Russell Harmon is the self-proclaimed king of his small-town Idaho dart league, but all is not well in his kingdom. In the midst of the league championship match, the intertwining stories of those gathered at the 411 club reveal Russell’s dangerous debt to a local drug dealer, his teammate Tristan Mackey’s involvement in the disappearance of a college student, and a love triangle with a former classmate. The characters in Keith Lee Morris’s second novel struggle to find the balance between accepting and controlling their destinies, but their fates are threaded together more closely than they realize.

    Although numbed by his life’s unexpected turn, Harry becomes fixated on Molly, an obsidian-haired, twenty-two-year-old waitress. Meanwhile, Harry is forced to fend off Clare, his sister-in-law, who is convinced that Harry is somehow responsible for her sister’s untimely death. At once deeply moving and darkly comedic, Harry, Revised is an extraordinary novel about the measure of a man’s worth, by a wonderful, emerging talent.

    It has also been the home of the Pinkhams, a family whose gluttonous reputation stirs up fear and loathing even among the town's most indifferent citizens. Enter Francis "Spud" Pinkham, the youngest of the clan and favorite whipping boy of his nine brutish sisters. Almost from the moment of his unwelcome arrival into the world Francis knows his path in life will be as bumpy as Cedar Hole's unkempt roads. On the other end of the spectrum is Robert J. Cutler, the bright only child of two factory workers and town golden boy, who gracefully steps into the role of Cedar Hole's good-hearted visionary. Robert's blind optimism and unshakable faith dazzles everyone around him -- except Francis. When a town competition forces a rivalry between the boys that follows them into adulthood, Francis must struggle to emerge from Robert's shadow. It is only through love, starting a family of his own, and a brush with the American dream that Francis Pinkham learns just what it takes to become the greatest man in Cedar Hole.

    Ilin Cheung was my wife on paper. In deed, she belonged to Yi-Tung Szeto. In debt, I also belonged to him. He was my father, paper too."Steer Toward Rock, Fae Myenne Ng's heartbreaking novel of unrequited love, tells the story of the only bachelor butcher at the Universal Market in San Francisco. Jack Moon Szeto--that was the name he bought, the name he made his life by--serves the lonely grass widows whose absentee husbands work the farmlands in the Central Valley. A man who knows that the body is the only truth, Jack attends to more than just their weekly orders of lamb or beef.But it is the free-spirited, American-born Joice Qwan with whom Jack falls in love. A woman whose life is guided by more than simple pain, Joice hands out towels at the Underground Bathhouse and sells tickets at the Great Star Theatre; her mother cleans corpses. Joice wants romance and she wants to escape Chinatown, but Jack knows that she is his ghost of love, better chased than caught.It is the 1960s and while the world is on the edge of an exciting future, Jack has not one grain of choice in his life. When his paper wife arrives from China he is forced to fulfill the last part of his contract and to stand before the law with the woman who is to serve as mistress to his fake father. Jack has inherited a cruel cultural legacy. A man with no claim to the past, his only hope is to make a new story for himself, one that includes both Joice and America.Not since Bone, Fae Myenne Ng's highly praised debut novel, has a work so eloquently revealed the complex loyalties of Chinese America. Steer Toward Rock is the story of a man who chooses love over the law, illuminating a part of U.S. history few are aware of, but one that has had echoing effects for generations.

    Now he offers us the story of their creation. A stunning, intensely private portrait of one man's life and his city, The King of Kings County presents a dazzling fifty-year arc through the heart of the American dream.

    It matters not, though, for Kane is directionless himself, having just witnessed the Civil War's horrors only to return North with nothing but the clothes on his back and as many dead soldiers' letters as he could carry in his pockets. Aboard the mysterious Narthex, Kane meets a ramshackle crew that includes an eccentric doctor and a three-handed Muslim full of horrifying lore. Kane learns only that they're sailing for the Artic in search of gold or maybe whales. But when it turns out the Narthex's destination is a temperate paradise hidden amidst glaciers–a mythical place–Kane and his cohorts must struggle to survive not only the bleak Artic conditions, but the loosening grip on sanity of an egomaniacal captain and the data-obsessed doctor. With each second that passes, it seems increasingly unlikely any of them will get out alive.

     In this stylistic tour de force, Stephen Marche creates the entire culture of a place called Sanjania-its national symbols, political movements, folk heroes, a group of writers dubbed "fictioneers," a national airline called Sanjair, and a rich literary history. Sanjania is an island nation whose English-speaking citizens draw upon the English, American, Australian, and Canadian literary traditions. This brilliant story is an anthology, taking the reader from the rough and tumble pamphlets of 1870s Sanjania to the burgeoning Sanjanian nationalistic awareness in the 1930s literary journal, The Real Story, to the extraordinary longing of the writings of the Sanjanian Diaspora. These works develop into a Rashomon-like story, introducing us to illustrious Sanjanian figures such as the repentant prostitute Pigeon Blackhat and the magically talented couple Caesar and Endurance. The result is a vibrant evocation of a country-from the birth pangs of its first settlers and their hardy vernacular to its revolutionary years and all the way to the present-all told in Stephen Marche's innovative and accomplished writing.

    It doesn't quite work out, but he makes it to New Orleans, and a new life — work, friends, and only the occasional psychotic break. What follows involves his last two chances to find real happiness (one's from Ecuador, one sells cigarettes), the old vicious enemies that may prevent him from obtaining it, and a cast of Crescent City denizens that makes for one of the most vivid ensembles since Toole's A Confederacy of Dunces.

    Then there is the appalling, yet utterly lovable, Lewis Miner, class of '89---a.k.a Teabag---who did not pan out. Home Land is his confession in all its bitter, lovelorn glory.

    Now, firmly established as the owner of an enormously successful gin distillery she inherited from her father, she can begin to realize her dream.Set in eighteenth-century Brooklyn, this is the beautifully written story of a woman with a vision: a gargantuan construction of timber and masonry to span the East River. With the help of her sisters--high-spirited Tem and silent, uncanny Pearl--Prue fires the imaginations of the people of Brooklyn and New York by promising them easy passage between their two worlds.Brookland confirms Emily Barton's reputation as one of the finest writers of her generation, whose work is blessedly post-ironic, engaging and heartfelt (Thomas Pynchon).

    A man is booted out of his home after his wife discovers that the print of a bare foot on the inside of his windshield doesn’t match her own. Teenage cousins, drugged by summer, meet with a reckoning in the woods. A boy runs off to the carnival after his stepfather bites him in a brawl.In the stories of Wells Tower, families fall apart and messily try to reassemble themselves. His version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, wayward sons. Combining electric prose with savage wit, Everything Ravaged, Everything Burned is a major debut, announcing a voice we have not heard before.

    Having fought in Namibia's long war for independence against South Africa, Mavala Shikongo returns to her teaching position at an all-boys Catholic primary school deep in the country's grasslands and instantly captures the hearts of virtually all of her male co-workers.

    He wants you to feel something too."—The Huffington PostI walked up to the side of the mountain like I used to do when I was a little boy. I looked out over Rainelle and watched it shine. The coal trucks and the logging trucks were still gunning it through town. They were still clear cutting the mountains and cutting the coal from the ground. Then I heard my mother calling and it was like I was a child again.Beginning to read Hill William is like tuning into a blues station at 4:00 a.m. while driving down the highway. Scott McClanahan's work soars with a brisk and lively plainsong, offering a boisterous peek into a place often passed over in fiction: West Virginia, where coal and heartbreak reign supreme. Hill William testifies to the way place creates and sometimes stifles one's ability to hope. It reads like a Homeric hymn to adventure, to the human comedy's upsets and small downfalls, and revels in its whispers of victory. So grab coffee, beer—whatever gets you through the night—and join Scott around the hearth. Lend him your ear, but be warned: you might not want it back.Scott McClanahan's work has appeared in New York Tyrant, Bomb, Vice, and Harper Perennial's Fifty-Two Stories. His books include Stories II and Stories V! In 2013 Two Dollar Radio will release his book Crapalachia.

    Beginning in 1974 and ending with the fading of Thatcher's government in 1996, 'The Northern Clemency' is Philip Hensher's epic portrait of an entire era, a novel concerned with the lives of ordinary people and history on the move.

    His debut novel, a sweeping yet intimate story of the American dream in remission, viewed through the microscope of a single family, proves yet again just “how exhilarating it is to come across a young writer as technically gifted and emotionally insightful as Eric Puchner” ( The New York Times Book Review )..The Zillers—Warren, Camille, and their three children—live the good life in a gated Southern California neighborhood, but the sun-bright veneer hides a starker reality. As Warren desperately tries to conceal a failing real estate venture, his family falls prey to secrets and misunderstandings, both hilarious and painful, that open fault lines in their intimacy. Their misguided attempts to recover their former closeness, or find it elsewhere, lead them into late-night burglary, improbable romance, and strange acts of betrayal. When tragedy strikes, the Zillers are forced to move to one of the houses in Warren’s abandoned development in the desert. By turns tender and disturbing, irreverent and profound, Model Home is a masterful display of Eric Puchner’s prodigious gifts and penetrating insight—both into the American family and into the imperfect ways we try to connect..