Rather, art comes between the subject and the world, and any aesthetic discourse used to legitimize art must also necessarily serve to undermine it. Following his recent books Art Power and The Communist Postscript, in Going Public Boris Groys looks to escape entrenched aesthetic and sociological understandings of art—which always assume the position of the spectator, of the consumer. Let us instead consider art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.

    This monograph follows Van Gogh between 1886 and 1890, from Holland to Paris, where his palette was brightened with impressionistic colour, to Arles and his still-mysterious friendship with Gauguin.

    I never dreamt it would be like this.'Frequently affecting...intriguing, almost incantatory' TelegraphTracey Emin's Strangeland is her own space, lying between the Margate of her childhood, the Turkey of her forefathers and her own, private-public life in present-day London. Her writings, a combination of memoirs and confessions, are deeply intimate, yet powerfully engaging. Tracey retains a profoundly romantic world view, paired with an uncompromising honesty. Her capacity both to create controversies and to strike chords is unequalled in British life. A remarkable book - and an original, beautiful mind.'As spare and poignant as one of Emin's line drawings' Marie Claire

    But amid the hushed corridors of the Gallery surge currents of history and violence, paintings whose power belies their own fragility. There also lingers the legacy of her great-grandfather Ted, the museum guard who slipped and fell moments before reaching the suffragette Mary Richardson as she took a blade to one of the gallery's masterpieces on the eve of the First World War. After nine years there, Marie begins to feel the tug of restlessness. A decisive change comes in the form of a winter trip to Paris, where, with the arrival of an uninvited guest and an unexpected encounter, her carefully contained world is torn open. Asunder is a rich, resonant novel of beguiling depths and beautiful strangeness, exploring the delicate balance between creation and destruction, control and surrender.

    Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum to remove the work is to destroy the work is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.

    Approximately 21,000 words. From the secret journals of a ruling king comes an intimate, behind-the-scenes look at the most tumultuous time of his life. Discover his thoughts on love, betrayal and the path to power in Memoirs of a King, a companion novella to the Latvala Royals series.

     Contemporary Steamy Romance with a little Suspense. Together in one download, enjoy all three installments of the Glass Towers Trilogy on one place and at a great price!Author's Note: Newly edited with bonus material! Book 1: Beautiful small-town interior decorator Danielle Austen-Pyne had finally rid herself of her charismatic two-timing husband Bradley Pyne. While she has sworn off men, Danielle secretly retains her romantic ideals about love and marriage. HARRISON TOWERS, an enigmatic mega mogul, however, has turned his own romantic loss into a coldly cynical attitude about relationships and women. This sexual master has vowed to keep his relationships strictly physical with no strings attached. As they embark on an intensely erotic and passionate, no-strings attached relationship, Danielle soon discovers that being in Harrison’s world is not all glamour when power, lust, money, greed and danger present themselves at every angle and threatens to tear them apart.Book 2:Danielle struggles to pick up the pieces of her shattered life after her steamy affair with the enigmatic mogul comes to a screeching halt. She chastises herself for letting her guard down and tries to suppress her feelings for the man who possessed her body and stole her heart. Making matters worse, Danielle finds herself the victim of a mysterious stalker, who seems to know her every move. Caught in a tangled web of danger, money and power, Danielle begins to despair, as escape seems impossible. Will their connection be strong enough to see them through the journey on which fate has set them, or will meddling forces come between them? Book 3:The chemistry between them is undeniable. He captivated her from the first moment she laid eyes on him.While fate brought the small-town interior designer, Danielle Austen, and the sexy mogul, Harrison Towers, together, their pasts continue to threaten their future together. Their passion fuels their fire, while the couple continues to overcome the hurdles between them. Danielle has finally broken through Harrison’s aloof, controlling exterior. However, his devious, jilted ex-lover, Marion Devereaux, continues to threaten Danielle’s safety and seems to have help from someone close to Danielle. Will Harrison and Danielle be able to face these challenges together? Will their love be enough to conquer Marion’s evil plots? Will they get their storybook ending, or will Marion have her revenge? Adult Reading Material (18+) This book is intended for mature audiences and contains sexually explicit content ˃˃˃ In this set you receive: 1.Glass Towers, Champagne Showers...newly re-edited with bonus material2.Glass Towers, Shattered3.Glass Towers, Surrendered Scroll up and grab a copy today.

    loyal, trustworthy, and discreet. But his adored employer — the internationally famed portrait painter Jacqueline di Fidelio — suddenly finds herself in hot water with the IRS, the FBI, and two dangerous, attractive men. And Nigel discovers his duties expanding in a most unexpected way....As Madam jets from one glamorous playground to the next, Nigel turns spy and protector to fend off those who would do Jacqueline wrong. For in Nigel’s opinion, his irresistibly alluring employer’s torturous past has rendered her as unstable as a house of cards. Yet when one of Jacqueline’s simpering socialite clients is murdered — and then another mysterious death follows while Jacqueline is on the scene — Nigel begins to wonder if he has it all wrong. Is the woman to whom he has dedicated his life simply an innocent victim of careless, callous men? Or is she a heartless manipulator whose mask of black Prada and pearls hides the tortured secrets of a ruthless killer?

    The ageless billionaire vampire has finally found his consort in the form of a dying young woman named Cora Shaw. His blood kiss heals Cora’s broken body and unites them in an eternal bond. With her, Dorian is finally complete. But far from enjoying a blissful union, he discovers that the demons inside himself are not as easily laid to rest as he had believed, and his enemies have deadly plans for his consort. A new title in the stunning serial by New York Times bestselling author V. M. Black, Cold Blood includes a complete bonus copy of Taken (The Alpha's Captive #1) Start the series with Blood Lust.

    Society may label them bums, homeless, or pariahs, but Zellar's empathetic writing allows the reader to get inside one broken man, and therefore all."—Jim Walsh, MinnPostWashed up in the shadow of a refinery, Lester B. Morrison, legendary recluse, documents his life in a series of photographs taken with a disposable camera. In a landscape of off ramps, warehouses, and SRO hotels occupied by terminally lonely men, love and faith break in, quietly offering human connection and the possibility of redemption.Brad Zellar has worked as a writer and editor for daily and weekly newspapers, as well as for both regional and national magazines. He is the author of Suburban World: The Norling Photos, The 1968 Project, Conductors of the Moving World, and House of Coates.Alec Soth is a photographer whose first monograph, Sleeping by the Mississippi, was published by Steidl in 2004. Since then Soth has published over a dozen books including Niagara (2006), Dog Days, Bogotá (2007), The Last Days of W (2008), and Broken Manual (2010). Soth's work has been exhibited at Jeu de Paume in Paris and Fotomuseum Winterthur in Switzerland.

    Tess Durbeyfield leaves home on the first of her fateful journeys, and meets the ruthless Alec d'Urberville. Thomas Hardy's impassioned story tells of hope and disappointment, rejection and enduring love.

    Gombrich, in an introductory essay, calls ‘certain invariant traits of the human psyche.’”—Denis Thomas, Journal of the Royal Society of Arts“This book gathers together various legends and attitudes about artists, ancient and modern, East and West, and gives fascinating insights into attitudes toward artistic creation.  It impinges on psychology, art history and history, aesthetics, biography, myth and magic, and will be of great interest to a wide audience in many fields…. A delightful and unrivalled study.”—Howard Hibbard“Thought provoking and valuable…. To all those interested in psychiatry and art from the perspectives of history, criticism, or therapy and to the wide audience concerned with the psychology of aesthetics and of artistic creation.”—Albert Rothenberg, American Journal of PsychiatryErnst Kris was a psychoanalyst who wrote on a wide variety of subjects, including art.  Otto Kurz was librarian of the Warburg Institute in London.

    Now imagine that friend is David Bowie. Three years before he died, Rock & Roll Hall of Famer and Grammy Lifetime Achievement Award-winning artist David Bowie shared a list of the hundred books that changed his life—a wide-ranging and eclectic selection that spans beloved classics like F. Scott Fitzgerald’s The Great Gatsby and George Orwell’s 1984, to more esoteric gems like Fran Lebowitz’s Metropolitan Life and Hubert Selby Jr.’s Last Exit to Brooklyn, and even cult comic strips like Beano and Raw.Bowie’s Bookshelf celebrates each of Bowie’s favorite books with a dedicated mini-essay, exploring each work within the context of Bowie’s life and its role in shaping one of the most versatile, avant-garde, and cutting-edge musicians of the twentieth century. A fresh approach to celebrating the enduring legacy of David Bowie, Bowie’s Bookshelf is a resounding tribute to the power art has to change our lives for the better.

    Together they provide a complete painting programme.

    accompanied by evocative illustrations, it is an intimate and unapologetically personal journey through a life the way we remember them, as Keaton puts it "chaotic, fragmented and often grammatically incorrect".