing. A powerful portrait of a young boy on the path to manhood in the shadow of his influential father, Crazy Loco Love adds a new chapter to the grand tradition of coming-of-age books. Destined to become a classic, this new installment in Villasenor's body of work confirms his place as a leading American writer. Crazy Loco Love will enthrall his many fans and surely win him new ones.

    In Southern Italy, she was a loose woman who had murdered someone. Immigrating to America with three children, she lost one along the way. Helene's youthful obsession with Vita deepened as she grew up, eventually propelling the journalist to Italy, where, with her own children in tow, she pursued the story, determined to set the record straight. Finding answers would take Helene ten years and numerous trips to Basilicata, the rural "instep" of Italy's boot--a mountainous land rife with criminals, superstitions, old-world customs, and desperate poverty. Though false leads sent her down blind alleys, Helene's dogged search, aided by a few lucky--even miraculous--breaks and a group of colorful local characters, led her to the truth. Yes, the family tales she'd heard were true: there had been a murder in Helene's family, a killing that roiled 1870s Italy. But the identities of the killer and victim weren't who she thought they were. In revisiting events that happened more than a century before, Helene came to another stunning realization--she wasn't who she thought she was, either. Weaving Helene's own story of discovery with the tragic tale of Vita's life, Murder in Matera is a literary whodunit and a moving tale of self-discovery that brings into focus a long ago tragedy in a little-known region remarkable for its stunning sunny beauty and dark buried secrets.Helene Stapinski goes deep into the heart of Italy to unravel a century-old family mystery in this spellbinding memoir that blends the suspenseful twists of Making a Murderer and the emotional insight of Elena Ferrante’s Neapolitan Novels.Weaving Helene’s own story of discovery with the tragic tale of Vita’s life, Murder in Matera is a literary whodunit and a moving tale of self-discovery that brings into focus a long ago tragedy in a little-known region remarkable for its stunning sunny beauty and dark buried secrets.

    From early obsessions with the March sisters to her later idolization of Sylvia Plath, Ellis evaluates how her heroines stack up today. And, just as she excavates the stories of her favorite characters, Ellis also shares a frank, often humorous account of her own life growing up in a tight-knit Iraqi Jewish community in London. Here a life-long reader explores how heroines shape all our lives.

    Her daughter's redemption. And the complicated past that belongs to them both.Kelly always knew that her family was different. She knew that most children didn't live with their grandparents, and their grandparents didn't own porn stores. Her classmates didn't sleep on a boat in the marina and she knew their next-door neighbors weren't drug addicts and johns. What Kelly didn't know was if she would become part of the dysfunction that surrounded her. Would she sink into the depths of harbor life? Or would she end up alone and dead on Hollywood Boulevard like her mother had years before?When the grittier aspects of her family history are unearthed, Kelly decides to discover how the place she was raised will define the person she will soon become. To do this, Kelly goes back to the beginning, to a mother she never knew, a twenty-five year old cold case, and two of LA's most notorious murderers.We Are All Shipwrecks is Kelly's story of redemption from tragedy, told with a tenderness towards her family that makes it as much about breaking free as it is preserving the strings that anchor you.

    She felt as if she were 19 again, the age at which she got pregnant out of wedlock and relinquished her newborn son for adoption. Suddenly, he was back — this stranger she had given birth to — and he wasn’t just searching for his roots. Joshua was looking for a mom. Eager to embrace the second chance she had been granted, Denise leapt wholeheartedly into the role. “It’s a BIG boy,” she announced to her family and friends, setting free her twenty-six-year secret. But Joshua was not a boy. He was a grown man, with a history that fell far short of what she had envisioned for him when she’d been assured he would be “better off” without her. His adoptive parents had essentially given up on him at age thirteen, sending him away with only an eighth-grade education. He drifted through a series of institutions and group homes, and ultimately onto the New York City streets, where he fell into drugs and crime. When an early marriage failed, he and his young wife surrendered an infant and toddler to adoption. By the time Denise and her son reunited, he was in his second marriage to a teenaged runaway who was six months pregnant with their first child. Despite her disappointment and his obvious problems, Denise was determined to restore their severed bond and give him the unconditional love that had been lacking in her own childhood.At the same time, she struggled with her parents’ adverse reaction to her reunion and their refusal to acknowledge their grandson’s existence. The shameful event that they had worked so vigorously to bury was back to haunt them. They could not accept their daughter’s happiness at having found her lost child.Still reeling in the overwhelming mix of joy and grief, gratitude and guilt triggered by reunion with her son, Denise received a letter from an aunt she never knew existed. Aunt Mabel revealed some startling information about Denise’s mother, who had claimed to be an only child raised by a kindly couple after both her parents passed away. In truth, she was one of nine siblings tossed to the winds by their mother after the death of their father in 1929. As she got to know her new-found aunts, uncles and cousins, Denise became obsessed with understanding how her grandmother could desert her children and how her mother, who so clearly bore the scars of abandonment, could then force her own daughter to give up a child.A year into their reunion, after Josh’s wife left him with their ten-month-old daughter, the rage that he had initially denied surfaced. Denise went from feeling like a new mom to the frustrated parent of an out-of-control teenager. In the face of his angry outbursts and threats to cut her off, she remained intent on “fixing” him, believing that, in time, she could heal his wounds. Once more, she put her own pain aside and stood by him as he married twice more and fathered another child.Only when Josh and Denise reached an impasse in year five, did she recognize how emotionally shutdown she had been since relinquishing her son — and how she had let her fear of losing him again hold her hostage. In the silence of their estrangement, she began the hard work that ultimately allowed her to resolve her own issues, reclaim the young woman she had left behind after surrendering what turned out to be her only child, and make peace with the past. She found acceptance and forgiveness for her mother, her son, and ultimately herself.

    It is a poignant observation about the relationship between Mira, her sister, and their mentally ill mother. Before she was struck with schizophrenia at the age of nineteen, beautiful piano protégé Norma Herr had been the most vibrant personality in the room. She loved her daughters and did her best to raise them well, but as her mental state deteriorated, Norma spoke less about Chopin and more about Nazis and her fear that her daughters would be kidnapped, murdered, or raped. When the girls left for college, the harassment escalated--Norma called them obsessively, appeared at their apartments or jobs, threatened to kill herself if they did not return home. After a traumatic encounter, Mira and her sister were left with no choice but to change their names and sever all contact with Norma in order to stay safe. But while Mira pursued her career as an artist--exploring the ancient romance of Florence, the eerie mysticism of northern Norway, and the raw desert of Israel--the haunting memories of her mother were never far away. Then one day, Mira’s life changed forever after a debilitating car accident. As she struggled to recover from a traumatic brain injury, she was confronted with a need to recontextualize her life--she had to relearn how to paint, read, and interact with the outside world. In her search for a way back to her lost self, Mira reached out to the homeless shelter where she believed her mother was living and discovered that Norma was dying. Mira and her sister traveled to Cleveland, where they shared an extraordinary reconciliation with their mother that none of them had thought possible. At the hospital, Mira discovered a set of keys that opened a storage unit Norma had been keeping for seventeen years. Filled with family photos, childhood toys, and ephemera from Norma’s life, the storage unit brought back a flood of previous memories that Mira had thought were lost to her forever. The Memory Palace is a breathtaking literary memoir about the complex meaning of love, truth, and the capacity for forgiveness among family. Through stunning prose and original art created by the author in tandem with the text, The Memory Palace explores the connections between mother and daughter that cannot be broken no matter how much exists--or is lost--between them.

    There he meets David Smith, a medical student recovering from drug addiction, and the two men begin a tennis ritual that allows them to shed their inhibitions and find security in the sport they love and with each other. This friendship between doctor and intern grows increasingly rich and complex, more intimate than two men usually allow. Just when it seems nothing can go wrong, the dark beast from David’s past emerges once again—and almost everything Verghese has come to trust and believe in is threatened as David spirals out of control.

    It is the smells, the sounds, the fears and the petty triumphs in the world of the street pimp.

    There were always little reminders pasted on the kitchen wall. For example, the word THINK. I found THINK thumbtacked on a bulletin board in her darkroom. I saw it Scotch-taped on a pencil box she’d collaged. I even found a pamphlet titled THINK on her bedside table. Mom liked to THINK. So begins Diane Keaton’s unforgettable memoir about her mother and herself. In it you will meet the woman known to tens of millions as Annie Hall, but you will also meet, and fall in love with, her mother, the loving, complicated, always-thinking Dorothy Hall. To write about herself, Diane realized she had to write about her mother, too, and how their bond came to define both their lives. In a remarkable act of creation, Diane not only reveals herself to us, she also lets us meet in intimate detail her mother. Over the course of her life, Dorothy kept eighty-five journals—literally thousands of pages—in which she wrote about her marriage, her children, and, most probingly, herself. Dorothy also recorded memorable stories about Diane’s grandparents. Diane has sorted through these pages to paint an unflinching portrait of her mother—a woman restless with intellectual and creative energy, struggling to find an outlet for her talents—as well as her entire family, recounting a story that spans four generations and nearly a hundred years. More than the autobiography of a legendary actress, Then Again is a book about a very American family with very American dreams. Diane will remind you of yourself, and her bonds with her family will remind you of your own relationships with those you love the most.

    Here, Sidney Poitier explores these elements of character and personal values to take his own measure - as a man, as a husband, and father, and as an actor.Poitier was uncompromising as he pursued a personal and public life that would honor his upbringing and the invaluable legacy of his parents. Committed to the notion that what one does for a living articulates who one is, Poitier played only forceful and affecting characters who said something positive, useful, and lasting about the human condition.Here, finally, is Poitier's own introspective look at what has informed his performances and his life. Poitier explores the nature of sacrifice and commitment, pride and humility, rage and forgiveness, and paying the price for artistic integrity. What emerges is a picture of a man seeking truth, passion, and balance in the face of limits his own and the world's. A triumph of the spirit, The Measure of a Man captures the essential Poitier.Author Biography: Sidney Poitier was the first and remains the only African American actor to win the Academy Award for Best Actor for his outstanding performance in Lilies of the Field in 1963, but he believes that will soon change, given the excellence of African-American talent in the industry today. He has starred in over forty films, directed nine, and written four. His landmark films include TheDefiant Ones, A Patch of Blue, Guess Who's Coming to Dinner, and To Sir, With Love. Among his many accolades, he has recently been selected as the thirty-sixth recipient of the Screen Actors Guild's highest honor, the Life Achievement Award for an outstanding career and humanitarian accomplishment.

    During the journey of discovery that was his life, he composed and sang words and music that have become a national heritage. His songs, however, are but part of his legacy. Behind him Woody Guthrie left a remarkable autobiography that vividly brings to life both his vibrant personality and a vision of America we cannot afford to let die.

    But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else." So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities -- smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times.By turns revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.

    He digs deep into the album cuts of his life and unearths some pivotal moments in black art, hip hop, and pop culture.Ahmir "Questlove" Thompson is many things: virtuoso drummer, producer, arranger, Late Night with Jimmy Fallon bandleader, DJ, composer, and tireless Tweeter. He is one of our most ubiquitous cultural tastemakers, and in this, his first book, he reveals his own formative experiences--from growing up in 1970s West Philly as the son of a 1950s doo-wop singer, to finding his own way through the music world and ultimately co-founding and rising up with the Roots, a.k.a., the last hip hop band on Earth. Mo' Meta Blues also has some (many) random (or not) musings about the state of hip hop, the state of music criticism, the state of statements, as well as a plethora of run-ins with celebrities, idols, and fellow artists, from Stevie Wonder to KISS to D'Angelo to Jay-Z to Dave Chappelle to...you ever seen Prince roller-skate?!?But Mo' Meta Blues isn't just a memoir. It's a dialogue about the nature of memory and the idea of a post-modern black man saddled with some post-modern blues. It's a book that questions what a book like Mo' Meta Blues really is. It's the side wind of a one-of-a-kind mind.It's a rare gift that gives as well as takes.It's a record that keeps going around and around.