But Death does arrive all the same, as it must. He comes gently, naturally. And he comes with enough time to share a story with the children that helps them to realize the value of loss to life and the importance of being able to say goodbye.

    But they were not enough for Fausto, so he conquered a boat and set out to sea…Working for the first time in traditional lithography, Oliver Jeffers, combines art with prose, hand set using traditional lead type, to create a modern-day fable.

    This groundbreaking, award-winning book endeavors to convey the experience of a person who can only see through his or her sense of touch, taste, smell or hearing.Raised black line drawings on black paper, which can be deciphered by touch, complement a beautifully written text describing colors through imagery. Braille letters accompany the text so that the sighted reader can begin to imagine what it is like to use Braille to read. A full Braille alphabet at the end of the book can be used to learn more.

    She is unashamedly, irrefutably, irrepressibly wild. That is, until she is snared by some very strange animals that look oddly like her, but they don't talk right, eat right, or play correctly. She's puzzled by their behavior and their insistence on living in these strange concrete structures: there's no green here, no animals, no trees, no rivers. Now she lives in the comfort of civilization. But will civilization get comfortable with her?In her debut picture book, Hughes brings an uncanny humor to her painterly illustrations. Her work is awash with color, atmosphere, and a stunning visual splendor that will enchant children while indulging their wilder tendencies. Wild is a twenty-first-century answer to Maurice Sendak's children's classic—it has the same inventiveness, groundbreaking art, and unmissable quirkiness.Emily Hughes is a talented young illustrator. Her book Nana Shaped Like a Banana won second prize in the 2012 Macmillan Children's Book Awards.

    One child experiences a flower with all five senses—from its color to its fragrance to the entire universe it evokes—revealing how a single flower can expand one's perspective in many ways.

    In this irresistibly charming picture book, many different quiet moments are captured, from the anticipation-heavy “Top of the roller coaster quiet” to the shocked-into-silence “First look at your new hairstyle quiet.” The impossibly sweet bears, rabbits, fish, birds, and iguanas are all rendered in soft pencils and colored digitally, and, as in all of the best picture books, the illustrations propel the story far beyond the words. A sure-to-be-a-classic bedtime favorite. Awards: 2011 ALA Notable Children's Book, 2010–2011, New York Times bestseller, 2011 CCBC Choices, 2011 NCTE Notable Children's Trade Book, 2010 New York Times Notable Book, 2010 Publishers Weekly Best Book of the Year, 2010 School Library Journal Best Book of the Year

    He is alone, but happy. One day he sees another wolf approaching, a little wolf. Without a word, Little Wolf sits down next to Big Wolf. He stays all night and all the next day. At first Big Wolf is suspicious. He also is worried that Little Wolf will grow bigger and become a rival. After a while, however, he starts to feel fond of his small companion. He decides to let Little Wolf share his covers, just a little, so he isn’t cold at night. The next day he shares some of his lunch. Just as Big Wolf is starting to get used to his new friend, and even to care for him, Little Wolf disappears. Big Wolf is too proud to cry or get upset, but the reader cannot miss the great mix of emotions he feels, which are movingly portrayed in Olivier Tallec’s sensitive illustrations. Big Wolf loses his appetite and cannot sleep. He spends his time staring at the horizon, waiting for Little Wolf to return, but without the slightest reason to hope that he will. But with the arrival of spring Little Wolf does return. Big Wolf is so happy his heart almost bursts. The two wolves shyly admit that without each other they found life lonely. Never again will they leave each other’s side.Prix de l’album 2007 CherbourgPrix France Télévision 2006Prix des Enfants 2006 du Salon Chrétien de TroyesPrix littéraire jeunesse de 2006 Chambray-les-toursAdopted by the French National curriculum

    Along the way she faces wire gates, dark shadowy woods, a bull grazing with the cattle, and wickedly cold wind. Will she be able to sing her way through the dark morning? Lilting rhyming text by Caroline Woodward and stunning paintings by Julie Morstad create the look and feel of a classic picture book.

    Unable to sleep, a young boy climbs into his father's arms. Feeling the warmth and closeness of his father, he begins to ask questions about the birds, the foxes, and whether his mom will ever wake up. They go outside under the starry sky. Loss and love are as present as the white spruces, while the father's clear answers and assurances calm his worried son. Here we feel the cycles of life and life's continuity, even in the face of absence and loss, so strongly and clearly that we know at the end that everything will, somehow, be all right.Born in 1953, Stein Erik Lunde has written sixteen books, mostly for children and young adults. His books have been published in many countries. This is his first book to be published in the United States. He also writes lyrics and has translated Bob Dylan into Norwegian. In 2009 My Father's Arms Are A Boat was awarded the Norwegian Ministry's Culture Prize for the Best Book for Children and Youth. The book was also nominated for the 2011 German Children's Literature Award.Born in 1972, Øyvind Torseter is an artist and one of Norway's most acclaimed illustrators. He employs both traditional and digital picture techniques. Torseter has received numerous prizes for many of his books. In 2011 he received the Norwegian Book Art Prize. For 2012 he has been nominated for the ALMA Award and the Hans Christian Andersen Award.

    No wonder the other elephants laugh at him!If he were ordinary elephant color, the others might stop laughing. That would make Elmer feel better, wouldn't it? David McKee's comical fable about everyone’s favorite patchwork elephant teaches readers to be themselves and celebrates the power of laughter.

    But whenever she tries, she cannot get the tune right. Her mother encourages her to leave home and find a song that only she can sing. With courage and tenacity, she travels the world, seeking advice from a crane, an owl, and a mean-looking crow, and other birds, hoping they will lead her to her special song.

    Great for toddlers, preschoolers, and early readers to learn about cause and effect in a simple and engaging way.Harness the power of imagination and interactivity: Press the yellow dot on the cover of this book, follow the instructions within, and embark upon a magical journey! Each page of this surprising book instructs the reader to press the dots, shake the pages, tilt the book, and who knows what will happen next! Children and adults alike will giggle with delight as the dots multiply, change direction, and grow in size! Especially remarkable because the adventure in Press Here occurs on the flat surface of the simple, printed page, this unique picture book about the power of imagination and interactivity will provide read-aloud fun for all ages!Books for kids ages 4-8

    Along the way they find friends to guide and support them, and when the new day dawns, it is full of promise. With gorgeous, richly realized illustrations and immense hope at its heart, Rain Before Rainbows holds out a ray of sunshine for anyone looking for light.

    Graeme Base takes the reader on a journey of discovery, from the plains of Africa and the jungles of the Amazon to the woodlands of North America and the deserts of the Australian outback.

    With smart trousers, a smart shirt, stripy tie and shiny shoes, George is a new giant.But on his way home, he meets various animals who desperately need his help ... and his clothes!"My absolute favourite of this year's picture books ... Julia Thompson and Axel Scheffler are a combination made in heaven." - The Independent on Sunday"Who could resist?" - The Sunday Times