The moving, uplifting true story of an unlikely friendship between a man on the streets and the ginger cat who adopts him and helps him heal his life.

    It's not easy being part of the high-achieving Fox family: the expectations and demands of their husbands and children; the jealousies and rivalries; and the endless Sunday lunches where somehow everything feels like a competition. So when mysterious Sasha enters their lives, bloodied from the battlefield of a painful divorce, buried frustrations rush to the surface. Why is Kate's husband Jonny working so late at the office, and how will she cope at home alone? Can army-wife Helen trust Jago to come back to her next time, or is he drawn by temptations in a foreign field? And will Simon's explosive secret blow Olivia's marriage apart once and for all?Three sisters-in-law. One devastating divorcee. Whose husband is about to play with fire?

    But the intrepid Phyllida Spotte-Hume turns out to be the least of their troubles, in this hilarious farce starring members of the original Broadway cast. An L.A. Theatre Works full-cast performance featuring Jack Cutmore-Scott, Carson Elrod, David Furr, John Getz, Martin Jarvis, David Krumholtz, Lorenzo Pisoni, Jennifer Westfeldt, Matthew WolfDirected by Kate Benjamin. Recorded by L.A. Theatre Works before a live audience.Explorers Club is part of L.A. Theatre Works' Relativity Series featuring science-themed play. Major funding for the Relativity Series is provided by the Alfred P. Sloan Foundation to enhance public understanding of science and technology in the modern world.

    

    The brightest girl in her class, Ruth had planned to attend college but the realisation that she was pregnant forced her to abandon all hopes of a career. Now, five years later, she still lives in Shepherd's Bush with her parents, twin brothers and daughter, Jenny. Conscious of a need to make ends meet, Ruth works as a shop assistant at the local chemist while her mother looks after Jenny. Ruth's best friend Kitty bitterly resents what has happened, but never once does Ruth regret the outcome of that magical night. And the joy that Jenny brings is ample reward for the sacrifices she has made. Ruth meets someone new and tries to put the past behind her, but yesterday's friends have an uncanny way of catching up with her and when her father turns up unexpectedly, Ruth's world is thrown into confusion once again...

    An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action.From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.

    Not even when you want it to. After five years and every medical procedure possible, Pamela and Dave still haven't been able to get pregnant. Their baby longing has become a dark cloud that hovers over their marriage, which is now so rocky that they need hiking boots just to negotiate dinner. It's probably not the best time for them to up and move out of London so that Dave can follow his dream of running an organic strawberry farm. Especially when Pamela's so vulnerable and their new neighbor is devastatingly handsome farmer Lachlan Murray. While Dave seems content to follow his bliss -- taking up weeding and becoming obsessed with manure -- Pamela's tempted to hitch a lift in Lachlan's 4 x 4 and ride off into the sunset. Although there is Lachlan's wife, Rosie, to consider. Pamela's London friends think she's gone insane -- contemplating infidelity with a farmer! -- but they don't know just how far she's prepared to go for a baby. Does she?

    Young Saskia is ladys maid to wealthy merchants wife Vrouw Gibbons, but her talent for manufacturing beautifying face balms far exceeds her lowly status. When the Gibbons family returns to England, Saskia goes with them and sets up in business selling the beauty products which have earned her a devoted clientele, and hopes to win the heart of Grinling Gibbons, her employees only son, a man whose interests lie elsewhere

    As they prepare for a wedding, outside their living room the Iranian Revolution simmers and threatens to alter the course of their lives. Set over the course of 14 years, Sanaz Toossi’s timely world premiere play, directed by Gaye Taylor Upchurch, shines a light on the daring potential of friendship amid the relentless aftershocks of political upheaval. Directed by Gaye Taylor Upchurch

    Beneath Maggie's forbidding exterior is a desire to be loved.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    "Bold and unhesitating".--Times Literary Supplement (London). 16 pages of photos.

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    - Comprehensive reading and study guides for some of the world's most important literary masterpieces- Concise critical excerpts provide a scholarly overview of each work- "The Story Behind the Story" details the conditions under which the work was written- Each book includes a biographical sketch of the author, a descriptive list of characters, an extensive summary and analysis, and an annotated bibliography

    Great job, really good hair, loyal friends, loving family. It’s only her succession of lame duck boyfriends that ruin the picture.Oh, and the world-famous rock-star father she’s never met, who won’t even acknowledge her existence.Then Ellie’s perfect life is smashed to pieces when her secret is sold to the highest bidder and her name, face (and pictures of her bottom) are splashed across the tabloids. Suddenly everyone thinks she’s a gold-digging, sex-crazy, famewhore.Enter David Gold. Charming and handsome David Gold. On paper he’s even more perfect than Ellie, if only he wasn’t her father’s ruthlessly ambitious lawyer whose job is to manage the crisis – and her. He certainly doesn’t think that Ellie’s the innocent party and she doesn’t trust him at all. So why is it that every time they’re alone together, damage limitation is the last thing on their minds?