Meredith can keep the manuscript to herself, or publish it under her own name. Her decision results in a bestseller, but the novel contains a coded secret; one that will put her on trial for murder and in hiding from "the blood stalker," proving too late that making a deal with the devil comes at a heavy price.

    She’ll end it.FBI special agent Clarke Sinclair doesn’t give up easily. She’s spent years tracking serial killer Simon Cross, forced to follow his twisted clues and photographs across the country. Clarke knows that Cross selects only redheaded women and that he doesn’t target another victim until Clarke discovers the previous one.He’s never broken pattern…until now.A girl has already gone missing in upstate New York when a second one is kidnapped—a blonde. The killer’s MO has changed, sending Clarke back to the drawing board. The closer she gets to the truth, the deeper she’s drawn into an inescapable trap made just for Clarke. Whatever Cross’s ultimate game is, it ends with her.

    When a client confides in him that senior partner Jack Pierce sexually assaulted her, Robert breaks two of his mentor’s cardinal rules: Never let yourself get emotional about clients. And never make an enemy of Jack Pierce.Robert crosses Pierce and is fired on the spot, losing not only his job but also his reputation. Advised to go quietly, Robert vows revenge against the ruthless man who betrayed him. But his investigation uncovers a twisted shadow world of sex, infidelity, and deception, where nothing is as it seems and no one can be trusted. Only one thing is clear: Pierce will go the limit to keep his secrets.This straight shooter will need to use every angle if he hopes to win. But could victory come at too high a price?

    Each presses a button for their floor, but the elevator proceeds, non-stop, to the top. Once there, it stops for a few seconds, and then plummets.Right to the bottom of the shaft.It appears to be a horrific, random tragedy. But then, on Tuesday, it happens again, in a different Manhattan skyscraper. And when Wednesday brings yet another high-rise catastrophe, one of the most vertical cities in the world—and the nation’s capital of media, finance, and entertainment—is plunged into chaos.Clearly, this is anything but random. This is a cold, calculated bid to terrorize the city. And it’s working. Fearing for their lives, thousands of men in women working in offices across the city refuse leave their homes. Commerce has slowed to a trickle. Emergency calls to the top floors of apartment buildings go unanswered.Who is behind this? Why are they doing it? What do these deadly acts of sabotage have to do with the fingerless body found on the High Line? Two seasoned New York detectives and a straight-shooting journalist must race against time to find the answers before the city’s newest, and tallest, residential tower has its Friday night ribbon-cutting.

    He’s drawn into the streets of New York, onto an elusive case that’s more puzzling and more deeply-layered than anything he might have written himself. In Ghosts, Blue, a mentee of Brown, is hired by White to spy on Black from a window on Orange Street. Once Blue starts stalking Black, he finds his subject on a similar mission, as well. In The Locked Room, Fanshawe has disappeared, leaving behind his wife and baby and nothing but a cache of novels, plays, and poems.This Penguin Classics Deluxe Edition includes an introduction from author and professor Luc Sante, as well as a pulp novel-inspired cover from Art Spiegelman, Pulitzer Prize-winning graphic artist of Maus and In the Shadow of No Towers.

    We have chosen the same principle here, and the book's contents do a good job of covering the island, from C.J. Sullivan's Inwood and John Lutz's Upper West Side, to Justin Scott's Chelsea and Carol Lea Benjamin's Greenwich Village. The range in mood and literary style is at least as great; noir can be funny, it can stretch to include magic realism, it can be ample or stark, told in the past or present tense, and in the first or third person. I wouldn't presume to define noir - if we could define it, we wouldn't need to use a French word for it -- but it seems to be that it's more a way of looking at the world than what one sees.The good Samaritan / Charles Ardai --The last supper / Carol Lea Benjamin --If you can't stand the heat / Lawrence Block --Rain / Thomas H. Cook --A nice place to visit / Jeffrey Deaver --The next best thing / Jim Fusilli --Take the man's pay / Robert Knightly --The laundry room / John Lutz --Freddie Prinze is my guardian angel / Liz Martínez --The organ grinder / Maan Meyers --Why do they have to hit? / Martin Meyers --Building / S.J. Rozan --The most beautiful apartment in New York / Justin Scott --The last round / C.J. Sullivan --Crying with Audrey Hepburn / Xu Xi

    But Monk knows that danger -- like dirt -- lurks everywhere. Look at Helen Gruber, the rich tourist who took a fatal blow from a coconut. The police say it fell from a tree, but Monk suspects otherwise. His assistant, Natalie, isn't exactly thrilled about Monk's latest investigation. It was bad enough that Monk followed her on vacation, and now it looks as though the vacation is over....Smooth-talking TV psychic Dylan Swift is on the island and claims to have a message from beyond -- from Helen Gruber. Monk has his doubts about Swift's credibility. But finding the killer and proving Swift a fraud -- all while coping with geckos and the horror of unsynchronized ceiling fans -- may prove a tough coconut to crack....

    A bloody, brilliant and brutal story of murder, kidnap and revenge.Detective Constable Ash Henderson has a dark secret…Five years ago his daughter, Rebecca, went missing on the eve of her thirteenth birthday. A year later the first card arrived: homemade, with a Polaroid picture stuck to the front – Rebecca, strapped to a chair, gagged and terrified. Every year another card: each one worse than the last.The tabloids call him ‘The Birthday Boy’. He’s been snatching girls for twelve years, always just before their thirteenth birthday, sending the families his homemade cards showing their daughters being slowly tortured to death.But Ash hasn’t told anyone about Rebecca’s birthday cards – they all think she’s just run away from home – because if anyone finds out, he’ll be taken off the investigation. And he’s sacrificed too much to give up before his daughter’s killer gets what he deserves…

    But the death of her mother draws her back home—and the murder of the county coroner draws her into a deepening conspiracy. As the body count rises and all signs seem to point toward her father's oil company, will Fenway uncover the truth before family bonds become deadly?

    She's stunned when she's offered a lifeline: A program that includes a six-day stay in a Greek monastery, six challenges and a chance at sixty thousand dollars. There is just one condition - she must keep it secret. Evie's husband Gray is gutted to find the note that Evie left behind. Why did she leave and where did she go? And is she ever coming back? But his anger turns to alarm as he begins to piece together the circumstances of his wife's disappearance. When Evie's car is found burned in woodland, the police suspect him of murdering Evie. Gray has got one chance to get out of the country and find Evie - before he's arrested for something he didn't do.Too late, Evie discovers the chilling truth about the program and the island itself. And the closer she gets to finding an escape, the closer the deadly danger lurking in the depths of the monastery gets to her.

    In the prequel to Reichs’s upcoming thriller Bones Never Lie, Tempe takes a much-needed vacation—but murder follows wherever she goes.   Although a trip to Florida is supposed to be about rest and relaxation, there’s no such thing as a day off for Dr. Temperance Brennan. She has come to visit her friend, a dedicated ornithologist who’s researching the threat that intrusive Burmese pythons pose to indigenous bird species in the Everglades. While sorting through the stomach of an eighteen-foot specimen, they make a disturbing discovery: bones that are unmistakably human. And when Tempe spots the telltale signs of murder by a very different kind of predator, she’s drawn into a case with its roots in the darkest depths of the swamp.   Features a preview of the highly anticipated new Temperance Brennan novel, Bones Never Lie!

    Bruno is only a rural policeman, and he’s there for support and, if he’s being frank, skeptical of the whole mission. But when he and Isabelle witness strange activity out in the bay one evening--Bruno gets thrust into the center of action he had never bargained for.

    They begin somewhere, too. In between, all manner of things happen: friendship, betrayal, horror and maybe even joy. For some, the End of the Road brings love and happiness, for others agony and suffering, and for a precious few, sorrow may lead to something revelatory. The potholes and pitfalls found in this anthology are many, but for every character, there is an end of the road. This road ends in a collection of short stories by 31 of the most gifted writers of our time, with stories from action and mystery superstars Russell Blake, Traci Tyne Hilton and Mike Meyer; romance stars Jeannette Raleigh, C A Newsome, Suzie O'Connell, Kathleen Steed and Anna J.McIntyre; and from cutting edge science fiction and fantasy authors Saxon Andrew, Stephen Arseneault, John Daulton, and JRC Salter; post-apocalyptic and dystopian authors Brandon Hale, Scott Langrel, Dale Roberts and Jess Mountifield. Intended for lovers of short fiction everywhere, the End of the Road is a must read for anyone intent on keeping current with the literary scene.Contributing authors:Brandon HaleRobert ThomasSaxon AndrewRussell BlakeJames RozoffAnna J. McIntyreDonna B. McNicolDale RobertsRandall MorrisJames RozoffAlison BlakeStephen ArseneaultJeanette RaleighL. S. BurtonJess MountifieldShirley BourgetC. A. NewsomeJ R C SalterMichael MeyerE. B. BoggsDavid A. CubanScott LangrelTraci Tyne HiltonJohn DaultonKathleen SteedChris WardJacques AntoineSuzie O'ConnellSherrie GiddensThomas JennerAngeline Perkins

    Others will bring you to tears. And once again, every one of them will keep you spellbound.Contents:Stuck on YouThe Queen’s Birthday TelegramHigh Heels 4. Blind DateWhere There’s a WillDouble-Cross‘I Will Survive’A Good EyeMembers OnlyThe Undiplomatic DiplomatThe Luck of the IrishPolitically CorrectBetter the Devil You KnowNo Room at the InnCaste-Off

    . . The collection is astonishingly diverse . . . Tyrewala’s anthology [offers] a sampling of brand-new authors and [a] superb introduction. It might provide a fictional contrast to Katherine Boo’s Behind the Beautiful Forevers."--Library Journal (Starred review)"Most of the 14 short stories in Akashic’s workmanlike Mumbai volume draw inspiration from the criminal networks and the sordid underbelly the city is infamous for . . . Armchair travelers will find plenty of amusement in touring the seedier parts of this island city in perfect safety."-- Publishers Weekly “The fifteen contributors to Mumbai Noir . . . provide a cool composite narrative of a unique human-intensive metropolitan system, whose magnitude, complexity, diversity, and pace can hardly be captured in writing or, for that matter, any other medium. [Mumbai Noir is] rich and diverse in character and characterization.”-- Rain Taxi Review of Books Featuring brand-new stories by: Annie Zaidi, R. Raj Rao, Abbas Tyrewala, Avtar Singh, Ahmed Bunglowala, Smita Harish Jain, Sonia Faleiro, Altaf Tyrewala, Namita Devidayal, Jerry Pinto, Kalpish Ratna, Riaz Mulla, Paromita Vohra, and Devashish Makhija.Bombay’s communal riots of 1992--in which Hindus were alleged to be the primary perpetrators—were followed by retaliatory bomb blasts in 1993, masterminded by the Muslim-dominated underworld. Over a thousand citizens lost their lives in these internecine bouts of violence and thousands more became refugees in their own city. In a matter of months, Bombay ceased to be the cosmopolitan, wholesome, and middle-class bastion it had been for decades. When the city was renamed Mumbai in 1995, it merely formalized the widespread perception that the Bombay everyone knew and remembered had been lost forever.Today Mumbai is like any other Asian city on the rise, with gigantic construction cranes winding atop upcoming skyscrapers and malls . . . Right-wing violence, failing electricity and water supplies, overcrowding, and the ever-looming threat of terrorist attacks—these are some of the gruesome ground realities that Mumbai’s middle and working classes must deal with every day, while the city’s super-rich . . . zip from roof to roof in their private choppers. Abandoned by its wealthy, mistreated by its politicians and administrators, Mumbai continues to thrive primarily because of the helpless resilience of its hardworking, upright citizens.The stories in Mumbai Noir depict the many ways in which the city’s ever-present shadowy aspects often force themselves onto the lives of ordinary people. . . . What emerges is the sense of a city that, despite its new name and triumphant tryst with capitalism, is yet to heal from the wounds of the early '90s, and from all the subsequent acts of havoc wreaked within its precincts by both local and outside forces.