It has a good jukebox, a bartender with a generous pour, and it's always open, even in terrible weather. In the raw and beautiful country that makes up Rebecca Barry's fictional landscape, Lucy's is where everyone ends up, whether they mean to or not.There's the tipsy advice columnist who has a hard time following her own advice, the ex-con who falls for the same woman over and over again, and the soup-maker who tries to drink and cook his way out of romantic despair. Theirs are the kinds of stories about love and life that unfold late in the evening, when people finally share their secret hopes and frailties, because they know you will forgive them, or maybe make out with them for a little while. In this rich and engaging debut, each central character suffers a sobering moment of clarity in which the beauty and sadness of life is revealed. But the character does not cry or mend his ways. Instead he tips back his hat, lights another unfiltered cigarette, and heads across the floor to ask someone to dance.A poignant exploration of the sometimes tender, sometimes deeply funny ways people try to connect, Later, at the Bar is as warm and inviting as a good shot of whiskey on a cold winter night.

    In the centerpiece story, an eighteenth-century Eno Indian tells of the fiery fate of his adopted father, English explorer John Lawson. In the surrounding stories, the age-old conflicts between newcomer and old-timer play out as twenty-first century retirees, carnies, runaways, heartbroken women, and farmers stumble into new lives and new insights in Ambler County, North Carolina. "Hudson's prose is pure as birdsong," says novelist Doris Betts. "These fine stories of change and discovery are a field guide to the human species in transition."

    Dawkins reveals the idiosyncrasies, tedium, and desperation of long-term incarceration—he describes men who struggle to keep their souls alive despite the challenges they face. In “A Human Number,” a man spends his days collect-calling strangers just to hear the sounds of the outside world. In “573543,” an inmate recalls his descent into addiction as his prison softball team gears up for an annual tournament against another unit. In “Leche Quemada,” an inmate is released and finds freedom more complex and baffling then he expected. Dawkins’s stories are funny and sad, filled with unforgettable detail—the barter system based on calligraphy-ink tattoos, handmade cards, and cigarettes; a single dandelion smuggled in from the rec yard; candy made from powdered milk, water, sugar, and hot sauce. His characters are nuanced and sympathetic, despite their obvious flaws. The Graybar Hotel tells moving, human stories about men enduring impossible circumstances. Dawkins takes readers beyond the cells into characters’ pasts and memories and desires, into the unusual bonds that form during incarceration and the strained relationships with family members on the outside. He’s an extraordinary writer with a knack for metaphor, and this is a powerful compilation of stories that gives voice to the experience of perhaps the most overlooked members of our society.

    Chaon mines the psychological landscape of his characters to dazzling effect. Each story radiates with sharp humor, mystery, wonder, and startling compassion. Among the Missing lingers in the mind through its subtle grace and power of language.

    A story set in the far antiquity of Bakker's fictional world world of Eärwa, the setting for his Prince of Nothing and Aspect Emperor series.

    An aristocratic Filipina negotiates a new life for herself with an Atlanta investment banker. A Vietnam vet returns to Florida, a place now more foreign than the Asia of his war experience. And in the title story, an Iraqi Jew whose travels have ended in Queens suddenly finds himself an unwitting guerrilla in a South American jungle. Passionate, comic, violent, and tender, these stories draw us into the center of a cultural fusion in the midst of its birth pangs, yet glowing with the energy and exuberance of a society remaking itself.

    If A Stranger Approaches You reminds us that intersection of the bizarre and the quotidian is always at play. Memorial statues and raggedy dolls seem to come to life, a man listens to the electric menace of suburban power lines while he struggles with his failed marriage, and the little boy and his dog knocking on the door might be Death in disguise. Surreal and darkly comic, these are stories that know the unexpected graces and random collisions that drive and haunt us. As one of her narrators remarks, "What a thing, this life."

    More than 300,000 listeners tune in to this offering weekly to hear spellbinding tales read aloud by an assortment of terrific actors. By turns funny, moving, romantic, and surreal, each of the tales on this magical lineup is filled with unexpected twists and turns. Stephen Colbert performs Ray Bradbury’s tale about a room that can take one anywhere in the world—sometimes with dangerous consequences. From a romance between a mermaid and an imp to a wonderful ghost story about a trinket with terrible powers, this eclectic collection also features narratives by W. W. Jacobs, Andrew Lam, Saki, and T. C. Boyle as well as performances by John Lithgow, James Naughton, Daniel Gerroll, and René Auberjonois.01 Andrew Lam's "The Palmist", performed by James Naughton02 Ray Bradbury's "The Veldt", performed by Stephen Colbert03 W. W. Jacobs' "The Monkey's Paw", performed by John Lithgow04 Saki's "The Occasional Garden", performed by Daniel Gerroll05 Donald Barthelme's "The Balloon", performed by Maria Tucci06 Kevin Brockmeier's "The Year of Silence", performed by Anthony Rapp07 Jonathan Safran Foer's "The Sixth Borough", performed by Jerry Zaks08 Aimee Bender's "Drunken Mimi", performed by Bernadette Quigley09 Haruki Murakami's "The Little Green Monster", performed by Dana Ivey10 T. C. Boyle's "Swept Away", performed by René Auberjonois

    Here Mason writes about love with stunning insight and variety.

    A series of linked stories about a girl growing up in a small town.

    His is a voice combining humor and pathos with an edginess creating fresh new stories that are being published in great literary journals regularly.A boy acts out at the death of his father and abandonment by his brother through a savage playground beating; a young man confronts his own troubled history when asked to hire on his girlfriend's strung-out brother in an attempt to keep him out of prison; a teenage babysitter works through a scorching-hot summer afternoon that will prove to alter her life forever; a grieving widower finds comfort in the unlikeliest of places, a recently-built casino; an itinerant farm worker visits the same former lover in South Dakota year after year while following the Harvest north; two friends search for excuses and fail to claim responsibility for their own decisions after one loses his father, and the other's house burns to the ground; and a taxidermist falls in love with the ex-wife of his high school bully and tries to convince her to marry him despite her son who seems to share his father's bullying mentality."A brilliant, sometimes heartbreaking debut by this gifted young writer and Columbia writing teacher. Cross captures the angst and tenderness of the young men and women growing up in the rust belt with little hope and less luck. The moments of grace and redemption shine through. I loved every story." —Linda Bubon, Women & Children First Bookstore"There are countless moments like this in Fires of Our Choosing, lines that appear true from the moment they’ve been written and hang in the back of the mind for days afterwards... With Fires of Our Choosing, Cross climbs boldly into the ring with the greats, if only to deliver a decisive knockout punch." —Urban Waite, Fiction Writers Review"Cross offers no apologies for his characters: their poor choices, their lack of moral fortitude, their betrayals of each other and the poverty of their surroundings and, often, themselves; he leaves these things alone. They are who they are, and if dignity has been denied them by the rest of us, including us story-tellers, it is restored by this collection. That he has undertaken to serve as their raconteur should place Cross on the radar of all the big prizes that gift those blessed with talent, compassion and fearlessness, particularly during this present moment in our history." —Ru Freeman, Huffington PostEugene Cross was born and raised in Erie, Pennsylvania and received an MFA from the University of Pittsburgh. His stories have appeared in Narrative Magazine (which named him one of "20 Best New Writers" and his story "Harvester's" a "Top Five Story of 2009-2010"), American Short Fiction, Story Quarterly, TriQuarterly, and Callalloo among other publications. His work was also listed among the 2010 Best American Short Stories' 100 Distinguished Stories. He is the recipient of scholarships from the Bread Loaf Writers' Conference and the Chautauqua Writers' Festival, and the winner of the 2009 Dzanc Prize for Excellence in Literary Fiction and Community Service. He currently lives in Chicago where he teaches in the Fiction Department at Columbia College Chicago.

    His unforgettable characters illuminate familial love in all its forms: a single father goes to jail for avenging a hate crime perpetrated against his gay son; a mother returns home to her husband and children after an affair; an aging grandfather mediates between his quarreling son and his granddaughter; a man comes to New York to heal from the tragic death of his child. As emotionally acute as Lorrie Moore’s Birds of America, as unique and elegant as Jonathan Lethem’s 9 Inches, these stories of love, loss, estrangement, and the many names for family announce the arrival of a bold new literary talent.

    A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected.

    This is a world of lost fathers and redemptive con men, of meth tweakers on desperate odysseys and men committing suicide by fishing.In "Thief," an aluminum worker turns unlikely detective to solve the mystery of which of his kids is stealing from the family vacation fund. In "We Live in Water," a lawyer returns to a corrupt North Idaho town to find the father who disappeared thirty years earlier. In "Anything Helps," a homeless man has to "go to cardboard" to raise enough money to buy his son the new Harry Potter book. In "Virgo," a local newspaper editor tries to get back at his superstitious ex-girlfriend by screwing with her horoscope. Also included are the stories "Don't Eat Cat" and "Statistical Abstract of My Hometown, Spokane, Washington," both of which achieved a cult following after publication online.

    A man is booted out of his home after his wife discovers that the print of a bare foot on the inside of his windshield doesn’t match her own. Teenage cousins, drugged by summer, meet with a reckoning in the woods. A boy runs off to the carnival after his stepfather bites him in a brawl.In the stories of Wells Tower, families fall apart and messily try to reassemble themselves. His version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, wayward sons. Combining electric prose with savage wit, Everything Ravaged, Everything Burned is a major debut, announcing a voice we have not heard before.