It was published as a collection of four short stories Ab Mera Intezar Kar, Bas Ik Daagh-e-Nidaamat and Aaj aur Kal and Husna aur Husan Aara.The novella Husna aur Husan Aara (English: Husna and Husan Aara) chronicles the upheaveal in Dil Shaad's life, a well-bred woman who takes major pride in belonging to a noble family, by the unexpected entrance of a beautiful young woman named Husan Aara.It exposes the mentality of our society that compartmentalizes people according to their backgrounds and doesn't provide any prospect of repentence.

    It contains his earliest poems - in nazm, ghazal and qita form - that set him on course to becoming the greatest and most-read Urdu poet of the 20th century.

    Mukhtar Masood brings into this text his close observation of the years of upheaval preceding the partition of India and the end of Victorian rule. The books details the events, forces, people, and ideas that lead to the creation of Pakistan.

    It took author more than 13 years to write and goes on. Six parts have been published so far and seventh is on the way... Its has been published daily on website www.ummat.com.pkAleem Ul Haq Haqqi is also a Poet with takhalas (name) Shaam

    This drama will move you, inspire you, and probably even change your life.

    The lead character, Moazzam Ali joins the fight against the British with the army of Siraj ud-Daula. The story goes around as the character moves from one place in India to another in search of the lost glory and freedom.

    The story of this novel takes place during 1897 to 1974. This is the story of a generation that has no urge to protect and fight for its rights, people who have accepted everything as fate and have left themselves to the flow of time. The story really gets a takeoff after 1947 when Pakistan gets independence and the people who fought for certain ideals are pushed to wall by those who happen to be in corridors of power. The novel describes those years of indifference, difficulties and turbulence which first germinate the seeds of undemocratic governments and then it leads to secession of the country in 1971. The novel suggests that this was the period where if truth was upheld the history and the geography of Pakistan would have been different but since people kept silence which tantamount to a sin, so they have to reap the wages of this in shape of disintegrating the federation and losing their brothers. Nadar Loog is the story of a people who had great ideals but were found wanting in action when it mattered to stand and assert. This is the story about poverty of action and deeds that leads a nation and people to a state of flux.

    Snuffing Out the Moon is a dazzling debut novel that is at once a cry for freedom and a call for resistance.Advance Praise for Snuffing Out the Moon ‘Criss-crossing historical periods and populating its multiple narratives with a diverse set of characters, Snuffing Out the Moon is a daringly original novel charting the past and the future of our civilization, and so illuminating the author’s view of our present. A challenging and thought-provoking read’—Shashi Tharoor, author and MP‘This novel stirred strange feelings in me. Its air is bleak and somehow forbidding. It is vast in scope but comparatively compressed in a space that the novelist uses expertly to draw for us the lineages of the past, the present and the future. It leaves us with the chilling vision that evil—greed or the impulse to destroy—is man’s destiny. Masterfully composed, the novel sums up aeons of history and culture with an assurance of narrative power that makes the picture of the past and the present as compelling as his imaginings of the future. Present fears are no less than the horrible imaginings, the novel seems to say. Learned and sagacious, the narrative pleases while it also awes the reader’—Shamsur Rahman Faruqi, author of The Mirror of Beauty‘Osama Siddique’s ambitious historical novel will be of consequence not only to Pakistan but to the Indian subcontinent’—Bapsi Sidhwa, author of Ice-Candy-Man‘Innovative, introspective and evocative, this remarkable debut novel gives poignant expression to an age-old human dilemma and one of the central challenges of our own troubled times: the choice between stultifying social conformity born of ignorance, intellectual laziness and fear, and the liberating agency that comes from doubt, dissent and defiance. Polyphonic in scope and written in the fragmentary and episodic mode, the intriguingly titled Snuffing Out the Moon deftly weaves together half a dozen different narratives informed by the rich sociopolitical, cultural and literary traditions of South Asia’s six millennia- long history. Beginning in 2084 BCE with the Indus Valley Civilization and ending in 2084 CE when the deadly politics of religious radicalism and water wars have drastically recast the face of South Asia, the novel is a gripping read. It dispenses with linear time by criss-crossing the past, present and the future in a disconnected fashion without becoming random and trivial or devoid of inner meaning and connectedness. A welcome addition to South Asia’s burgeoning trove of English-language literature, it will engage and absorb a cross-section of readers with its sparkling wit, lyrical bursts and welter of insights into human frailties and foibles’—Ayesha Jalal, historian and author of Jinnah: The Sole Spokesman

    The story of Husain and Zammarrud fallen in the grip of the Assassins take us back to the last days of Hasan Bin Sabah's merciless followers, at the end of which the sect's stronghold, the famous fort of Alamoot, was destroyed by the even more merciless Mongol hordes. Sharar writes famously in the style of a Walter Scott novel, the novel itself being a new literary form in his day. But there are shades of an earlier indigenous genre - the Dastaan - in his work. Yet although he tells a gripping tale, part Scott and part Dastaan, he is not unaware of character. Husain may be credulous, and smitten silly by his love for Zammarrud, but he can still ask Shaikh Vujoodi intelligent questions which the Shaikh can only parry by the display of great wrath and superhuman knowledge. Husain's credulity in accepting his answers immediately has a lot to do with his fear that he would not be allowed to visit his beloved in 'Paradise.' There is a definite modern streak in Sharar's work. His treatment of Zamarrud is different from the usual portrayal of female characters in his day. Zamarrud has a mind of her own. She is observant and intelligent and capable of rebuffing her lover when he sounds credulous and foolish. No old fashioned perceptions of female 'duty' or the superior status of men holds her back from realizing that she is more clear-headed than Husain. She is moreover not mild of manner or adulatory of her man, as the prototypes of female perfection tend to be in Urdu literature of the day. Yet non of this detracts from her femininity, as she runs around 'like a delicate, fleet-footed doe' but fully determined to have her way. Much has been written about the Assassins in English and other languages. Sharar's novel has its own charm, and given a chance it should become a very popular book. Translated into Tajik, Sharar's works have quite a lot of readers in Tajikistan, where they are also the subject of a Ph.D. dissertation by Vladimir Lanikin.

    This is kind of literature which is the link between dastaan and novel. It was written almost 175 years ago but still found attractive and appreciated by critics. Although the language used is obsolete even then reader can find it interesting. There is brief vocabulary given at the end to help reader understand some old terms. Fasan e Ajaib had great influence on other books of its era and writers of that time tried to wrote books in its style. It was originally written in 1824 but published after 19 years in 1843 from Matba e Khusni Lakhnau.

    The novel was first published in 7 parts in Khawateen Digest monthly from July 2007 to January 2008. It was later published as a complete novel by Ilm-o-Irfan Publishers. The story revolves around Ashar and Khirad's relationship with their daughter, Hareem, and how she unknowingly bridges the distances that exist between her parents. The novel is written in a retrospective manner and told mostly in flashbacks. The first half of the novel is based on mostly Ashar’s reflections and his point of view while the second part of the novel is told mainly from Khirad’s point of view.The story has been adapted into a drama serial (Humsafar), produced by Momina Duraid and directed by Sarmad Sultan Khoosat. The drama aired on Hum TV from September 2011 to February 2012.

    Gidh is the Urdu word for a vulture and Raja is a Hindi synonym for king. The name anticipates the kingdom of vultures. In fact, parallel to the main plot of the novel, an allegorical story of such a kingdom is narrated. The metaphor of the vulture as an animal feeding mostly on the carcasses of dead animals is employed to portray the trespassing of ethical limits imposed by the society or by the religion.Bano Qudsia has written this novel drawing on the religious concept of Haraam and Halaal. Many readers tend to interpret Raja Gidh as a sermon, in which Bano Qudsia puts forth her theory of hereditary transmission of Haraam genes. Naturally the plot is woven to support the thesis. In the opinion of many readers and critics she manages to convince them that the pursuance of Haraam, be it financial, moral or emotional, results in the deterioration of a person's normality in some sense. She seems to suggest that the abnormality is transferred genetically to the next generation.Apart from the above implication the novel has many social, emotional and psychological aspects. The nostalgic narration of the historical Government College Lahore and of the Lawrence Garden Lahore lights upon the days of seventies and eighties.Bano Qudsia is among those Urdu writers who would think ten times before writing a sentence. But she does not sacrifice the flow of the narrative anywhere in this novel. Her characters are not black and white ones as some of the critics would like to suggest. Every sensitive reader who has attended a college or a university in a Pakistani setting is bound to find some similarities between themselves and one of the characters.Plot: Seemin Shah, hailing from an upper middle class family, falls in love with her handsome class fellow Aftab in the MA Sociology class at Government College Lahore. Seemin is a modern and attractive urban girl and attracts most of her male class fellows, including the narrator (abdul)Qayyum and the young liberal professor Suhail. Aftab belongs to a Kashmiri business family. Though he also loves her, he can not rise above his family values and succumbs to his parent's pressure to marry someone against his wishes and leave for London to look after his family business. Now the long story of separation begins.

    It’s a long novel with episodes and each episode will have a separate title.Its the most different and unique thing I have ever written, or has ever been written in Khawateen Digest."Nemrah Ahmed

    Powerful, moving, poignant - this is a soft book with great depths to it.

    It is said that this mythic name is so fascinating in its beauty and colours that one cannot see it constantly. It begins to grow black in its colour and its eyes become white as it grows. Then, it makes its path whitish where from it passes. When it grows young, it has the capability of hanging itself into the air. Any one who happens to watch it, is charmed. Sheesh Nag of a hundred years changes itself into a man. Then numberless stories are generated about it.