Cream, published by Phaidon in 1998, was a sensational cultural event. Fresh Cream consolidates the biennial status of Cream as a frame of reference and an essential source of new art for art professionals and newcomers alike. Pursuing the theme of its predecessor, with 10 new world-class contemporary curators each choosing ten emerging artists, the book presents in its entirety the works of 100 artists and an up-to-the-minute global overview of the contemporary art world, not only for now but also for the future. These artists have risen to intense international acclaim since the 1990s or, in the opinion of the curators who have selected them, are about to emerge internationally in the near future. Fresh Cream contains the enormous breadth of ideas and forms that exist in contemporary art. The artists' spreads are arranged in an A-Z order, featuring numerous examples of each artist's work alongside a concise text from the selecting curator and vital biographical information about the artist. A conversation between the 10 curators and the commissioning editor gives a penetrative insight into their selections and of the key issues in contemporary art. The cultural context in which the artists work - from philosophy to fiction - is presented through recent texts from 10 contemporary writers, one selected by each curator. Itself embodying the creative originality and innovation of its content, Fresh Cream is packaged in an incredible, inflated, clear plastic pillow.

    In the course of a gripping, headlong narrative, Price's unnamed protagonist moves in and out of contemporary non-spaces on a confounding and enigmatic quest, all the while meditating on art in the broadest sense: not simply painting and sculpture but also film, architecture, literature, and poetry. From boutique hotels and highway bridges to PC terminals and off-ramps; from Kanye West and Jeff Koons to George Bush and Patricia Highsmith; from the playground to the internet to the mirror, Price's hybrid of fiction, essay, and memoir gets to the central questions not only of art, but of how we live now

    But Gregor Muir knew them at the start; his unique memoir chronicles the birth of Young British Art. Muir, YBA’s ‘embedded journalist’, happened to be in Shoreditch and Hoxton before Jay Jopling arrived with his White Cube Gallery, when this was still a semi-derelict landscape of grotty pubs and squats. There he witnessed, amid a whirl of drunkenness, scrapes and riotous hedonism, the coming-together of a remarkable array of young artists – Hirst, the Chapman brothers, Rachel Whiteread, Sam Taylor-Wood, Angus Fairhurst - who went on to produce a fresh, irreverent, often notorious form of art - Hirst’s shark, Sarah Lucas’s two fried eggs and a kebab. By the time of the seminal Sensation show at the Royal Academy YBA had changed the art world for ever.

    Her lifelong friend, Ingrid, has asked her to do the impossible -- authenticate the painting from a photograph. The photograph in question was passed down to Ingrid by her grandfather, Klaus Rettke a key member of the German Einsatzstab Reichsleiter Rosenberg, the Nazi organization appointed to confiscate art from the Jews. Obscure references in Klaus Rettke's diary convince Maggie that Rettke stole the painting from the Nazis. Now she must use science to verify that the painting in the photo is genuine, something that has never been done before. From the National Gallery of Art in Washington, D.C. to the Musee du Jeu de Paume in Paris, Maggie searches for answers. Finally, she confronts the possibility that there is not one painting, but the original and several forgeries. With tens of millions of dollars at stake and a killer at large, she is determined to find the authentic Van Gogh. To do so, Maggie must stay alive . . . something that's proving difficult to do.

    Will trust tear these two apart or will it bond them forever? With Wicked being shot and the culprits still on the run he's at a standstill trying to figure out his next move. As he starts to heal from his gunshot wounds things with him & Mecca seem to get better. At least that’s what he thinks, until he’s exposed to the truth and is shocked to find out Mecca isn’t as innocent as she claims to be. Mecca has never been stable in life. She went from being controlled by men to branching out and finding her passion. Finding her voice gave her a newfound freedom but it also caused her to do some unsavory things. The love she has for Wicked is undeniable but the love she has for her freedom is just as undeniable. A couple nights of fun caused her to make some bad decisions. When things hit the fan she doesn’t know if she can come back from it. Classie’s past has caught up with her causing her to reveal her sordid past. Her secrets may have caused her and her friends their lives. It’s the survival of the fittest in Classie’s mind as she tries to find away back to the love of her life. Zay has a lot of issues he’s dealing with right now. Feeling less than a man because someone took his girl & he did nothing but stand there. The horrible memory plagues his mind daily as he wonders about Classie’s whereabouts. As an old face on the streets he doesn’t have the clout he use to have but he’s determine to get his girl back. These two couple’s go through the up’s, down’s to figure out is love enough. There will be some heartbreak, some fights, some forgiveness, and even death. But who will come out on top & in the end does love always win?

    This graphic fantasy novel is the second of its kind, following on from "Raw" volume 1.

    

    This is a code that Jakari Roberson lives by. He definitely applies this philosophy to his relationship with Qia. He loves her with all of his heart and treats her like a queen. There isn't anything he won't do for her. However, Jakari has a big secret that he has managed to keep hidden from Qia for the past 14 years. He has finally made the decision to change, but is it a little too late? In Qia's eyes she has the most loving, attentive, romantic, and faithful husband in the world. But, will the picture of her fairytale life shatter when she finds out what Jakari has really been up to? Will the love for her husband be enough to make her stay? Or, will his betrayal be enough to push her over the edge and into the arms of someone more deserving? Take a journey with these high school sweethearts. It is certainly a long difficult one, but it will be well worth it if they can figure out what constitutes a marriage and if their marriage is really worth saving?

    However, she didn’t count on falling for the youngest of the clan, Hawk Pattel. Hawk is wealthy, handsome, intelligent and charming. Raven tries to resist him, but when a Pattel wants something, nothing will stand in his way. Just when Hawk is on the verge of convincing Raven that the two of them could have something special, something real, all of his skeletons start falling out of the closet, one ugly bone at a time. Self-preservation takes over for Raven, and the only thing she can do is run. But Hawk is determined not to give up. He’ll break down the walls she’s had time to rebuild one brick at a time if he has to. However, old hurts and secrets are revealed that will test Hawk and Raven beyond anything they’ve come up against. Will they be strong enough to withstand a storm a second time? The Pattels: Hawk and Raven II is the continuation of the first book in the hot new series by National Best Selling author S.K. Hardy. It’s sexy, thrilling, and intriguing, all of the elements that S.K. is known for. This exciting saga is a story that will engage every one of your emotions: anger, happiness, laughter, and fear. The Pattels is a spin off of S.K.’s previous bestseller, The Sin City Heat Series. However, it is not necessary to have read Sin City Heat in order to start this new series. **Warning: This book is an erotic romance novel. It contains strong sexual language and themes that is not appropriate for anyone under the age of 18.

    Focusing on the youth-driven phenomenon of otaku (roughly translated as “geek culture” or “pop cult fanaticism”), Takashi Murakami and a notable group of contributors explore the complex historical influences that shape Japanese contemporary art and its distinct graphic languages. The book’s title, Little Boy, is a reference to the atomic bomb dropped on Hiroshima in 1945, thus clearly locating the birth of these new cultural forms in the trauma and generational aftershock of the atomic bomb.This generously illustrated book showcases the work of key otaku artists and designers, many of whom are cult celebrities in Japan, and discusses their feature film and video animations, video games and internet sites, music, toys, fashion, and more. In the process, the following questions are posed: What is otaku, and what does it tell us about contemporary social, economic, and cultural life in Japan and throughout the world? How is it related to the pervasive and curious fixation on “cuteness” evident in Japanese popular culture? What impact did the atomic devastation of World War II have on the development of Japanese art and culture?This brilliantly designed, bilingual (English and Japanese) publication examines these themes to explore how contemporary Japanese art has become inseparable from the subcultural realms of manga and animé (Japanese animation)—a world where meticulous technique, apocalyptic imagery, and high and low cultures meet.Little Boy concludes Murakami’s “Superflat” trilogy, a project conceived in 2000 to introduce a new wave of Japanese artists and to place their work in the historical context of traditional styles and concepts.

    From painting and sculpture to installation, video art, and performance, it examines the roles played by the body in art, from being the subject of portraiture to becoming an active presence in participatory events.Organized thematically, the book focuses on subjects such as nature and technology, the grotesque, identity politics, and the place of the individual in society. Featuring work by artists such as Matthew Barney, Marlene Dumas, Olafur Eliasson, Oleg Kulik, and Ernesto Neto, it shows how the body continues to be pivotal to the understanding and expression of our place in the universe.

    From the controversy of his early work to the political storm surrounding the arrival of the exhibition Sensation at the Brooklyn Museum of Art, his work has redefined international expectations of modern art. Even people with only a passing knowledge of art are familiar with his installations of a shark, cows, and sheep pickled in formaldehyde. "On the Way to Work" is an extremely candid autobiography of Hirst presented in a series of conversations. He expounds in unpredictable and scabrously funny ways on everything from art to celebrity to sex, and these frank and intimate conversations are punctuated with art from all phases of his career chosen by Hirst himself. This book is a window into Hirst's world: growing up in working class northern England, roughhousing in pubs, obsessing about life and death, questioning art world fame, and believing that art and beauty make a difference in the modern world. In addition to the attention he generates, this dynamic artist also garners critical acclaim-he is the winner of the Turner Prize and, ever since the groundbreaking exhibition that he organized as a fledgling artist in the early nineties, he is considered the unofficial leader of the Young British Artists movement. Hirst's appeal goes beyond the world of art; he's an influential figure to architects, designers, and the fashion crowd as well. Engaging, well-illustrated, and a real event in the art world, "On the Way to Work," like its subject, will generate controversy and acclaim.

    One of the most fascinating representatives of the Belle Epoque, Klimt is chenshed for his rich use of ornament and his paintings of fin de siecle Viennese high society, which bring to life the decadence of the era through vibrant colours and patterns. Yet there can be no doubt about Klimt's greatness as a draughtsman. Remarkable above all is the intensely sensual mood that he establishes in his limpid, fluid drawings and watercolours; the line with which his subjects are described explores and caresses as though the drawing itself was an act of seduction. Here, Rainer Metzger brings together hundreds of Klimt's works on paper in a way that enriches our knowledge of the artist and enhances the visual impact of his oeuvre. Many revolve around Klimt's taboo-breaking main themes - the naked woman, erotica and homoerotica - while others provide allegorical and historical insights. Between these...

    With his gorgeous, successful wife, Jenny, his country pile, and gold discs hanging in his plush bathroom, he seems to have it all. But all is not well between Jenny and Solomon; as her business continues to grow, her affection for her husband begins to diminish, and soon divorce is on the cards. To try and win Jenny back, Solomon throws his bruised heart into trying out for a reality TV show that turns lapsed pop acts into opera singers. The ace up his sleeve is an eccentric octogenarian opera coach he employs to get ahead of the competition but, to his surprise, Solomon learns far more than how to improve the quality of his vibrato; especially when his coach asks Solomon to duet with newly single Samantha... Sex, Drugs & Opera is the debut novel of Tears for Fears musician, Roland Orzabal.