Phonomancer David Kohl hadn't spared his old patron a thought for almost as long... at which point his mind starts to unravel. Can he discover what's happened to the Mod-Goddess of Britpop while there's still something of himself left? Dark modern-fantasy in a world where music is magic, where a song can save your life or end it.Collects Phonogram: Rue Britannia #1-6.

    The town of Farmington has been destroyed sending an unwitting adventurer and his vulpine companion in search of answers to quell a coming storm that speaks his name. From author SKOTTIE YOUNG (I HATE FAIRYLAND, DEADPOOL) and artist JORGE CORONA (NO. 1 WITH A BULLET, FEATHERS, BIG TROUBLE IN LITTLE CHINA: OLD MAN JACK) comes the tale of Abel, a young boy who must navigate an old land in order to reconcile his family's history.Collects MIDDLEWEST #1-6

    She’s suffering from obsessive-compulsive disorder (OCD) and fighting violent urges to harm other people. But that’s not who she really wants to be. Nao has dreams. She wants to quiet her unruly mind; she wants to get her design and illustration career off the ground; and she wants to find love, perfect love. Nao’s life continues to seesaw. Her boyfriend dumps her; a toy deal falls through. But she also meets Gregory, an interesting washing-machine repairman, and Ray, an art teacher at the Buddhist Center. She begins to draw and meditate to ease her mind and open her heart—and in doing so comes to a big realization: Life isn’t black-and-white after all . . . it’s much more like brown.

    The most important myth in Ancient Egypt is faithfully retold in glorious black and white! Horus, son of Isis, vows bloody revenge on his Uncle Set.

    Mark Beyer was breathing delirious, heartbreaking, otherworldly life into it by means of Amy and Jordan. Obviously, you weren’t reading New York Press. But I sure was. Voraciously. Back in 1989, when I discovered that Beyer’s strips were appearing regularly in this new “alternative weekly” paper, I quickly became hooked, and a thought seized me: I had to clip and save them–they were exquisite poems of urban despair, dreamy and nightmarish. I was already a fan of Beyer’s talent based on his book Agony (Pantheon, 1988), but these new strips revealed, week by week, a whole new dimension to his work–an ingenious reinvention of panel-design that redefined what a comic strip could be. As with Peanuts, it helps to try and picture these in the context which they first appeared in order to appreciate just how profoundly they emerged from anything else on the newspaper page. Even the “outré” NYP ads and listings which often ran alongside them were hopelessly dull by comparison. One of its most impressive aspects was the way Form served the Content–no matter how eccentric the layout got, it somehow never confused the narrative. And what narrative: it was as if Candide had been transported to the East Village and split in two like an amoeba and holed up in a squat on Avenue C. Along with giant bugs from outer space. So I did clip and save them, and put them into an envelope, which was then placed in a shoebox with a lot of other envelopes (receipts, receipts!), which was shoved to the back of the closet of my sixth-floor walk-up studio apartment, which I moved out of three years later and in the process I unwittingly threw them all away. Which frankly is just the sort of thing that Amy and Jordan would do. Drat. “Oh well,” I thought, once I’d realized it, “at some point someone will collect and publish them, and I’ll get them back that way.” And that was that. Fast forward more than ten years, to the spring of 2002. During a panel of cartoonists I was chairing in Philadelphia, a member of the audience asked what Mark was working on and where he was. No one seemed to know. The discussion was transcribed and published in The Comics Journal that summer, and in the fall Mark contacted me with the best possible news: He’d read the panel transcript and wanted to publish again. And the Amy and Jordan strips had never been comprehensively collected. So now, as an editor, I was able to grant my own wish. Amy and Jordan ran from 1988 through early 1996. After that, Beyer put cartooning aside to pursue other projects. This book signals his return to the realm of comics, which he says he wants to start making again. We can only hope he does. For now, I’m just thankful I finally have my Amy and Jordan collection back. –Chip Kidd, NYC, 10/03

    From the darkness, across the frozen wasteland, an evil will come that will bring the residents of Barrow to their knees. The only hope for the town is the Sheriff and Deputy, husband and wife who are torn between their own survival and saving the town they love.

    The narrative also explores the experiences of the loved ones he leaves behind, on his ship and at home on land, as well as of the mermaids who jadedly witness his destruction. At the heart of the story lie the dubious value of maintaining dignity to the detriment of intimacy, and the erotic potential of the worst-case scenario. Julie Gfrörer’s delicate drawing style perfectly complements the period era of Black Is the Color, bringing the lyricism and romanticism of Gfrörer’s prose to the fore. Black Is the Color is a book as seductive as the sirens it depicts.

    Rash and prone to ignore Batman's instructions, Jason was always quick to act without regard to consequences. In this fatal instance, Robin ignores his mentor's warnings when he attempts to take on the Joker by himself and pays the ultimate price. Driven by anger with Superman by his side, Batman seeks his vengeance as he looks to end the Joker's threat forever.

    Learning that his estranged father may have been a victim of a suicide bombing in Hadera, Koby reluctantly joins the soldier in searching for clues. His death would certainly explain his empty apartment and disconnected phone line. As Koby tries to unravel the mystery of his father's death, he finds himself piecing together not only the last few months of his father's life but his entire identity. With thin, precise lines and luscious watercolors, Rutu Modan creates a portrait of modern Israel, a place where sudden death mingles with the slow dissolution of family ties. Exit Wounds is the North American graphic-novel debut from one of Israel's best-known cartoonists. Modan has received several awards in Israel and abroad, including the Best Illustrated Children's Book Award from the Israel Museum in Jerusalem four times and Young Artist of the Year by the Israel Ministry of Culture. She is a chosen artist of the Israel Cultural Excellence Foundation.

    The place where he first rebelled against his given destiny and imagined that he could be more -that he could be a man. There, he builds them. A wife, Virginia. Two teenage twins, Viv and Vin. They look like him. They have his powers. They share his grandest ambition (or is that obsession?) the unrelenting need to be ordinary.Behold the Visions! They’re the family next door, and they have the power to kill us all. What could possibly go wrong? Artificial hearts will be broken, bodies will not stay buried, the truth will not remain hidden, and the Vision will never be the same.Collecting: The Vision 1-6

    His inky, rubbery drawings buttress his black humor.Psylicon --Ruin --Pulsar --Sorceress

    The Marvel heroes can't be the ones to stop them...someone is needed with the reputation, skills and plausible deniability to take out these com-monsters in chiefs. Deadpool time is NOW! Be here as Deadpool de-un-deadifies ex-Presidents left and right...matching wits with Tricky Dick Nixon, fighting a grudge match against Honest Abe Lincoln, and battling Ronald Reagan--in space! Do you need more than that?! Fine, then: monkeys! And maybe Dr. Strange if you're good! This is the Deadpool series you will marry someday! In Wade We Trust! Collecting: Deadpool 1-6

    In present day, a man meets a woman who he becomes instantly obsessed with, and in the 1950s, this same woman destroys the lives of all those who cross her path, on a quest for... what?Ed Brubaker and Sean Phillips' best-selling series will leave you craving more!Collecting: Fatale 1-5

    Tells the tale of three aspiring comics creators with big dreams, small cash, and publishing rights to one forgotten Golden Age hero - The Escapist.

    Join princess Aurora and her friends as they journey to civilization's heart of darkness in a bleak allegory about surviving the human experience.  The sweet faces and bright leaves of Kerascoët’s delicate watercolors serve to highlight the evil that dwells beneath Vehlmann's story as pettiness, greed, and jealousy take over. Beautiful Darkness is a harrowing look behind the routine politeness and meaningless kindness of civilized society.