Her name became an adjective: Beattiesque. Subtle, wry, and unnerving, she is a master observer of the unraveling of the American family, and also of the myriad small occurrences and affinities that unite us. Her characters, over nearly four decades, have moved from lives of fickle desire to the burdens and inhibitions of adulthood and on to failed aspirations, sloppy divorces, and sometimes enlightenment, even grace. Each Beattie story, says Margaret Atwood, is "like a fresh bulletin from the front: we snatch it up, eager to know what’s happening out there on the edge of that shifting and dubious no-man’s-land known as interpersonal relations." With an unparalleled gift for dialogue and laser wit, she delivers flash reports on the cultural landscape of her time. Ann Beattie: The New Yorker Stories is the perfect initiation for readers new to this iconic American writer and a glorious return for those who have known and loved her work for decades.

    Ripley, Strangers on a Train, A Suspension of Mercy, and others) Highsmith is an all-too-frequently forgotten master of the short story. These stories in this volume examine the dark soul of humanity in a deceptively simple voice that draws you in and won't let go. The sheer beauty of the streamlined prose disguises a complexity of character and situation that is the mark of a true master.Highsmith's ability to create believable characters with very little exposition, but rather through their behavior and dialog, is incredible. None of the stories in this volume is particularly long, but you're drawn in and seduced by the power of the prose. Whether it's a cat driven to commit murder to protect his mistress ("Ming's Biggest Prey"), a rat exacting a horrible revenge on a family that maimed him ("The Bravest Rat in Venice"), or a house party interrupted by something grisly ("Something the Cat Dragged In"), these stories are impossible to put down.A great example of Highsmith's artistry is "Mermaids on the Golf Course," about a presidential adviser who took an assassin's bullet to protect the president. This seemingly heroic man is slowly exposed throughout the story as something completely different, mainly through his dialogue and the reactions of his family to him. Highsmith deftly exposes the many layers in his character, shows that the surface we see often disguises the truth below, and asks the question, "How well do we know anyone?"Likewise, "The Female Novelist" is so consumed with herself and her craft that she destroys herself. "The Hand" is a chilling twist on the age-old custom of asking for someone's hand in marriage. Highsmith's stories linger on after they are read, and show that for true horror, you don't need the supernatural; you merely need to write about people.

    Eleven stories by Joshua Ferris, many of which were first published in The New Yorker, on topics such as the modern tribulations of marriage, ambition, and the fear of missing out.The dinner party --The valetudinarian --The pilot --A night out --The breeze --Ghost town choir --More abandon (or whatever happened to Joe Pope?) --Fragments --The stepchild --Life in the heart of the dead --A fair price

    First published in 1878, the novella brought American novelist Henry James (1843-1916), then living in London, his first international success. Like many of James's early works, it portrays a venturesome American girl in the treacherous waters of European society - a theme that would culminate in his 1881 masterpiece, The Portrait of a Lady. On the surface, Daisy Miller unfolds a simple story of a young American girl's willful yet innocent flirtation with a young Italian, and its unfortunate consequences. But throughout the narrative, James contrasts American customs and values with European manners and morals in a tale rich in psychological and social insight. A vivid portrayal of Americans abroad and a telling encounter between the values of the Old and New Worlds, Daisy Miller is an ideal introduction to the work of one of America's greatest writers of fiction.

    And in places what poetry! . . . I still haven't recovered."More than a century and a half later, Nikolai Gogol's stories continue to delight readers the world over. Now a stunning new translation--from an award-winning team of translators--presents these stories in all their inventive, exuberant glory to English-speaking readers. For the first time, the best of Gogol's short fiction is brought together in a single volume: from the colorful Ukrainian tales that led some critics to call him "the Russian Dickens" to the Petersburg stories, with their black humor and wonderfully demented attitude toward the powers that be. All of Gogol's most memorable creations are here: the minor official who misplaces his nose, the downtrodden clerk whose life is changed by the acquisition of a splendid new overcoat, the wily madman who becomes convinced that a dog can tell him everything he needs to know.These fantastic, comic, utterly Russian characters have dazzled generations of readers and had a profound influence on writers such as Dostoevsky and Nabokov. Now they are brilliantly rendered in the first new translation in twenty-five years--one that is destined to become the definitive edition of Gogol's most important stories.Contains:-St. John's Eve-The Night Before Christmas-The Terrible Vengeance-Ivan Fyodorovich Shponka and His Aunt-Old World Landowners-Viy-The Story of How Ivan Ivanovich Quarreled with Ivan Nikiforovich-Nevsky Prospect-The Diary of a Madman-The Nose-The Carriage-The Portrait-The Overcoat

    One was that of his father, wedding him to the rhythm of the seasons, the harsh beauty of the land, the ecstasy of the drug called peyote. The other was the world of the twentieth century, goading him into a compulsive cycle of sexual exploits, dissipation, and disgust. Home from a foreign war, he was a man being torn apart, a man descending into hell.

    A fair selection of the master's short story output. Roger Colet has written the introduction for the Penguin Classic edition..

    In a re-imagined A Midsummer Night's Dream, men and women speak of and desire their ideal mates; parents seek out their lost children; adult children try to come to terms with their own parents and, in some cases, find new ones.In vignettes both comic and sexy, the owner of a coffee shop recalls the day his first wife seemed to achieve a moment of simple perfection, while she remembers the women's softball game during which she was stricken by the beauty of the shortstop. A young couple spends hours at the coffee shop fueling the idea of their fierce love. A professor of philosophy, stopping by for a cup of coffee, makes a valiant attempt to explain what he knows to be the inexplicable workings of the human heart Their voices resonate with each other—disparate people joined by the meanderings of love—and come together in a tapestry that depicts the most irresistible arena of life.

    Boyle has created so vivid and original a retelling of the story of Victor, the feral boy who was captured running naked through the forests of Napoleonic France, that it becomes not just new but definitive: yes, this is how it must have been. The tale is by turns magical and moving, a powerful investigation of what it means to be human. There is perhaps no one better than T.C. Boyle at engaging, shocking, and ultimately gratifying his readers while at the same time testing his characters' emotional and physical endurance. The fourteen stories gathered here display both Boyle's astonishing range and his imaginative muscle. Nature is the dominant player in many of these stories, whether in the form of the catastrophic mudslide that allows a cynic to reclaim his own humanity ("La Conchita") or the wind-driven fires that howl through a high California canyon ("Ash Monday"). Other tales range from the drama of a man who spins Homeric lies in order to stop going to work, to that of a young woman who must babysit for a $250,000 cloned Afghan and the sad comedy of a child born to Mexican street vendors who is unable to feel pain. Brilliant, incisive, and always entertaining, Boyle's short stories showcase the mischievous humor and socially conscious sensibility that have made him one of the most acclaimed writers of our time.

    In each of her stories, Danielle Evans explores the non-white American experience with honesty, wisdom, and humor. They are striking in their emotional immediacy, based in a world where inequality is a reality, but the insecurities of young adulthood and tensions within family are often the more complicating factors. One of the most lauded debuts of the year, Before You Suffocate Your Own Fool Self announces a major new talent in Danielle Evans.

    A few of the stories have never been published before; the others have appeared in "The New Yorker," and several of those have also been included in "The Best American Short Stories." All are infused with the dazzling, astonishingly creative prose and the remarkable, haunting autobiographical elements that have distinguished Hemon as one of the most original and illustrious voices of our time. What links the stories in "Love and Obstacles" is the narrator, a young man who-like Hemon himself-was raised in Yugoslavia and immigrated to the United States. The stories of "Love and Obstacles" are about that coming of age and the complications-the obstacles-of growing up in a Communist but cosmopolitan country, and the disintegration of that country and the consequent uprooting and move to America in young adulthood. But because it's Aleksandar Hemon, the stories extend far beyond the immigrant experience; each one is punctuated with unexpected humor and spins out in fabulist, exhilarating directions, ultimately building to an insightful, often heartbreaking conclusion. Woven together, these stories comprise a book that is, genuinely, as cohesive and powerful as any fiction- achingly human, charming, and inviting.

    It is the story of Nedra and Viri, whose favored life is centered around dinners, ingenious games with their children, enviable friends, and near-perfect days passed skating on a frozen river or sunning on the beach. But even as he lingers over the surface of their marriage, Salter lets us see the fine cracks that are spreading through it, flaws that will eventually mar the lovely picture beyond repair. Seductive, witty, and elegantly nuanced, Light Years is a classic novel of an entire generation that discovered the limits of its own happiness—and then felt compelled to destroy it.

    This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky's most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room's previous occupant; the fingers of a celebrated pianist's right hand run away to spend a night alone on the city streets; a man's lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.An NYRB Classics Original

    . . [Ethan Canin is] a writer of enormous talent and charm.”–The Washington Post“Character is destiny,” wrote Heraclitus–and in this collection of four unforgettable stories, we meet people struggling to understand themselves and the unexpected turns their lives have taken. In “Accountant,” a quintessential company man becomes obsessed with the phenomenal success of a reckless childhood friend. “Batorsag and Szerelem” tells the story of a boy’s fascination with the mysterious life and invented language of his brother, a math prodigy. In “City of Broken Hearts,” a divorced father tries to fathom the patterns of modern relationships. And in “The Palace Thief,” a history teacher at an exclusive boarding school reflects on the vicissitudes of a lifetime connection with a student scoundrel. A remarkable achievement by one of America’s finest writers, this brilliant volume reveals the moments of insight that illuminate everyday lives.“Captivating . . . a heartening tribute to the form . . . an exquisite performance.”–The Boston Sunday Globe“A model of wit, wisdom, and empathy. Chekhov would have appreciated its frank renderings and quirky ironies.”–Chicago Tribune

    It is rare that an author can capture the complexities of a place as though it were a person, and rarer still that one can reveal a land as dichotomous and fractious as Appalachia—a muse; a siren; a rugged, brutal landscape of exceptional beauty, promise, and suffering—with the honesty and precision of a photograph. "If you haven't heard of the Southern writer Ron Rash, it is time you should" (The Plain Dealer).In Burning Bright, the stories span the years from the Civil War to the present day, and Rash's historical and modern settings are sewn together in a hauntingly beautiful patchwork of suspense and myth, populated by raw and unforgettable characters mined from the landscape of Appalachia. In "Back of Beyond," a pawnshop owner who profits from the stolen goods of local meth addicts—including his own nephew—comes to the aid of his brother and sister-in-law when they are threatened by their son. The pregnant wife of a Lincoln sympathizer alone in Confederate territory takes revenge to protect her family in "Lincolnites." And in the title story, a woman from a small town marries an outsider; when an unknown arsonist starts fires in the Smoky Mountains, her husband becomes the key suspect.In these stories, Rash brings to light a previously unexplored territory, hidden in plain sight—first a landscape, and then the dark yet lyrical heart and the alluringly melancholy soul of his characters and their home.