The artist she discovered is, instead, a purely independent spirit: an innovator who created a new musical language, an autodidact who became a spiritually generous, trailblazing teacher, a stalwart patriot during a time of revolution and exile. In Chasing Chopin she follows in his footsteps during the three years, 1837–1840, when he composed his iconic “Funeral March”—dum dum da dum—using its composition story to illuminate the key themes of his life: a deep attachment to his Polish homeland; his complex relationship with writer George Sand; their harrowing but consequential sojourn on Majorca; the rapidly developing technology of the piano, which enabled his unique tone and voice; social and political revolution in 1830s Paris; friendship with other artists, from the famous Eugène Delacroix to the lesser known, yet notorious in his time, Marquis de Custine. Each of these threads—musical, political, social, personal—is woven through the “Funeral March” in Chopin’s Opus 35 sonata, a melody so famous it’s known around the world even to people who know nothing about classical music. But it is not, as LaFarge discovered, the piece of music we think we know. As part of her research into Chopin’s world, then and now, LaFarge visited piano makers, monuments, churches, and archives; she talked to scholars, jazz musicians, video game makers, software developers, music teachers, theater directors, and of course dozens of pianists. The result is extraordinary: an engrossing, page-turning work of musical discovery and an artful portrayal of a man whose work and life continue to inspire artists and cultural innovators in astonishing ways. A companion website, WhyChopin, presents links to each piece of music mentioned in the book, organized by chapter in the order in which it appears, along with photos, resources, videos, and more.

    But her well-ordered plans are turned upside down the moment she meets Eric Dawson. The skillful attorney by day and soulful musician by night, fires her up in more ways than one. The closer she gets to him, the more she realizes he's her prince charming …if he can let go of his past. Eric risked his heart, only to see his world shattered by tragedy and betrayal. He's spent years running from relationships, but with Kathi's tender embrace and sultry kisses, Eric finds her hard to resist. He'll have to come to terms with his deepest hurts to win her trust and claim a love that promises forever.

    He wants to sing his own song, but the words and melody are elusive. Haunted by the scars inflicted by his broken family, Jed's dreams of a successful music career seem out of reach . . . until he meets Rose.As romance quickly blooms, Jed pens a new song and suddenly finds himself catapulted into stardom. But with this life of fame comes temptation, the same temptation that lured his father so many years ago.Set in the fertile mid-South, this quest for success leads Jed and Rose on a journey that will force them to deal with the pain of loss, failure, and the desire to be who God created them to be.Lyrical and deeply honest, "The Song" asks the hard questions of love and forgiveness. When even the wisest of men are fools in love, can true love persevere?

    The woman herself is a melancholy mystery --- one Max can't stop thinking about.But Carolee isn't talking --- at least not at first. Hiding from everything --- the end of what she thought was a happy marriage, the painful estrangement from her cherished daughter --- is the only way she can get through each day. Even the thought of a friendship with Max isn't possible --- or is it?But just as Max and Carolee realize that companionship is the least of what they want from each other, tragedy shatters Carolee's fragile new confidence --- and reveals that danger may wear a familiar face. Someone is determined to destroy everything --- and everyone --- Carolee loves ...

    After releasing several massively popular albums and singles, the young singer has cemented his status as today's most talked about personality in pop music. His fans are famous for their devotion and vivid forms of expressing their admiration, creating a frenzy known as ''Bieber Fever''. In order to find out more about this young superstar and his works - read this book.

    In 1993, Modern Drummer magazine named it first in the top 25 drumming books of all-time. In the words of the author, this is the ideal book for improving "control, speed, flexibility, touch, rhythm, lightness, delicacy, power, endurance, preciseness of execution, and muscular coordination," with extra attention given to the development of the weak hand. This indispensable book for drummers of all

    10 piano solo arrangements from Lloyd Webber's rollicking biblical tale. Includes: Any Dream Will Do * Close Every Door * Go Go Go Joseph * Joseph's Coat * One More Angel in Heaven * and more.

    Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing. Includes favorites by the Beatles, Beach Boys and Bob Dylan, folk songs, pop songs, kids' songs, Christmas carols and Broadway and Hollywood tunes, all with a spiral binding for ease of use. Also features a Tips & Techniques section, chord chart, and vintage ukulele-themed photos and art throughout. The Daily Ukulele offers ukulele fun all year long!

    Drawing on experience, psychological insight, and wisdom ancient and modern, Westney shows how to trust yourself and set your own musicality free. He offers healthy alternatives for lifelong learning and suggests significant change in the way music is taught. For example, playing a wrong note can be constructive, useful, even enlightening. The creator of the acclaimed Un-Master Class(R) workshop also explores the special potential of group work, outlining the basics of his revelatory workshop that has transformed the music experience for participants the world over. Practicing, in Westney's view, is a lively, honest, adventurous, and spiritually rewarding enterprise, and it can (and should) meet with daily success, which empowers us to grow even more. Teachers, professionals, and students of any instrument will benefit from this unique guide, which brings artistic vitality, freedom, and confidence within everyone's reach

    Bach, the last and unquestionably the least of the great Johann Sebastian Bach's many children.

    Biss doesn’t just love Beethoven more than other music, he loves it more than most things. It’s the lens through which he understands the world, and has been since he can remember. But in Unquiet Biss reveals the full extent to which Beethoven is also a ruthless lens through which he views himself.Biss provides listeners front and center access to his long overdue confrontation with a painful truth: Living with Beethoven has essentially amounted to severing all meaningful ties with himself. As we learn in rich detail, amidst the treasures Beethoven’s music has gifted Biss also lies searing self-doubt and heaps of crippling anxiety. Biss’s raw self-reflection is delivered through pitch-perfect prose, delving deep into the fascinating paradox that the greatest pleasure in his life is also responsible for imprisoning him. Beethoven’s defining personal characteristic, for example—his unwavering self-conviction and weapons-grade callousness—only served to mock Biss’s own perceived shortcomings and vulnerabilities. This captivating combination of wit and wisdom Biss readily shares is only interrupted by something even more extraordinary—his new interpretations of movements from seven of Beethoven's sonatas, including the Pathetique and Tempest, and his groundbreaking, awe-inducing final sonatas.Unquiet both begins and ends with Jonathan Biss staring down the daunting complexity and infinite majesty of Beethoven's last piano sonatas. But between these two points, the singular pianist has traversed a world of healing. An immeasurable weight has been lifted from him—by him. And we have witnessed its dramatic rise. While his journey is a fantastically unique one, if we listen close, we can hear ours too. An endless battle to confront and quiet our greatest pain so that we can embrace something even greater. Take a moment, and heed the sound.

    These "Scenes of Pagan Russia" did indeed inspire primitive reactions among their opening night audience, who were so vociferous in their protests that the dancers could scarcely hear the music.Yet this powerful work, with its novel rhythms and hitherto unheard-of chordal combinations and orchestral effects would change forever the elements of musical language and exert an enormous influence on three generations of composers. Once a scandal, it is now perhaps the most famous orchestral work of the twentieth century. It is reprinted here from the full-score Russian edition published in 1965.Like Stravinsky's scores for The Firebird and Petrushka, The Rite of Spring was commissioned by Serge Diaghilev for the Ballets Russes. Choreographed by Nijinsky, it is still a favorite of ballet audiences, and the score is one of the most performed and recorded modern works in the orchestral repertoire. Now music lovers can enjoy every note of this brilliant and stirring landmark of twentieth-century music, faithfully reproduced in this inexpensive, high-quality edition — ideal for study and for following both live and recorded performances.

    While we may sometimes think of personal, social and political issues as existing independently of each other, Barenboim shows how music teaches that this is impossible. Drawing on his own involvement with Palestine, he examines the transformative power of music in the world, from his own performances of Wagner in Israel to his foundation, with Edward Said, of the internationally acclaimed West-Eastern Divan Orchestra. Music Quickens Time reveals how the sheer power and eloquence of music offers us a way to explore and shed light on how we live, and to illuminate and resolve some of the most intractable issues of our time.

    And I’ve chosen not to spend it constantly stressing about cancer. I’ve chosen to enjoy the little things. I’ve chosen to laugh. And I’ve chosen to look back on my life and thank God for it.' In March 2017, Linda Nolan was diagnosed with secondary breast cancer and was given the terrible news that, while it was treatable, it was not curable. Her first thought was to worry about her family, who were still grieving the loss of their sister Bernie. Her second was, ‘But I’m alive and I’m going to fight it.’In From My Heart, Linda writes honestly about growing up in her big Irish family and finding fame with her sisters in The Nolans and reveals the shocking family secrets and feuds that threatened to tear them apart. She also describes her original battle with breast cancer and how the death of her husband left her deeply depressed, to the point of feeling suicidal. Just as she’d learned to embrace life again, and even to start dating, the cancer came back . . . In this warm, brave and funny memoir, Linda shows that it’s never too late to learn what really matters.

    Or at least, that’s what Danny thought. Now he’s finding it’s not so easy to go home again. In addition to the stress of speaking at a beloved professor’s retirement ceremony, he must juggle rivalries and romances from the past, along with modern complications, as he tries desperately to keep the wheels from falling off. For Danny, the only way forward is to go back in time. He uses the music of his youth as the liner notes to his finest hours, his most heartbreaking moments, and quite possibly, the road map of his future. This novel has its roots in Nick Hornby, Jonathan Tropper, and Matthew Norman, with dynamic dialogue, a touching and humorous narrative, and a borderline obsession with '80s and '90s college rock. Postgraduate is a literary cocktail of High Fidelity, Plan B, with a hint of We're All Damaged.