But Brown's troubling past was far from unique. In Ebony and Ivy, Craig Steven Wilder, a rising star in the profession of history, lays bare uncomfortable truths about race, slavery, and the American academy.Many of America's revered colleges and universities—from Harvard, Yale, and Princeton to Rutgers, Williams College, and UNC—were soaked in the sweat, the tears, and sometimes the blood of people of color. The earliest academies proclaimed their mission to Christianize the savages of North America, and played a key role in white conquest. Later, the slave economy and higher education grew up together, each nurturing the other. Slavery funded colleges, built campuses, and paid the wages of professors. Enslaved Americans waited on faculty and students; academic leaders aggressively courted the support of slave owners and slave traders. Significantly, as Wilder shows, our leading universities, dependent on human bondage, became breeding grounds for the racist ideas that sustained them.Ebony and Ivy is a powerful and propulsive study and the first of its kind, revealing a history of oppression behind the institutions usually considered the cradle of liberal politics.

    * The original footnotes are hyperlinked for easy reference.* All Annotated Classics books are beautifully designed for easy reading and navigation on e-Readers and mobile devices.OVERVIEWJosephus fought the Romans in the First Jewish-Roman War as a Jewish military leader in Galilee. After the the Romans invaded, killing thousands, Josephus and one of his soldiers surrendered to the Roman forces. He became a prisoner and provided the Romans with intelligence on the ongoing revolt. He appears to have played some role as a negotiator with the defenders of Jerusalem in 70. In 71, he arrived in Rome in the entourage of Titus, becoming a Roman citizen. It was while in Rome, and under Flavian patronage, that Josephus wrote all of his works.The works of Josephus were studied for nearly 2,000 years by scholars, pastors, students, and everybody interested in history. Josephus writes in enlightened and provocative style. He offers information about individuals, groups, customs and geographical places. His writings provide a significant, extra-biblical account of the Maccabees, the Hasmonean dynasty and the rise of Herod the Great. He makes references to the Sadducees, Jewish High Priests of the time, Pharisees and Essenes, the Herodian Temple, the Zealots, and to such figures as Pontius Pilate, Herod the Great, Agrippa I and Agrippa II, John the Baptist, James the brother of Jesus. The Josephus' books provide the most important contemporary reference to Jesus Christ.The updated translations of Josephus' works by William Whiston are easy to read and are essential to understanding of the first century Jerusalem, the time of Christ and the New Testament.CONTENTS:1. Wars of the Jews or Jewish War or the History of the Destruction of Jerusalem (c. 75)2. Antiquities of the Jews or Jewish Antiquities (c. 94)3. Against Apion or Flavius Josephus Against Apion (c. 97)4. The Life of Flavius Josephus or Autobiography of Flavius Josephus (c. 99)5. Josephus' Discourse to the Greeks Concerning Hades (erroneously attributed to Josephus, now believed to be the work of Hippolytus of Rome)

    Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions?  In this ambitious and wide-ranging work, Willie James Jennings delves deep into the late medieval soil in which the modern Christian imagination grew, to reveal how Christianity’s highly refined process of socialization has inadvertently created and maintained segregated societies.   A probing study of the cultural fragmentation—social, spatial, and racial—that took root in the Western mind, this book shows how Christianity has consistently forged Christian nations rather than encouraging genuine communion between disparate groups and individuals.Weaving together the stories of Zurara, the royal chronicler of Prince Henry, the Jesuit theologian Jose de Acosta, the famed Anglican Bishop John William Colenso, and the former slave writer Olaudah Equiano, Jennings narrates a tale of loss, forgetfulness, and missed opportunities for the transformation of Christian communities.  Touching on issues of slavery, geography, Native American history, Jewish-Christian relations, literacy, and translation, he brilliantly exposes how the loss of land and the supersessionist ideas behind the Christian missionary movement are both deeply implicated in the invention of race.Using his bold, creative, and courageous critique to imagine a truly cosmopolitan citizenship that transcends geopolitical, nationalist, ethnic, and racial boundaries, Jennings charts, with great vision, new ways of imagining ourselves, our communities, and the landscapes we inhabit.

    The aggressive pursuit of heretics and attempts to control the “Holy Land” might come to mind. Yet the medieval world produced much that is part of our world today, including universities, the passion for Roman architecture and the development of the gothic style, pilgrimage, the emergence of capitalism, and female saints. This new narrative history of medieval Christianity, spanning the period 500 to 1500 CE, attempts to integrate what is familiar to readers with new themes and narratives. Elements of novelty in the book include a steady focus on the role of women in Christianity; the relationships among Christians, Jews, and Muslims; the experience of ordinary parishioners; the adventure of asceticism, devotion, and worship; and instruction through drama, architecture, and art. Madigan expertly integrates these areas of focus with more traditional themes, such as the evolution and decline of papal power; the nature and repression of heresy; sanctity and pilgrimage; the conciliar movement; and the break between the old Western church and its reformers. Illustrated with more than forty photographs of physical remains, this book promises to become an essential guide to a historical era of profound influence.

    Of late the old lay-sister- Mary Antony- had grown fearful lest she should make mistake in this solemn office of the counting.

    Emerson's Inferno delights on many levels: as an ingenious translation of classic verse; an effortlessly readable introduction to a complex poem; a delicious crib for anxious Dante students; and as a warm tribute from the master of one art form to the grand master of another. Hunt's cartoon is followed by Kevin Jackson's essay on Dante. Wildly clever and witty, but essentially reverent, it is a wonderful treat for anyone who already loves Dante.

    Jon Butler begins by describing the state of religious affairs in both the Old and New Worlds on the eve of colonization. He traces the progress of religion in the colonies through the time of the American Revolution, covering all the religious groups in the colonies: Protestants, Jews, Catholics, as well as the unique religious experiences of Native Americans and African Americans Grant Wacker continues the story with a fascinating look at the ever-shifting religious landscape of 19th-century America. He focuses on the rapid growth of evangelical Protestants-Methodists, Presbyterians, Baptists, and others-and their competition for dominance over religions such as Catholicism and Judaism, which continued to increase with large immigrant arrivals from Ireland, Eastern Europe, and other countries. The 20th century saw massive cultural changes. Randall Balmer discusses the effects industrialization, modernization, and secularization had on new and established religions. He examines Protestants, Hindus, Jews, New Age believers, Mormons, Buddhists, Roman Catholics, and many more, providing a clear look into the kaleidoscope of religious belief in modern-day America

    Several distinctive set it apart from other introductions to the Old Testament:• It is thoroughly evangelical in its perspective• It emphasizes “special introduction”—the study of individual books• It interacts in an irenic spirit with the historical-critical method• It features points of research history and representative scholars rather than an exhaustive treatment of past scholarship• It deals with the meaning of each book, not in isolation but in a canonical context• It probes the meaning of each book in the setting of its cultureIncluding callouts, charts, and graphs, this text is written with an eye on understanding the nature of Old Testament historiography. This upper-level introduction to the Old Testament offers students a solid understanding of three key issues: historical background, literary analysis, and theological message.

    Little is known of her but she was probably the Abbess of the abbey at Shaftesbury in the late 12th century, illegitimate daughter of Geoffrey Plantagenet and hence the half-sister of Henry II of England. It was to a king, and probably Henry II, that she dedicated these poems of adventure and love which were retellings of stories which she had heard from Breton minstrels. She is regarded as the most talented French poet of the medieval period.

    Today the debate over who Jesus is rages on. Has the Bible bound Christians to a narrow and mistaken notion of Jesus? Should we listen to other gospels, other sayings of Jesus, that enlarge and correct a mistaken story? Is the real Jesus entangled in a web of the church's Scripture, awaiting liberation from our childhood faith so he might speak to our contemporary pluralistic world? To answer these questions we need to know what story Jesus claimed for himself. Christopher Wright is convinced that Jesus' own story is rooted in the story of Israel. In this book he traces the life of Christ as it is illuminated by the Old Testament. And he describes God's design for Israel as it is fulfilled in the story of Jesus.

    These works are often produced by collectives or come out of a community context; they emphasize participation, dialogue, and action, and appear in situations ranging from theater to activism to urban planning to visual art to health care. Engaged with the texture of living, these art works often blur the line between art and life. This book offers the first global portrait of a complex and exciting mode of cultural production--one that has virtually redefined contemporary art practice. Living as Form grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a thirty-person curatorial advisory team; each project is documented by a selection of color images. The artists include the Danish collective Superflex, who empower communities to challenge corporate interest; Turner Prize nominee Jeremy Deller, creator of socially and politically charged performance works; Women on Waves, who provide abortion services and information to women in regions where the procedure is illegal; and Santiágo Cirugeda, an architect who builds temporary structures to solve housing problems.Living as Form contains commissioned essays from noted critics and theorists who look at this phenomenon from a global perspective and broaden the range of what constitutes this form.

    Based on a sequence of mystical visions she received in 1373, her book is called Revelations of Divine Love.Julian lived through an age of political and religious turmoil, as well as through the misery of the Black Death, and her writing engages with timeless questions about life, love and the meaning of suffering. But who was Julian of Norwich? And what can she teach us today?Medievalist and TV historian Janina Ramirez invites you to join her in exploring Julian's remarkable life and times, offering insights into how and why her writing has survived, and what we can learn from this fourteenth-century mystic whose work lay hidden in the shadows of her male contemporaries for far too long.

    With many maps, chronologies, and graphics, Frend's text is an engaging story but also an immensely learned and careful work of scholarship. Elegantly written. It is a marvelous reference work. It will become the standard church history of our time for scholar and novice alike.

    48 pages ofillustrations, 16 in color. Maps.

    His vision was soon realized: At its height, the Ottoman realm extended from Hungary to the Persian Gulf, from North Africa to the Caucasus. The Ottoman Empire was one of the largest and most influential empires in world history. For centuries, Europe watched with fear as the Ottomans steadily advanced their rule across the Balkans. Yet travelers and merchants were irresistibly drawn toward Ottoman lands by their fascination with the Orient and the lure of profit. Although it survived for over six centuries, the history of the Ottoman Empire is too often colored by the memory of its bloody final throes. In this magisterial work Caroline Finkel lucidly recounts the epic story of the Ottoman Empire from its origins in the thirteenth century through its destruction on the battlefields of World War I.