With 18 original designs, each a knitted interpretation of a traditional kimono style, this handbook makes knitting homemade kimonos deceptively easy. Projects are based on rectangular forms that require very little shaping, and are ideal first-garment projects for knitters wanting to venture beyond scarves. Clever details in stitch patterns and edgings, such as the use of silk, linen, and bamboo yarns, add sophistication and elegance to even the simplest designs. The flattering drape and luxurious style of the kimono will appeal to veteran and beginning knitters alike.

    On her own for the first time working as a Macy’s sewing department clerk, Annie catches the eye of a salesman at the Butterick Pattern Company. Through determination, hard work, and God’s leading, Annie discovers a hidden gift: she is a talented fashion designer—an artist of the highest degree. As she runs from ghosts of the past and focuses on the future, Annie enters a creative world that takes her to the fashion houses of Paris and into a life of adventure, purpose, and love.

    In Knit Wear Love, she guides us through picking a base pattern that works for our inherent shape, then customizing it to suit our size and style—all with the skill of a top-notch teacher and designer and the honesty and humor of a BFF. Known for her uncanny ability to simplify what might initially seem complex, Herzog masterminded for Knit Wear Love an easy mix-and-match pattern system that allows us to choose among the eight key sweater forms (pullover, cardigan, vest, cowl, tunic, wrap, tank, and bolero/shrug); eight fashion styles (modern, classic, romantic, sporty, bohemian, avant-garde, vintage, and casual); a trove of customization details; ten sizes; and three gauges of yarn. The result? Sweaters we can knit with confidence, wear with pride, and love for many years to come.

    . . thoroughness and most impressive scholarship . . . much entertaining detail and . . . pleasant humour." — The Times Literary Supplement (London)Underwear — practical garments with a utilitarian function or body coverings that serve an erotic purpose? As this fascinating and intelligently written study shows, the role played by underclothing over the last several centuries has been a varied one.In a well-documented, profusely illustrated volume combining impressive scholarship with an entertaining, often humorous style, two distinguished clothing historians consider undergarments worn by the English over the past 600 years. Beginning with the Middle Ages, the authors cover centuries of clothing history, including the Tudor period, the Restoration, the Victorian and Edwardian eras, and the twentieth century up to the eve of World War II. Drawing on extensive, research, the Cunningtons illuminate the role and function of underwear: it protected the wearer against the elements, supported costume shapes, served as an erotic stimulus, symbolized class distinctions, and fulfilled other social, sanitary, and economic functions. Enhancing the detailed, comprehensive text are more than 100 period illustrations and photographs depicting a laced-up bodice of the twelfth century, embroidered linen drawers of the sixteenth century, a hooped petticoat support in bentwood (c. 1750), footed long drawers (1795), nineteenth-century bustles, early nineteenth-century corsets for men, "Frillies for the Tiny Lady" (1939), and much more. A bibliography, appendix, and index complete a valuable reference work that will appeal to costume historians, sociologists, and other readers.

    Fashions in the Era of Jane Austen is a pictorial of images collected from Ackermann's Repository of the Arts. Find splendid illustrations of morning, evening, riding, and walking dresses with the accompanying accessories: hats, shoes, scarves, jewelry, parasols and more. Over two hundred and seventy-five exquisite illustrations with the original accompanying descriptions as they were published over two hundred years ago. Discover the voice of the past through the written language of each narrative. Fashions in the Era of Jane Austen covers twelve years of fashion, the last two years of the Georgian period (1809-1810) and the entire ten years of the Regency period (1811-1820). The pictures alone make this a great book, even if one doesn't read a word of the fashion descriptions.

    It's chic. It's all yours. The T-Revolution continues. From FASHION: Get It Twisted tank top. Madame Butterfly halter. My Way or the Thigh Way leggings. To STUFF: toddler hat and cat toys, wine totes, laptop sleeves, and the Ants Go Marching picnic blanket. Plus the greenest grocery tote ever. The author of the bestselling Generation T offers up 120 new ideas to reclaim, resuscitate, and refashion the humble T-shirt—that's right, like the ones you have at the back of your closet—into something completely new. • A quarter of the projects are no sew, and a primer explains the techniques, including braiding, knotting, twisting, sizing, embellishing, and simple stitching. • Plus throw your very own Tee Party (suggested playlists included).

    Drawn from the Victoria and Albert Museum's world-famous collection, these garments display skills that are now lost, yet continue to inspire today's leading designers.Much of the finery seen here is too fragile to be on permanent display, or its detail too intricate to be captured in conventional photography. Jacobean blackwork, neoclassical tambour work, exquisite stitching, and knife-sharp pleats are pictured in stunning photographs, alongside such unusual techniques as stamping, pinking, and slashing--many of which are rarely employees in the modern world, as they require labor-intensive handwork impossible to replicate by machine.With line drawings showing the construction of the complete garment and a text that sets each in the context of its time, this book is a visual feast for all fashion lovers, and an essential resource for curators, collectors, students, costumers and designers.

    Each section features dramatically different types of yarns, colors, and stitch patterns combined with timeless, figure flattering silhouettes that are suitable for knitters of all skill levels. Using innovative seamless construction methods, the need for sewing seams has been nearly eliminated by fashioning patterns in one piece from start to finish, easily allowing for adjustments for a custom fit. A handy design workshop features in-depth tutorials that teach seamless construction methods and provide valuable technical information for both beginning and seasoned knitters. Perfect for all body types, the designs are figure flattering with curve friendly waist shaping, empire waist detailing, and stitch details such as lacing, openwork, lace edgings, and bell sleeves that highlight the silhouette.

    Incorporating sources from history, literature, magazines, and cinema, as well as her own witty anecdotes, Smith has created an engaging, informative guide to modern style.

    In this book, Mari Grinde Arntzen asks how and why this is—how can fashion simultaneously attract us to its glamour and repel us with its superficiality and how being called “fashionable” can be at once a compliment and an insult. Arntzen guides us through the major figures and brands of today’s fashion industry, showing how they shape us and in turn why we love to be shaped by them. She examines both everyday, affordable “fast fashion” brands, as well as the luxury market, to show how fashion commands a powerful influence on every socioeconomic level of our society. Stepping into our closets with us, she thinks about what happens when we get dressed: why fashion can make us feel powerful, beautiful, and original at the same time that it forces us into conformity. Stripping off the layers of the world’s fifth largest industry, garment by garment, she holds fashion up as a phenomenon, business, and art, exploring the questions it forces us to ask about the body, image, celebrity, and self-obsession. Ultimately, Arntzen asks the most direct question: what is fashion? How has it taken such a powerful hold on the world, forever propelling us toward its concepts of beauty?

    Even those who value access to safe, local, nutritious food have largely overlooked the production of fiber, dyes, and the chemistry that forms the backbone of modern textile production. While humans are 100 percent reliant on their second skin, it's common to think little about the biological and human cultural context from which our clothing derives.Almost a decade ago, weaver and natural dyer Rebecca Burgess developed a project focused on wearing clothing made from fiber grown, woven, and sewn within her bioregion of North Central California. As she began to network with ranchers, farmers, and artisans, she discovered that even in her home community there was ample raw material being grown to support a new regional textile economy with deep roots in climate change prevention and soil restoration. A vision for the future came into focus, combining right livelihoods and a textile system based on economic justice and soil carbon enhancing practices. Burgess saw that we could create viable supply chains of clothing that could become the new standard in a world looking to solve the climate crisis.In Fibershed readers will learn how natural plant dyes and fibers such as wool, cotton, hemp, and flax can be grown and processed as part of a scalable, restorative agricultural system. They will also learn about milling and other technical systems needed to make regional textile production possible. Fibershed is a resource for fiber farmers, ranchers, contract grazers, weavers, knitters, slow-fashion entrepreneurs, soil activists, and conscious consumers who want to join or create their own fibershed and topple outdated and toxic systems of exploitation..

    But when she opens a dressmaking boutique in the turn-of-the-century farmhouse she inherited, Harlow senses an inexplicable "presence". Her old friend Josie orders a gown for her upcoming wedding, but when Josie's boss turns up dead, Harlow has to find the killer-with a little help from beyond.

    A celebrity fashion stylist reveals the tricks of her trade and shows women of all sizes how to pull together their own polished, individual look.

    The photographs are richly supplemented by detailed commentary and illustrations.

    This comprehensive guide provides directions for 35 demonstration projects, so you can practice each technique on a miniature hat, mitten, or sweater before applying it to a larger project. With tips on how to adapt any straight-needle pattern for use with circular needles, Circular Knitting Workshop opens up endless possibilities.