Tillie Pembroke’s sister lies dead, her body drained of blood and with two puncture wounds on her neck. Bram Stoker’s new novel, Dracula, has just been published, and Tillie’s imagination leaps to the impossible: the murderer is a vampire. But it can’t be—can it?A ravenous reader and researcher, Tillie has something of an addiction to truth, and she won’t rest until she unravels the mystery of her sister’s death. Unfortunately, Tillie’s addicted to more than just truth; to ease the pain from a recent injury, she’s taking more and more laudanum…and some in her immediate circle are happy to keep her well supplied.Tillie can’t bring herself to believe vampires exist. But with the hysteria surrounding her sister’s death, the continued vampiric slayings, and the opium swirling through her body, it’s becoming increasingly difficult for a girl who relies on facts and figures to know what’s real—or whether she can trust those closest to her.

    England 1819: Thomas Shield, a new master at a school just outside London, is tutor to a young American boy and the boy's sensitive best friend, Charles Frant. Drawn to Frant's beautiful, unhappy mother, Thomas becomes caught up in her family's twisted intrigues. Then a brutal crime is committed, with consequences that threaten to destroy Thomas and all that he has come to hold dear. Despite his efforts, Shield is caught up in a deadly tangle of sex, money, murder and lies -- a tangle that grips him tighter even as he tries to escape from it. And what of the strange American child, at the heart of these macabre events, yet mysterious -- what is the secret of the boy named Edgar Allen Poe?

    Though newspapers have dubbed him ‘the Torso Killer’, this murderer’s work is overshadowed by the hysteria surrounding Jack the Ripper’s Whitechapel crimes. The victims are women too, but their dismembered bodies, wrapped in rags and tied up with string, are pulled out of the Thames – and the heads are missing. The murderer likes to keep them.Mayhem is a masterwork of narrative suspense: a supernatural thriller set in a shadowy, gaslit London, where monsters stalk the cobbled streets and hide in plain sight.

    Following the death of her husband, Lady Darby has taken refuge at her sister's estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own macabre purposes. Kiera wants to put her past aside, but when one of the house guests is murdered, her brother-in-law asks her to utilize her knowledge of human anatomy to aid the insufferable Sebastian Gage—a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn't about to let her guard down as accusations and rumors swirl. When Kiera and Gage's search leads them to even more gruesome discoveries, a series of disturbing notes urges Lady Darby to give up the inquiry. But Kiera is determined to both protect her family and prove her innocence, even as she risks becoming the next victim...

    Yes, there are rumors that she’s having an affair with the architect, but rumors are rumors and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night Ball, Annabelle goes missing, presumed drowned, and the papers go mad. Bay’s sister, Janie, forms an unlikely alliance with a reporter to uncover the truth, convinced that Bay would never have killed his wife, that it must be a third party, but the more she learns about her brother and his wife, the more everything she thought she knew about them starts to unravel. Who were her brother and his wife, really? And why did her brother die with the name George on his lips?

    Then a beautiful young woman is found raped and savagely murdered on the altar steps of an ancient church near Westminster Abbey. A dueling pistol discovered at the scene and the damning testimony of a witness both point to one man, Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.Now a fugitive running for his life, Sebastian calls upon his skill as an agent during the war to catch the killer and prove his own innocence. In the process, he accumulates a band of unlikely allies, including the enigmatic beauty Kat Boleyn, who broke Sebastian's heart years ago. In Sebastian's world of intrigue and espionage, nothing is as it seems, yet the truth may hold the key to the future of the British monarchy, as well as to Sebastian's own salvation....

    . .Early in life Belle Sorensen discovers the world is made only for men. They own everything: jobs, property, wives. But Belle understands what few others do: where women are concerned, men are weak.A woman unhampered by scruples can take from them what she wants. And so Belle sets out to prove to the world that a woman can be just as ruthless, black-hearted and single-minded as any man.Starting with her long suffering husband Mads, Belle embarks on a killing spree the like of which has never been seen before nor since.And through it all her kind, older sister Nellie can only watch in horror as Belle's schemes to enrich herself and cut down the male population come to a glorious, dreadful fruition . . .Based on the true story of Belle Sorensen whose murderous rampage began in Chicago in 1900, Triflers Need Not Apply is a novelistic tour de force exploring one woman's determination to pay men back for all they have taken.

     In the year 1780, Harriet Westerman, the willful mistress of a country manor in Sussex, finds a dead man on her grounds with a ring bearing the crest of Thornleigh Hall in his pocket. Not one to be bound by convention or to shy away from adventure, she recruits a reclusive local anatomist named Gabriel Crowther to help her find the murderer, and historical suspense's newest investigative duo is born. For years, Mrs. Westerman has sensed the menace of neighboring Thornleigh Hall, seat of the Earl of Sussex. It is the home of a once- great family that has been reduced to an ailing invalid, his whorish wife, and his alcoholic second son, a man haunted by his years spent as a redcoat in the Revolutionary War. The same day, Alexander Adams is slain by an unknown killer in his London music shop, leaving his children orphaned. His death will lead back to Sussex, and to an explosive secret that has already destroyed one family and threatens many others. Instruments of Darkness combines the brooding atmosphere of Anne Perry with the complex, compelling detail of Tess Gerritsen, moving from drawing room to dissecting room, from coffee house to country inn. Mrs. Westerman and Mr. Crowther are both razor-sharp minds and their personalities breathe spirit into this gripping historical mystery.

     Though newly-widowed Lily Adler is returning to a society that frowns on independent women, she is determined to create a meaningful life for herself even without a husband. She's no stranger to the glittering world of London's upper crust. At a ball thrown by her oldest friend, Lady Walter, she expects the scandal, gossip, and secrets. What she doesn't expect is the dead body in Lady Walter's garden.Lily overheard the man just minutes before he was shot: young, desperate, and attempting blackmail. But she's willing to leave the matter to the local constables--until Lord Walter bribes the investigating magistrate to drop the case. Stunned and confused, Lily realizes she's the only one with the key to catching the killer.Aided by a roguish navy captain and a mysterious heiress from the West Indies, Lily sets out to discover whether her friend's husband is mixed up in blackmail and murder. The unlikely team tries to conceal their investigation behind the whirl of London's social season, but the dead man knew secrets about people with power. Secrets that they would kill to keep hidden. Now, Lily will have to uncover the truth, before she becomes the murderer's next target.

    When a student bearing a striking resemblance to artists' renderings of Jesus Christ is found murdered -- by crucifixion -- in London's Jewish ghetto, 19th-century private detective Barker must hire an assistant to help him solve the sinister case. Out of all who answer an ad for a position with "some danger involved," the eccentric and enigmatic Barker chooses downtrodden Llewelyn, a gutsy young man whose murky past includes recent stints at both an Oxford college and an Oxford prison. As Llewelyn learns the ropes of his position, he is drawn deeper and deeper into Barker's peculiar world of vigilante detective work, as well as the dark heart of London's teeming underworld. Together they pass through chophouses, stables, and clandestine tea rooms, tangling with the early Italian mafia, a mad professor of eugenics, and other shadowy figures, inching ever closer to the shocking truth behind the murder.

    London, 1885. In a city of fog and darkness, the notorious thief Edward Shade exists only as a ghost, a fabled con, a thief of other men's futures -- a man of smoke. William Pinkerton is already famous, the son of a brutal detective, when he descends into the underworld of Victorian London in pursuit of a new lead. His father died without ever tracing Shade; William, still reeling from his loss, is determined to drag the thief out of the shadows. Adam Foole is a gentleman without a past, haunted by a love affair ten years gone. When he receives a letter from his lost beloved, he returns to London in search of her; what he learns of her fate, and its connection to the man known as Shade, will force him to confront a grief he thought long-buried. What follows is a fog-enshrouded hunt through sewers, opium dens, drawing rooms, and seance halls. Above all, it is the story of the most unlikely of bonds: between William Pinkerton, the greatest detective of his age, and Adam Foole, the one man who may hold the key to finding Edward Shade. Epic in scope, brilliantly conceived, and stunningly written, Steven Price's By Gaslight is a riveting, atmospheric portrait of two men on the brink. Moving from the diamond mines of South Africa to the battlefields of the Civil War, the novel is a journey into a cityscape of grief, trust, and its breaking, where what we share can bind us even against our darker selves.

    A virtuoso violinist is brutally killed in his home. Black magic symbols cover the walls. The dead man's maid swears she heard three musicians playing before the murder.But with no way in or out of the locked practice room, the puzzle makes no sense...Fearing a national panic over a copycat Ripper, Scotland Yard sends Inspector Ian Frey to investigate under the cover of a fake department specializing in the occult. However, Frey's new boss - Detective 'Nine-Nails' McGray - actually believes in such nonsense.McGray's tragic past has driven him to superstition, but even Frey must admit that this case seems beyond reason. And once someone loses all reason, who knows what they will lose next...

    . . As the Great Blizzard of 1888 cripples the vast machinery that is New York City, heiress Prudence MacKenzie sits anxiously within her palatial Fifth Avenue home waiting for her fiance s safe return. But the fearsome storm rages through the night. With daylight, more than two hundred people are found to have perished in the icy winds and treacherous snowdrifts. Among them is Prudence s fiance his body frozen, his head crushed by a heavy branch, his fingers clutching a single playing card, the ace of spades . . . Close on the heels of her father s untimely demise, Prudence is convinced Charles s death was no accident. The ace of spades was a code he shared with his school friend, Geoffrey Hunter, a former Pinkerton agent and attorney from the South and a former Pinkerton agent. Wary of sinister forces closing in on her, Prudence turns to Geoffrey as her only hope in solving a murder not all believe in and to help protect her inheritance from a stepmother who seems more interested in the family fortune than Prudence s wellbeing . . . Filled with richly colorful characters, fascinating historical details, and thrilling moments of suspense, What the Dead Leave Behind is an exquisitely crafted mystery for the ages.

    A detective duo. A demon who may or may not exist.It's 1634 and Samuel Pipps, the world's greatest detective, is being transported to Amsterdam to be executed for a crime he may, or may not, have committed. Traveling with him is his loyal bodyguard, Arent Hayes, who is determined to prove his friend innocent.But no sooner are they out to sea than devilry begins to blight the voyage. A twice-dead leper stalks the decks. Strange symbols appear on the sails. Livestock is slaughtered.And then three passengers are marked for death, including Samuel.Could a demon be responsible for their misfortunes?With Pipps imprisoned, only Arent can solve a mystery that connects every passenger onboard. A mystery that stretches back into their past and now threatens to sink the ship, killing everybody on board.The breathtaking new novel from Stuart Turton, author of the The 7 1/2 Deaths of Evelyn Hardcastle, winner of the Costa Best First Novel Award.

    Created after the Metropolitan Police’s spectacular failure to capture Jack the Ripper, The Murder Squad suffers rampant public contempt. They have failed their citizens. But no one can anticipate the brutal murder of one of their own . . . one of the twelve . . .When Walter Day, the squad’s newest hire, is assigned the case of the murdered detective, he finds a strange ally in the Yard’s first forensic pathologist, Dr. Bernard Kingsley. Together they track the killer, who clearly is not finished with The Murder Squad . . . but why?Filled with fascinating period detail, and real historical figures, this spectacular debut in a new series showcases the depravity of late Victorian London, the advent of criminology, and introduces a stunning new cast of characters sure to appeal to fans of The Sherlockian and The Alienist.