But clean drinking water is scarce in her small African village. And try as she might, Gie Gie cannot bring the water closer; she cannot make it run clearer. Every morning, she rises before the sun to make the long journey to the well. Instead of a crown, she wears a heavy pot on her head to collect the water. After the voyage home, after boiling the water to drink and clean with, Gie Gie thinks of the trip that tomorrow will bring. And she dreams. She dreams of a day when her village will have cool, crystal-clear water of its own.

    It seems as though everything’s going wrong for him—he has bedhead, a stained shirt, and a big scowl on his face. But when he goes up for his picture, he thinks about his terrible appearance, and ... what do you think happens?Perfectly paired with the larger-than-life silliness of Dan Santat’s illustrations, this is sure to be a schoolroom favorite. This slapstick picture book will appeal most to school-age kids who will get the jokes peppered throughout the text and the visuals."--School Library Journal"The narrator’s malleable features are in a perpetual state of contortion as he plans his photo disaster and reacts to the series of unfortunate events that conspire to bring him glory. Clever bits such as the scribbled emoticons on his September calendar page, and the sepia- and gray-toned faces that play in his imagination add to the fun."--The Bulletin of The Center for Children’s Books

    Now, her mama always told her that if she wanted something, “to jump at de sun”, because even though you might not land quite that high, at least you’d get off the ground. So Zora jumped from place to place, from the porch of the general store where she listened to folktales, to Howard University, to Harlem. And everywhere she jumped, she shined sunlight on the tales most people hadn’t been bothered to listen to until Zora. The tales no one had written down until Zora. Tales on a whole culture of literature overlooked…until Zora. Until Zora jumped.

    And now there's a new reason to cheer: Nina Crews has added her own remarkable, jazzy style of illustration to a collection of forty-one favorite verses. Whether it's Jack jumping over a candlestick (atop a cupcake), Georgie Porgie kissing the girls (at the playground), or a fine lady riding a white horse (on the carousel), this exuberant treasury is sure to be read and enjoyed over and over again.

    From New York Times bestselling Shel Silverstein, celebrated creator of Where the Sidewalk Ends, A Light in the Attic, and Falling Up, comes an amazing collection of never-before-published poems and drawings.Have you ever read a book with everything on it? Well, here it is! You will say Hi-ho for the toilet troll, get tongue-tied with Stick-a-Tongue-Out-Sid, play a highly unusual horn, and experience the joys of growing down.What's that? You have a case of the Lovetobutcants? Impossible! Just come on in and let the magic of Shel Silverstein bend your brain and open your heart.And don't miss Runny Babbit Returns, the new book from Shel Silverstein!

    It goes forth at nightto prowl around the fires.It even likes to minglewith the dancers...Shadow...It waves with the grasses,curls up at the foot of trees...But in the African experience Shadow is much more. The village storytellers and shamans of an Africa that is passing into memory called forth for the poet Blaise Cendrars an eerie image, shifting between the beliefs of the present and the spirits of the past.Shadow...It does not cry out,it has no voice...It can cast a spell over you...It follows man everywhere,even to war...Marcia Brown's stunning illustrations in collage, inspired by her travels in Africa, evoke the atmosphere and drama of a life now haunted, now enchanted by Shadow.

    A unique and moving collaboration that celebrates the sustaining spirit of African creativity.

    With enthusiastic endorsements from bestselling luminaries as Lemony Snicket, Judith Viorst, Andrea Beaty, and many others, this entirely unique collection offers a surprise around every corner: from the ongoing rivalry between the author and illustrator, to the mysteriously misnumbered pages that can only be deciphered by a certain code-cracking poem, to the rhyming fact-checker in the footnotes who points out when "poetic license" gets out of hand. Adding to the fun: Lane Smith, bestselling creator of beloved hits like It's a Book and The Stinky Cheese Man and Other Fairly Stupid Tales, has spectacularly illustrated this extraordinary collection with nearly one hundred pieces of appropriately absurd art. It's a mischievous match made in heaven!

    Shared as a lullaby to her daughter, a soulful song recounts Simone's career, the trials she faced as an African American woman, and the stand she took during the Civil Rights Movement. This poignant picture book offers a melodic tale that is both a historic account of an iconic figure and an extraordinary look at how far we've come and how far we still need to go for social justice and equality. A timeless and timely message aptly appropriate for today's social and political climates. ♦ "A good introduction to Simone's life, from her early love of music to her rise to the status of legend" --Kirkus Reviews, starred review♦ "Strikingly illustrated" --Booklist, starred review♦ "Hauntingly beautiful illustrations" --Foreword Reviews, starred review"Stirring and powerful. . . " --BookPage

    He took photos of his family, classmates, and anyone who would sit still for a portrait. By the fifth grade, James was the school photographer and unofficial town photographer. Eventually he outgrew his small town and moved to the exciting, fast-paced world of New York City. After being told by his boss that no one would want his or her photo taken by a black man, James opened his own portrait studio in Harlem. He took photographs of legendary figures of the Harlem Renaissance politicians such as Marcus Garvey, performers including Florence Mills, Bill Bojangles Robinson, and Mamie Smith and ordinary folks in the neighborhood too. Everyone wanted fancy portraits by James Van Der Zee. Winner of Lee & Low's New Voices Award, Take a Picture of Me, James Van Der Zee! tells the story of a groundbreaking artist who chronicled an important era in Harlem and showed the beauty and pride of its people.

    There is a place inside of mea space deep down inside of me where all my feelings hide. Summertime is filled with joy—skateboarding and playing basketball—until his community is deeply wounded by a police shooting. As fall turns to winter and then spring, fear grows into anger, then pride and peace.In her debut, illustrator Noa Denmon articulates the depth and nuances of a child’s experiences following a police shooting—through grief and protests, healing and community—with washes of color.

    Raised by a poor immigrant family in a tiny Tel Aviv apartment, baby Itzhak was transformed by the sounds from his family’s kitchen radio—graceful classical symphonies, lively klezmer tunes, and soulful cantorial chants. The rich melodies and vibrant rhythms spoke to him like magic, filling his mind with vivid rainbows of color. After begging his parents for an instrument, Itzhak threw his heart and soul into playing the violin. Despite enormous obstacles—including a near-fatal bout of polio that left him crippled for life—Itzhak persevered, honing his extraordinary gift. When he performed on the Ed Sullivan Show sat only 13, audiences around the world were mesmerized by the warmth, joy, and passion in every note. Gorgeously illustrated with extensive back matter, this picture-book biography recounts Itzhak’s childhood journey—from a boy with a dream to an internationally acclaimed violin virtuoso.

    But what did he make it into after that? And after that?As children turn the pages of this book, they can use the die-cut holes to guess what Joseph will be making next from his amazing overcoat, while they laugh at the bold, cheerful artwork and learn that you can always make something, even out of nothing.

    Mama Africa, as they called her, raised her voice to help combat these injustices at jazz clubs in Johannesburg; in exile, at a rally beside Dr. Martin Luther King, Jr.; and before the United Nations.

    Then one day she was told she could never come back. She didn't belong. The Otis School was for white children only.Sarah deserved an equal education, and the Roberts family fought for change. They made history. Roberts v. City of Boston was the first case challenging our legal system to outlaw segregated schools. It was the first time an African American lawyer argued in a supreme court.These first steps set in motion changes that ultimately led to equality under the law in the United States. Sarah's cause was won when people--black and white--stood together and said, No more. Now, right now, it is time for change!With gorgeous art from award-winning illustrator E. B. Lewis, The First Step is an inspiring look at the first lawsuit to demand desegregation--long before the American Civil Rights movement, even before the Civil War.Backmatter includes: integration timeline, bios on key people in the book, list of resources, and author's note.