When the younger players in India's cricket team find out that advertising executive Zoya Singh Solanki was born at the very moment India won the World Cup back in 1983, they are intrigued. When having breakfast with her is followed by victories on the field, they are impressed. And when not eating with her results in defeat, they decide she's a lucky charm. The nation goes a step further. Amazed at the ragtag team's sudden spurt of victories, it declares her a Goddess. So when the eccentric IBCC president and his mesmeric, always-exquisitely-attired Swamiji invite Zoya to accompany the team to the tenth ICC World Cup, she has no choice but to agree. Pursued by international cricket boards on the one hand, wooed by Cola majors on the other, Zoya struggles to stay grounded in the thick of the world cup action. And it doesn't help that she keeps clashing with the erratically brilliant new skipper who tells her flatly that he doesn't believe in luck...

    

    The Mahabharata is obsessed with the elusive notion of dharma - in essence, doing the right thing. When a hero falters, the action stops and everyone weighs in with a different and often contradictory take on dharma. The epic's characters are flawed, but their incoherent experiences throw light on our familiar dilemmas. Gurcharan Das's best-selling book India Unbound examined the classical aim of artha, material well being. This, his first book in seven years, dwells on the goal of dharma, moral well being. It addresses the central problem of how to live our lives in an examined way - holding a mirror up to us and forcing us to confront the many ways in which we deceive ourselves and others. What emerges is a doctrine of dharma that we can apply to our business decisions, political strategies and interpersonal relationships - in effect, to life itself.

    Once, he was an Ivy League scholar with a promising future at NASA; now, at forty, he is broke, homeless, and minutes away from blowing his brains out in a diabolical modern-day joust. It wasn't meant to be this way. An innocent vacation turned into an epic intercontinental journey that saw Nikhil become first a genocide survivor, then a Buddhist monk, a drug lord, a homeless accountant, a software mogul and a deadly game fighter. Now, twenty years later, Nikhil aka Johnny is tired of running. With the Colombian mafia on his trail and his abandoned wife and son ten thousand miles away, he prepares for his final act, aware that he will have lost even if he wins. Or will he? Is there any greater victory than living a life that knows no limits, a world that has seen no boundaries? From the bestselling author of Keep Off the Grass comes the once-in-a-lifetime story of an ordinary man fighting an extraordinary destiny. Can he pick up the pieces one last time or will Nikhil, now Johnny, go down for good?

    The usually venerated characters of this ancient Indian epic are here subjected to a rational enquiry that places them in context, unravels their hopes and fears, and imbues them with wholly human motives, thereby making their stories relevant and astonishing to contemporary readers. Irawati Karve, thus, presents a delightful collection of essays, scientific in spirit, yet appreciative of the literary tradition of the Mahabharata. She challenges the familiar and formulates refreshingly new interpretations, all the while refusing to judge harshly or venerate blindly.

    He is Lord Rama’s most trusted ally who embodies the virtues of a sincere devotee, the fearless fighter who sets the city of Lanka ablaze with his burning tail, the humble messenger who informs Mother Sita of Lord Rama’s victory over Ravana, the noble fellow warrior who uproots Dronagiri, a mountain of herbs, to save Lakshmana’s life. Above all, he is a perfect blend of intelligence and humility. The Chronicles of Hanuman, an engaging and inspiring bildungsroman of the Monkey God, is also replete with interesting folk tales, local lore about Hanuman temples across India and Hanuman prayers, making this book a reader’s delight.

    It is a widely read piece of Gujarati literature.The supernovel was written over a period of 15 years, with the first volume being published in 1887 and the fourth one in 1902.The focus of the novel is on two Gujarati Brahmin families. The family of Lakshminandan is settled in Bombay, and is very wealthy. Saraswatichandra, the brilliant scholar-to-be, is born to Lakshminandan and Chandralakshmi. He has a dazzling career to look forward to as he is steeped in Sanskrit and English classics, is a barrister by qualification and has tried his hand successfully at his father's business. The other family is that of Vidyachatur, the highly knowledgeable prime minister of the court of King Maniraj of kingdom of Ratnanagari. To him and his wife, Gunasundari, the lady of tremendous qualities, are born two daughters, Kumudsundari (the elder) and Kusumsundari. Saraswatichandra's mother dies, and Lakshminandan remarries. The step-mother, Guman, is a scheming woman and she treats her step-son with suspicion and dislike. Meanwhile, Saraswatichandra and Kumudsundari are engaged to be married, subsequent to which they exchange letters and fall in love without having seen each other; he, charmed with Kumud's tenderness and similar likes and she, taken in by his vast knowledge and excellent qualities.Things reach a head in Saraswatichandra's home when he realizes that even his father suspects him of having an interest only in the family wealth and he decides to renounce his home. His best friend, Chandrakant, tries his best to prevent his friend from carrying out this terrible vow. But Saraswatichandra is not amenable to argument, and he leaves, thus not only renouncing home and wealth, but also leaving young Kumud in the lurch. He proceeds by sea to Suvarnapur. By the time he reaches there, Kumud has already been married off to Pramad-dhan, the wayward son of Buddhidhan, the man who is slated to become prime minister of Suvarnapur.And thus, we come to the third family. Buddhidhan is a Bania (vaaNiyaa) and has a sharp intelligence and political sense, by which he manages to overturn the reign of Suvarnapur's ruler, Jadsinh, and his administrators, Dushtrai and Shathrai. His own Rajput friend, Bhoopsinh, becomes king and Buddhidhan, his prime minister. Saraswatichandra stays at Buddhidhan's place calling himself Navinchandra, and watches all this political activity with interest. Inevitably, he comes into contact a few times with Kumud, the daughter-in-law of the house. Love for each other ignites again, and a lowly companion of the daughter of the house takes advantage of this and incites Pramad-dhan against his wife.On the day Buddhidhan gets the prime minister's post, Saraswatichandra leaves his house due to the tensions that contact with Kumud is causing them both and leaves without a destination in mind. Meanwhile, Kumud is also on her way in a palanquin and accompanied by guards, to see her mother in Manoharpuri. Saraswatichandra's is attacked by bandits and they leave him injured in a forest. An attack on Kumud is also planned by the bandits. Kumud's grandfather, Maanchatur, manage to foil the bandits' plans, capture their leader, but then, Kumud, fearing shame and infamy, jumps into the Subhadra river. Everybody assumes her dead.Saraswatichandra, meanwhile, is rescued by a group of ascetics and taken to their ashram on the nearby mountains of Sundargiri. Here, Saraswatichandra impresses the head monk, Vishnudas, by his breadth of knowledge and eventually makes him name him as his successor to the post of head monk. Kumud also survives and her unconscious body is caught by a lady ascetic, Chandraavali. This group takes Kumud to Vishnudas' ashram and both she and Saraswatichandra come to know of each other's presence there.The ashram ascetics realize the facts of the past life of these two, and try their best to reunite them. In this attempt, they take them both to an isolated cave on the peak of Chiranjeevshrung. Here, spending four days and nights together, they undergo a mystical experience and they realise their goal of life. Ratnanagari's police and detectives find out where Saraswatichandra and Kumud are, and eventually, his entire family talk to Vishnudas about getting the two 'back into the world', and convince the two about the same. However, there is no consensus on the marriage of Kumud to Saraswatichandra. Kumud on the other hand tries to convince saras to marry Kusum (kumud's sister). The story ends with Saraswatichandra marrying Kusum.This is the plot of the novel described in the briefest possible manner, without conveying even an iota of the emotions, the tension, the idealism of some characters and the pragmatism of others, the sheer vicissitudes of life in these three families after Saraswatichandra renounced home.

    . . a woman lying dead on her bed, a man hanging from the ceiling fan. A suicide note cum murder confession. And a name . . . Shaunak Sodhi.When the case comes their way, Senior Inspector Saralkar has just been diagnosed with hypertension and PSI Motkar is busy with rehearsals of an amateur play.What appears at first to be a commonplace crime by a debt-ridden, cuckolded husband, who has killed his unfaithful wife and then hung himself, soon begins to unfold as a baffling mystery.As clues point to a seven-year-old unsolved murder in Bangalore and other leads emerge closer home, Saralkar and Motkar find themselves investigating shady secrets, bitter grudges, fishy land deals, carnal desires, the dead woman Anushka Doshi’s sinister obsession with past life regression and her husband’s links to a suspicious, small-time god-man, Rangdev Baba. And then, suddenly, the murderer resurfaces and yet another life is in grave danger . . . Can Saralkar and Motkar get to the bottom of an unimaginably shocking motive and stop the malevolent killer from committing the fourth murder . . .?

    Three imperfect students.A caring hostel.Three careless mates.The decisive years.Three ignorant souls.A bomb blast and A close save.Welcome to life through the gate of BHU.

    He begins with a mystery: Why is the most important god in the Rg Veda, the oldest of India's sacred texts, known by a secret name--"Ka," or Who?What ensues is not an explanation, but an unveiling. Here are the stories of the creation of mind and matter; of the origin of Death, of the first sexual union and the first parricide. We learn why Siva must carry his father's skull, why snakes have forked tongues, and why, as part of a certain sacrifice, the king's wife must copulate with a dead horse. A tour de force of scholarship and seduction, Ka is irresistible.

    Akbar's amazing story of three generations of a Muslim family —based on his own—and how they deal with the fluctuating contours of Hindu-Muslim relations. Telinipara, a small jute mill town some 30 miles north of Kolkata along the Hooghly, is a complex Rubik's Cube of migrant Bihari workers, Hindus and Muslims; Bengalis poor and 'bhadralok'; and Sahibs who live in the safe, 'foreign' world of the Victoria Jute Mill. Into this scattered inhabitation enters a child on the verge of starvation, Prayaag, who is saved and adopted by a Muslim family, converts to Islam and takes on the name of Rahmatullah. As Rahmatullah knits Telinipara into a community, friendship, love trust and faith are continually tested by the cancer of riots. Incidents—conversion, circumcision, the arrival of the plague of electricity—and a fascinating array of characters: the ultimate Brahmin, Rahmatullah's friend Girija Maharaj; the worker's leader, Bauna Sardar; the storyteller, Talat Mian; the poet-teacher, Syed Ashfaque; the smiling mendicant, Burha Deewana; the sincere Sahib, Simon Hogg; and then the questioning, demanding third generation of the author and his friend Kamala, interlink into a narrative of social history as well as a powerful memoir. Blood Brothers is a chronicle of its age, its canvas as enchanting as its narrative, a personal journey through change as tensions build, stretching the bonds of a lifetime to breaking point and demanding, in the end, the greatest sacrifice. Its last chapters, written in a bare-bones, unemotional style, are the most moving as the author searches for hope amid raw wounds with a surgeon's scalpel.