With his unflinching attention to emotional detail, Redhill proves once again to be "a writer of considerable humanity and insight" (A.L. Kennedy) .

    Asked by author Alexandra del Torre to provide as much detail as possible, they held nothing back in their retelling of these intensely intimate encounters. In “Lesbian Firsts,” you will hear from real lesbians and read about their real first times, including:HEATHER, a 24-year-old high school English teacher who discovered her lesbianism with a volleyball teammate at the age of 19.MEGHAN, a 32-year-old attorney who lost her lesbian virginity to her first-year dormmate in college.KRISTEN, a 26-year-old accountant who discovered her preference for women at 18 during a sleepover with her more advanced 22-year-old friend, Michelle.MARIA, a 36-year-old basketball coach who found sapphic love in a locker room shower with a teammate.KORI, a 28-year-old makeup artist who, at 18, was stimulated in a movie theatre by her cousin’s suave, butch neighbor.DEBBIE, a 41-year-old psychologist whose first lesbian experience came at age 30, following her divorce from her husband of two years. Trapped overnight during a rainstorm at her book club friend’s house, Debbie discovers pleasures she never knew with a man.JENNIFER, a 34-year-old police officer who lost her lesbian virginity on the same night she gained the legal right to drink – her 21st birthday. A mysterious stranger in a lesbian bar introduces Jennifer to strap-on sex in the bathroom, much to her delight.DIANE, a 25-year-old assistant book editor who engaged in her first lesbian sexual encounter with her current boss when she was a 20-year-old intern at a publishing company.TAYLOR, a 37-year-old personal chef who, as a student at a women’s Catholic college, shared an intimate encounter with a classmate in her car during half-time of a school basketball game.SARAH, a 22-year-old flight attendant who found lesbian love in the skies with a flirtatious flight attendant who was serving as her mentor when she was a 20-year-old trainee.***

    In What We Lost, a story that startles in its immediacy and lack of sentimentality, Dale Peck refracts his father's past through the prism of his own vivid imagination, forging a bridge between generations and revealing the dark secrets at the heart of family.

    In ‘Cora Lee is Stupid’ a young girl takes vengeance on an abusive older sister. In ‘Dead Weight’ three bank robbers get more than they bargained for during their getaway. In ‘Rosetta Stone’ a bitter young man comes face to face with the end of the world.

    . . She looked at me like she could fall for me, fall in love with me, or maybe like she already had. She looked at me like she wanted to know everything I had to say, to peek inside my brain and tease out the parts I kept deliberately tucked away." — "Mother Knows Best" by Rachel Kramer BusselRomance is an experience that encompasses a panoply of emotions: euphoria, despair, exhilaration, the thrill of sexual awakening, the excitement of new beginnings, and the quiet contentment of the familiar. This collection of love stories features the best romance writers around, including Anna Meadows, Charlotte Dare, Miel Rose, Rachel Kramer Bussel, Rebecca S. Buck, Radclyffe and a dozen others. The juicy, seductive tales of Best Lesbian Romance 2011 capture the eroticism and lyricism of love, from the first blush of recognition to the forever embrace of shared hearts.

    Love After the End is a new young adult anthology edited by Joshua Whitehead (Lambda Literary Award winner, Jonny Appleseed) featuring short stories by Indigenous authors with Two-Spirit & Queer heroes, in utopian and dystopian settings.This is a sequel to the popular anthology, Love Beyond Body Space and Time (2019 AILA Youth Honor Book), and features several of the same authors returning, along with new voices!

         Love lasted only one year but the time felt like several springs strung together.           In Love Enough, the sharp beauty of Brand's writing draws us effortlessly into the intersecting stories of her characters caught in the middle of choices, apprehensions, fears. Each of the tales here--June's, Bedri's, Da'uud's, Lia's opens a different window on the city they all live in, mostly in parallel, but occasionally, delicately, touching and crossing one another. Each story radiates other stories. In these pages, the urban landscape cannot be untangled from the emotional one; they mingle, shift and cleave to one another.      The young man Bedri experiences the terrible isolation brought about by an act of violence, while his father, Da'uud, casualty of a geopolitical conflict, driving a taxi, is witness to curious gestures of love and anger; Lia faces the sometimes unbridgeable chasms of family; and fierce June, ambivalent and passionate with her string of lovers, now in middle age discovers: "There is nothing universal or timeless about this love business. It is hard if you really want to do it right." Brand is our greatest observer--of actions, of emotions, of the little things that often go unnoticed but can mean the turn of a day. At once lucid and dream-like, Love Enough is a profoundly modern work that speaks to the most fundamental questions of how we live now.

    Frederick Barthelme creates an unforgettably wistful cast of characters, ordinary people moving carefully and curiously through a gently painful world.

    Kate Bornstein provides an introduction. Boys Like Her is a road movie of young queer life. Four distinct voices come together in a tag-team dialogue, interwoven with disturbingly beautiful photographs that echo their transformative energy.Reading this book is like watching a circus troupe juggle a chainsaw, a grapefruit, a beach ball and a pocket watch without dropping a beat, With identities ranging from boy-girl to power-femme to borderline testosterone-enhanced, these talented upstarts explore and explode gender, sex and family. Gentleness is mixed with harsh honesty, as grandmother's good advice jostles with hormone therapy, surviving the psych ward, rough play and lost love. Each piece stands alone, together they are a conversation, a road movie of young queer life, rolling with the punches and taking the reader along for a ride to remember!

    A woman mourning the loss of her husband finds solace in talking to his ashes, entombed in a curling stone. The title story zeroes in on a girl with Fred Hoyle syndrome, whose age expands and contracts like the universe. The members of a support group for people with benign tumors begin to suspect that their meekness has caused their medical woes.Bang Crunch creates an extraordinary world inhabited by all-too-human characters, and heralds the arrival of a literary talent with an unfailing, exacting concern for the profundities of our lives.

    These punchy, sharply observed stories blur the lines between longing and choosing, exploring the narrator's experience as an involuntary one. Tinged with pathos and humour, they interrogate the moments in which femininity, womanness, and identity are not only questioned but also imposed.Shut Up You're Pretty is the first book to be published under the imprint VS. Books, a series of books curated and edited by writer-musician Vivek Shraya featuring work by new and emerging Indigenous or Black writers, or writers of colour.

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    --Hanoi to Hoboken: a round trip ticket --Living with other women --Take a lesbian to lunch --The last straw --The shape of things to come --Roxanne Dunbar --Gossip --Leadership vs. stardom --The last picture show --A manifesto for the feminist artist --Love song for feminists from Flamingo Park --I am a woman --The good fairy --It's all Dixie cups to me --The lady's not for burning.

    With winning directness, Jackie Kay captures her characters' greatest joy and greatest vulnerability, exposing the moments of tenderness, of shock, of bravery and of stupidity that accompany the search for love, the discovery of love and, most of all, love's loss. Jackie Kay's characters sing from the page - Daily Telegraph. So immediately engaging that it reads as though she is speaking to you at a bus stop - Irish Times. Jackie Kay's new book reveals her gift for capturing a voice ...at the heart of it is a faith in stories themselves: a belief that the most desolate history can be lent coherence if you tell it right - Times Literary Supplement. Kay's humour and optimism are transcendent - Sunday Herald.