Wars in this story are understood both as necessary to defend those values and as exceptions to the rule of peaceful progress. In The Dominion of War, historians Fred Anderson and Andrew Cayton boldly reinterpret the development of the United States, arguing instead that war has played a leading role in shaping North America from the sixteenth century to the present.Anderson and Cayton bring their sweeping narrative to life by structuring it around the lives of eight men--Samuel de Champlain, William Penn, George Washington, Andrew Jackson, Antonio Lopez de Santa Anna, Ulysses S. Grant, Douglas MacArthur, and Colin Powell. This approach enables them to describe great events in concrete terms and to illuminate critical connections between often-forgotten imperial conflicts, such as the Seven Years' War and the Mexican-American War, and better-known events such as the War of Independence and the Civil War. The result is a provocative, highly readable account of the ways in which republic and empire have coexisted in American history as two faces of the same coin. The Dominion of War recasts familiar triumphs as tragedies, proposes an unconventional set of turning points, and depicts imperialism and republicanism as inseparable influences in a pattern of development in which war and freedom have long been intertwined. It offers a new perspective on America's attempts to define its role in the world at the dawn of the twenty-first century.

    Though victorious, these exhausted men were nevertheless too grief-stricken over the loss of comrades, too guilt-ridden that they had survived, and too numbed by trauma to share in the country’s euphoria. Most never saw a ticker-tape parade, or stole a Times Square kiss. All they wanted was to settle back into quiet workaday lives without fear. How tragic that the forces unleashed by World War II made this simple wish impossible.Willie & Joe: Back Home brilliantly chronicles the struggles and disillusionments of these early postwar years and, in doing so, tells Bill Mauldin’s own extraordinary story of his journey home to a wife he barely knew and a son he had only seen in pictures. The drawings capture the texture and feel, the warp and woof, of this confusing time: the ubiquitous hats and cigarettes, the domestic rubs, the rising fear of another war, and new conflicts over Civil Rights, civil liberties, and free speech. This volume of Mauldin’s work identifies and restores the dozens of cartoons censored by Mauldin’s syndicate for their attacks on racial segregation and McCarthy-style “witch hunts.” Mauldin pleaded with his syndicate to let him out of his contract so that he could return to the simple quiet life so desired by Willie & Joe. The syndicate refused, so Mauldin did battle, as always, through pen and ink.(less)

     This maxim was never truer than with Ulysses S. Grant and his wife, Julia. Through all the turbulence of his lengthy career, Julia stood firm to support him through all the obstacles that fortune threw in their way. Julia was certainly not passive as her husband rose through the ranks of the army and eventually became President of the United States. Indeed, through the course of the Civil War, she left their children with relatives and stayed with Ulysses during campaigns in Memphis, Vicksburg, Nashville and Virginia, travelling more than ten thousand miles in four years. She performed the role of First Lady with great dignity, organizing spectacular events and hosting leaders from across the globe. Yet, as Ross highlights, the marriage was not without difficulty and sometimes contradictions, for although Ulysses was fighting for the Union and the cause of emancipation, Julia had come from a slave-owning family and this had caused a great deal of consternation in his family. Ishbel Ross’s superb biography of this remarkable woman uncovers a truly remarkable marriage and has brought the life of this fascinating First Lady back from the shadows of her husband’s career and into the public eye once more. “Ulysses and Julia Grant were a profoundly united couple, and so it is not easy to make a clear distinction between his life and hers. The two loved and needed each other. … It is very pleasant to get to know Julia Grant, who, in her devotion, was one of the more potent women in American history.” The Saturday Review “Lengthy, well-written, carefully detailed, this biography of the plain, devoted and ambitious wife of a great general and lesser president will appeal greatly … its emphasis on the life and manners of the Grant era should make it a valuable addition to the domestic history of Victorian America.” Kirkus Reviews Ishbel Ross was a prominent biographer of many of the most important women in American history. Her book The General's Wife: The Life of Mrs. Ulysses S. Grant was first published in 1959, and she passed away in 1975.

    All hope seemed lost until a powerful French force landed at Newport in July. Then, under Washington's directives, Nathanael Greene began a series of hit-and-run operations against the British. The damage the guerrilla fighters inflicted would help drive the enemy to Yorktown, where Greene and Lafayette would trap them before Washington and Rochambeau, supported by the French fleet, arrived to deliver the coup de grâce. Richard M. Ketchum illuminates, for the first time, the strategies and heroic personalities-American and French-that led to the surprise victory, only the second major battle the Americans would win in almost seven horrific years. Relying on good fortune, daring, and sheer determination never to give up, American and French fighters-many of whom walked from Newport and New York to Virginia-brought about that rarest of military operations: a race against time and distance, on land and at sea. Ketchum brings to life the gripping and inspirational story of how the rebels defeated the world's finest army against all odds.

    

    After spending several months in New York City, the family signed up for a journey to the Republic of Texas where they could homestead and eventually acquire 137 free acres for their efforts. Soon growing discontented with, not only the land, but also the management of the colony in which they had settled, the Horns decided to return to England. But, it was not to be. Attacked and captured by a party of Comanche Indians, Sarah Ann was faced with challenges and realities the like of which she never could have dreamed. Over a period of fifteen months of Comanche captivity, she and her captors rode endlessly across the Texas plains until finally she was purchased out of bondage and befriended by traders in New Mexico. This is the true story of a remarkable woman who endured an unimaginable amount of suffering and pain in her short lifetime.

    In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history.In more than two hundred original essays, "A New Literary History of America" brings together the nation s many voices. From the first conception of a New World in the sixteenth century to the latest re-envisioning of that world in cartoons, television, science fiction, and hip hop, the book gives us a new, kaleidoscopic view of what Made in America means. Literature, music, film, art, history, science, philosophy, political rhetoric cultural creations of every kind appear in relation to each other, and to the time and place that give them shape.The meeting of minds is extraordinary as T. J. Clark writes on Jackson Pollock, Paul Muldoon on Carl Sandburg, Camille Paglia on Tennessee Williams, Sarah Vowell on Grant Wood s "American Gothic," Walter Mosley on hard-boiled detective fiction, Jonathan Lethem on Thomas Edison, Gerald Early on "Tarzan," Bharati Mukherjee on "The Scarlet Letter," Gish Jen on "Catcher in the Rye," and Ishmael Reed on "Huckleberry Finn." From Anne Bradstreet and John Winthrop to Philip Roth and Toni Morrison, from Alexander Graham Bell and Stephen Foster to Alcoholics Anonymous, "Life," Chuck Berry, Alfred Hitchcock, and Ronald Reagan, this is America singing, celebrating itself, and becoming something altogether different, plural, singular, new.Please visit www.newliteraryhistory.com for more information. "

     For the next four months he spent his life on the frontline, witnessing and recording what the American men were doing, saying and thinking in the fight against the communist forces of Northern Vietnam. Tregaskis exposes the confusion of the conflict as he climbs on board Marine and Army helicopters and goes on missions to search out their deadly foes that seem to disappear into the jungle as soon as they are seen. Vietnam Diary is a remarkable book that takes the reader to the heart of what it was like to be fighting in this vicious war. Through the course of the book Tregaskis develops deep friendships with many of the troops who begin to open up to him and explain their experiences that they have been through since the beginning of the war. “He discusses in typical Tregaskis style his observations and experiences during the time he spent with the Marine and Army helicopter units, the Special Forces, the MAAG personnel, and the Junk fleet.” R. C. Rosacker, Lieutenant Colonel, U. S. Marine Corps, Naval War College Review Tregaskis won the George Polk Award for first-person reporting under hazardous conditions shortly after publishing Vietname Diary. This book is essential reading for anyone interested in the Vietnam War as well as the lives of the soldiers who fought within it. Richard Tregaskis was an American journalist and author who served as a war correspondent during World War Two, the Korean War, and the Vietnam War. He was no stranger to danger as he frequently put himself in the firing line to report and during the Second World War while in Italy a shell fragment pierced his helmet and his skull and nearly killed him. His book Vietnam Diary was first published in 1963 and he passed away in Hawaii in 1973.

    There were 20,000 Japanese troops on Saipan, but the US obliterated the opposition after a horrific all-arms campaign. The sudden silence only indicated it was now Tinian’s turn.By the time the US 2nd and 4th Marine Divisions switched their sights to Tinian, the island had already been bombarded for a month; meantime both sides had learned their lessons from the previous island-hopping invasions. The Americans had learned the arts of recon, deception, plus preliminary firepower so as not to suffer the huge casualties they’d suffered at Saipan, Guadalcanal, and Tarawa; the Japanese, for their part, had learned not to contest US strength on beaches but to draw it further inland where terrain and bomb-proof fortifications could assist.When the battle for Tinian finally took place the US acted with great skill. Historian Samuel Elliot Morrison called it “the most perfectly executed amphibious operation of the entire war.” Nevertheless, the Japanese resisted with their usual stubbornness, and the already decimated US Marines suffered hundreds of more casualties.During the battle Japanese shore batteries were able to riddle the battleship Colorado, killing scores, plus make multiple hits on a destroyer, killing its captain. On the island itself the US used napalm for the first time, paving the way for Marines painstakingly rooting out strongpoints. One last Banzai attack signaled the end to enemy resistance, as Marines fought toe-to-toe with their antagonists in the dark.In the end some 8,000 Japanese were killed, with only 300 surrenders, plus some others who hid out for years after the war. But those Japanese who resisted perhaps performed a greater service than they knew. After Tinian was secured the US proceeded to build the biggest airport in the world on that island—home to hundreds of B-29 Superfortresses. Among these, just over a year later, were the Enola Gay and Boxcar, which with their atomic bombs would quickly bring the Japanese homeland itself to its knees.

    The Navajo Code Talkers is the single most comprehensive account of the contribution of the Navajo native Americans in World War II. It's authentic photos and illustrations have been featured on CBS Television's "An American Portrait" series, and the book itself has been profiled on the ABC Nightly News. It is also among the select 10 perecnt of all books written by white men or women on the native Americans to be chsoen by the Navajos for display in their tribal museum.

    Stoically poised for battle in the spring of 1945—when even Japan’s last desperate technique of arms, the kamikaze, was running short—Yamato arose as the last magnificent arrow in the imperial quiver of Emperor Hirohito. Here, Jan Morris not only tells the dramatic story of the magnificent ship itself—from secret wartime launch to futile sacrifice at Okinawa — but, more fundamentally, interprets the ship as an allegorical figure of war itself, in its splendor and its squalor, its heroism and its waste. Drawing on rich naval history and rhapsodic metaphors from international music and art, Battleship Yamato is a work of grand ironic elegy.

    For nearly half a century, from the end of World War II to the early 1990s, all world events hung in the balance of a simmering dispute between two of the greatest military powers in history. Hundreds of millions of people held their collective breath as the United States and the Soviet Union, two national ideological entities, waged proxy wars to determine spheres of influence–and millions of others perished in places like Korea, Vietnam, and Angola, where this cold war flared hot. Such a consideration of the Cold War–as a military event with sociopolitical and economic overtones–is the crux of this stellar collection of twenty-six essays compiled and edited by Robert Cowley, the longtime editor of MHQ: The Quarterly Journal of Military History. Befitting such a complex and far-ranging period, the volume’s contributing writers cover myriad angles. John Prados, in “The War Scare of 1983,” shows just how close we were to escalating a war of words into a nuclear holocaust. Victor Davis Hanson offers “The Right Man,” his pungent reassessment of the bellicose air-power zealot Curtis LeMay as a man whose words were judged more critically than his actions. The secret war also gets its due in George Feiffer’s “The Berlin Tunnel,” which details the charismatic C.I.A. operative “Big Bill” Harvey’s effort to tunnel under East Berlin and tap Soviet phone lines–and the Soviets’ equally audacious reaction to the plan; while “The Truth About Overflights,” by R. Cargill Hall, sheds light on some of the Cold War’s best-kept secrets. The often overlooked human cost of fighting the Cold War finds a clear voice in “MIA” by Marilyn Elkins, the widow of a Navy airman, who details the struggle to learn the truth about her husband, Lt. Frank C. Elkins, whose A-4 Skyhawk disappeared over Vietnam in 1966. In addition there are profiles of the war’s “front lines”–Dien Bien Phu, the Cuban Missile Crisis, the Bay of Pigs–as well as of prominent military and civil leaders from both sides, including Harry S. Truman, Nikita Khrushchev, Dean Acheson, Gen. Douglas MacArthur, Richard M. Nixon, Gen. Vo Nguyen Giap, and others.Encompassing so many perspectives and events, The Cold War succeeds at an impossible task: illuminating and explaining the history of an undeclared shadow war that threatened the very existence of humankind.From the Hardcover edition.

    Today Aaron Burr is remembered more for the fatal duel that killed rival Alexander Hamilton. But long before that single shot destroyed Burr's political career, there were other dark whispers about him: that he was untrustworthy, a libertine, a man unafraid of claiming whatever he believed should be his.Sold into slavery as a child in India, Mary Emmons was brought to an America torn by war. Toughened by the experiences of her young life, Mary is intelligent, resourceful, and strong. She quickly gains the trust of her new mistress, Theodosia Prevost, and becomes indispensable in a complicated household filled with intrigue--especially when the now-widowed Theodosia marries Colonel Aaron Burr. As Theodosia sickens with the fatal disease that will finally kill her, Mary and Burr are drawn together into a private world of power and passion, and a secret, tangled union that would have shocked the nation . . . Praise for I, Eliza Hamilton "Scott's devotion to research is evident . . . a rewarding take on a fascinating historical couple." --Library Journal "Readers will be captivated." --Publishers Weekly (starred review) "Packed with political and historical as well as domestic details." --Booklist

    Utilizing historical archaeology and the words of the men and women that served in both armies, words taken directly from their letters, journals, diaries, and memoirs, of which many remain unpublished, Snow weaves an intimate and personal telling of the battles. It was for both sides a story of endurance. The Americans fielded an improvised and inexperienced army under Horatio Gates to face the highly trained British and German forces led by John Burgoyne. In addition to these initial inequalities were the advantages of short distances, regular supply, and fresh reinforcements enjoyed by the Americans and the disadvantages of long inadequate supply lines and thinning ranks endured by the British and German forces. There were painful losses on both sides, tragic deaths, and the combination of relief and protracted pain that always accompanies armed conflict. But in the end, the stark fact remained that one of the world's finest armies had been beaten by a force of amateurs, changing the direction of the American insurrection and making eventual independence inevitable.The skein of personal stories that comprise the bigger story of Saratoga has many threads, including that of Benedict Arnold, whose flawed personality was not yet fully evident. The contrasting personalities and fates of the commanding generals, Gates and Burgoyne, are better known, but these are but a few of the threads that form the larger story of Saratoga. By bringing together the stories of both the famous and the anonymous on both sides, Snow's narrative presents a thorough micro-history of the battles that tipped the balance of the American War of Independence.

    Virginia Loftin knows what she wants most: to become a celebrated novelist despite her gender, and to marry Charlie, her best friend, neighbor and first love. Yet when Charlie proposes to another woman, Ginny is devastated; shutting out her family, she holes up and obsessively rewrites how their story should have gone.Though Ginny works with newfound intensity, success eludes her—until she attends a salon hosted in her brother’s handsome author friend John’s Fifth Avenue mansion. Amongst painters, musicians, actors, and writers, Ginny returns to herself, even blooming under John’s increasingly romantic attentions. Just as she has begun to forget Charlie, however, he throws himself back into her path, and Ginny finds herself torn between a lifetime’s worth of complicated feelings and a budding relationship with a man who seems almost too good to be true.The brightest lights cast the darkest shadows, and as Ginny tentatively navigates the Society’s world, she begins to suspect all is not as it seems in New York’s dazzling “Gay Nineties” scene. When a close friend is found dead in John’s mansion, Ginny must delve into her beloved salon’s secrets to discover her true feelings about art, family, and love.