Certainly the focus is not General Musharraf or even the Army. It is a book about human experience of life; the story of a weak man stumbling through his life; pushed by his fears and dragged by his desires; torn apart by love, transcending with time. It is a book for the youth of this nation, to learn from the mistakes I have made, to see how life twists and moulds each one of us. In this endeavour I have laid my life bare, and exposed myself to all forms of criticism. I did not expect any less. And this is the least price I must pay for the suffering that some of my mistakes have caused to this nation."Autobiography of Lt. Gen. (retd) Shahid Aziz, a central character of the 1999 coup by Pakistan Army against the democratically elected government.

    Shikwa (1909) and Jawab-i-Shikwa (1913) extol the legacy of Islam and its civilising role in history, bemoan the fate of Muslims everywhere, and squarely confront the dilemmas of Islam in modern times. Shikwa is thus, in the form of a complaint to Allah for having let down the Muslims and Jawab-i-Shikwa is Allah's reply to the poet's complaint.

    In Urdu, basti means any space, from the most intimate to the most universal, in which groups of people come together to try to live together, and the universal question at the heart of the book is how to constitute a common world. What brings people together? What tears them apart? “When the world was still all new, when the sky was fresh and the earth not yet soiled, when trees breathed through centuries and ages spoke around in the voices of birds, how astonished he was that everything was so new and yet looked so old”—so the book begins, with a mythic, even mystic, vision of harmony, as the hero, Zakir, looks back on his childhood in a subcontinent that had not yet been divided between Muslims and Hindus. But Zakir is abruptly evicted from this paradise—real or imagined—into the maelstrom of history. The new country of Pakistan is born, separating him once and for all from the woman he loves, and in a jagged and jarring sequence of scenes we witness a nation and a psyche torn into existence only to be torn apart again and again by political, religious, economic, linguistic, personal, and sexual conflicts—in effect, a world of loneliness. Zakir, whose name means “remember,” serves as the historian of this troubled place, while the ties he maintains across the years with old friends—friends who run into one another in cafés and on corners and the odd other places where history takes a time-out—suggest that the possibility of reconciliation is not simply a dream. The characters wait for a sign that minds and hearts may still meet. In the meantime, the dazzling artistry of Basti itself gives us reason to hope against hope.

    

    There she meets Aliyan, a British Muslim who is the center of everybody's attention. Both are broken souls, bearers of terrible burdens but when they meet, their fates are forever intertwined.It was first published in Shuaa Digest: July 2014-March 2015.

    Each of the 104 ghazals, 7 miscellaneous nazms, and 68 selected letters are presented in the original Urdu text, with a parallel translation in simple, lucid English, and a transliteration in Roman script for readers who are not familiar with Urdu in Persian script. A critical introduction to Ghalib's work, chronology of important events in his life, and bibliography are also provided.

    Khalid Jamil published his autobiography in Urdu under the title "Teesra Janam".In first part of the book "Pehla Janam", he talks of his childhood memories including his stay at Petaro. He talks of his successes and achievements at Petaro, which would be of great interest for all Petarians to read. In the second part "Doosra Janam", he talks about his unfortunate accident, and how this changed his entire life. He talks of the transformation and how his mind, soul, thoughts and consciousness reacted to this change in his life. It was a rebirth for him when he rediscovered himself. In the last part of the book "Teesra Janam", he discusses the stories of his patients and friends, and provides a new insight into one's own self. He goes on to discuss issues of society and social issues and their solutions. All of this can be possible only through a change in our thought process and a sense of discovery of the self.

    Sifaalgar is a story about different Human from different regions.Bushra Saeed very beautifully focused on the characterization.The main theme of this novel revolves around one of the elements of life SIFAAL(In urdu) means Soil.Soil is one of the most important element in the human life.It is one of the basic elements present in Human,Life,Earth and everywhere.Sifaalgar is a story of all the ups and downs that are embedded in Human Psychology,Faith and beliefs due to social,cultural or religious pressure.She depicted the society as a Kumhaar(in urdu) means Potter.This potter is present in different forms,different relation in form of a mother,father,teacher,friend,leader...Sifaalgar is a story of characters belonging to 2 different eras.Both eras are entirely different and Bushra Saeed depicted the plot,the characterization,the scene depiction so wonderfully that one can hardly find any flaw in it.Main Protagonists of Sifaalgar includes Ibraheem,Ahmed(Grant),Parniyaan,Alba Marsello,Umar,Sofia and Hakeem Begum all belongs to different eras have got different priorities about life but they are knitted so wonderfully that one cannot leave the book unread.In short Sifaalgar is a book which actually reduced my thirst for reading a fine piece of Literature after a very very long time.

    But neither Partition nor prostitution gave birth to the genius of Saadat Hasan Manto. They only furnished him with an occasion to reveal the truth of the human condition.My Name Is Radha is a path-breaking selection of stories which delves deep into Manto’s creative world. In this singular collection, the focus rests on Manto the writer. It does not draft him into being Manto the commentator. Muhammad Umar Memon’s inspired choice of Manto’s best-known stories, along with those less talked about, and his precise and elegant translation showcase an astonishing writer being true to his calling.

    We get an intimate view of a writer's fierce struggle to find her own voice and depict with passion and precision the visible and subtle tyrannies of contemporary society. A Life in Words is a searingly honest and compellingly readable memoir of the life of one of the most significant Urdu writers of all time. Ismat Chughtai (1911 - 1991) was Urdu's most courageous and controversial woman writer in the twentieth century. Often perceived of as a feminist writer, Chughtai explored female sexuality while also exploring other dimensions of social and existential reality.

    Published in September 2008, it coincides with the passing of a decade since the military operation was initiated on snow-tipped mountains in the winter of 1998-1999.

    Chandni is a self-proclaimed cynic and prefers to be called C. An orphan brought up by her domineering grandmother, a.k.a. The Broad, C is rebellious, quick-witted and stunningly beautiful.When Taimur, a.k.a. Alpha Male, enters the closed universe of the haveli, he is smitten, but he’ll never admit it. The stakes get higher when the father, who had so cruelly abandoned her at birth, returns and C’s dream of reuniting with him becomes a reality. But now she has to choose between her father and his hand-picked groom on the one side, and Alpha Male and The Broad on the other.

    Jinnistan is a gripping collection of South Asian short horrors featuring paranormal entities in all shapes and forms- including the form of a loved one, perhaps your neighbor... even your child. So close the curtains, grab your chai and get ready to read spine-chilling tales based on true events.

    Regarded as the architect of the Islamic empire, Omar established a model political structure that would hold together the growing empire for centuries. Nomani delves into Omar's reputation as one of history's great conquerors and political geniuses, while also examining his pious and just nature, which earned him the title Al-Farooq ("the one who distinguishes between right and wrong"). Under Omar's leadership, the empire expanded at an unprecedented rate ruling the whole Sassanid Persian Empire and more than two thirds of the Eastern Roman Empire. As a leader, Omar was known for his simple, austere lifestyle. Rather than adopt the pomp and display affected by the rulers of the time, he continued to live much as he had when Muslims were poor and persecuted.The book consists of two parts: the first deals the events embracing the lifetime of Omar as well as his political achievements, while the second is a detailed examination of his system of government, both political and ecclesiastical, as well as his intellectual attainments, personal virtues and habits.Author and renowned Islamic scholar Shibli Nomani undertook an extensive study of the subject through several years of research in many of the great libraries of the day, including Istanbul, Beirut, Alexandria, Paris, Berlin and London. The result is what many consider to be the definitive biography of Omar "The Great".Upon publication, the book was hailed as a major event in the history of Islamic literature. Originally published in India and written in urdu, the book was quickly translated into several other languages. Celebrated Pakistani writer and activist Maulana Zafar Ali Khan published the English translation in 1900.