Edited and with a Preface by Gunther Stuhlmann

    His journals reveal an artist who loved music, who knew the history of rock, and who was determined to define his place in that history. Here is a mesmerizing, incomparable portrait of the most influential musician of his time.

    She threw herself into work, accepting every theater or teaching job that came her way. She met a man ten years her junior and began a wild, liberat­ing fling that she never expected would last a lifetime. And after twelve years of fighting the blacklist, she was finally exonerated. With cour­age and style, Grant rebuilt her life on her own terms: first stop, a starring role on Peyton Place, and then leads in Valley of the Dolls, In the Heat of the Night, and Shampoo, for which she won her first Oscar.Set amid the New York theater scene of the fifties and the star-studded parties of Malibu in the seventies, I Said Yes to Everything evokes a world of political passion and movie-star glamour. Grant tells endlessly delightful tales of costars and friends such as Warren Beatty, Elizabeth Taylor, Grace Kelly, and Sidney Poitier, and writes with the verve and candor befitting such a seductive and beloved star.

    Throughout his journal, Renard develops not only his artistic convictions but also his humanity as he reflects on the nineteenth-century French literary and art scene, and on the emergence of his position as an important novelist and playwright in that world. Renard provides aphorisms and quips, and portrays the details of his personal life—his love interests, his position as a socialist mayor of Chitry, the suicide of his father—that often appear in his work.

    

    . . racial complications, vast sums of money made and lost, the return of the prodigal son, and maybe even bloody murder."In lyrical prose and startlingly revealing photographs, she crafts a totally original form of personal history that has the page-turning drama of a great novel but is firmly rooted in the fertile soil of her own life.

    As well as recording public and historical events, Pepys paints a vivid picture of his personal life, from his socializing and amorous entanglements, to his theatre-going and his work at the Navy Board. Unequaled for its frankness, high spirits and sharp observations, the diary is both a literary masterpiece and a marvelous portrait of seventeenth-century life.Previously published as The Shorter Pepys, this edition is edited and abridged by Robert Latham, Fellow and Pepys Librarian at Magdalene College, Cambridge.

    That is what is strange—that friends, even passionate love,are not my real life, unless there is time alone in which to explore what is happening or what has happened." In this journal, she says, "I hope to break through into the rough, rocky depths,to the matrix itself. There is violence there and anger never resolved. My need to be alone is balanced against my fear of what will happen when suddenly I enter the huge empty silence if I cannot find support there."In this book, we are closer to the marrow than ever before in May Sarton's writing.

    Laying bare the heart of a witty, belligerent and vigorous writer, this manifesto of Mailer's key beliefs contains pieces on his war experiences in the Philippines (the basis for his famous first novel The Naked and the Dead), tributes to fellow novelists William Styron, Saul Bellow, Truman Capote and Gore Vidal and magnificent polemics against pornography, advertising, drugs and politics. Also included is his notorious exposition of the phenomenon of the 'White Negro', the Beat Generation's existentialist hero whose life, like Mailer's, is 'an unchartered journey into the rebellious imperatives of the self'.

    The profoundly moving, day-by-day recounting of her mother’s death “shows the power of compassion when it is allied with acute intelligence” (The Sunday Telegraph). Powerful, touching, and sometimes shocking, this is an end-of-life account that no reader is ever likely to forget.

    It is also the story of a century of French history as lived through the experiences and fates of three generations, the tumultuous history of the birth of modern France and the transformation of a society. "

    She was, in many ways, a victim of a society that severely circumscribed the lives of women, and that deprived even privileged and talented women like Alice of their intellectual, spiritual, and emotional-as well as physical-freedom. Indeed, James spent many of her years as an invalid, afflicted with a depressive malaise that left her constantly trying to recover a sense of identity and integrity.Yet, within the pages of the journal she kept during the last four years of her life, Alice James emerges neither as a downtrodden casualty of her era nor as merely an interesting footnote to the illustrious James family saga, but rather as a formidable and triumphant individual in her own right. Far from displaying any wholesale acceptance of the ruling assumptions about her gender-or, for that matter, about anything else-James's diary reveals a vigorously opinionated, intellectually curious, extremely gifted writer renegotiating her position within the discourses of her time.Long unavailable to students, scholars, and the general reader, this volume reprints Leon Edel's 1964 edition, which is widely accepted as the most faithful reproduction of the original diary. A new introduction by Linda Simon draws extensively on recent scholarship to illuminate James's role both in the context of her family and nineteenth-century culture.

    In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with unique insight the relationship between an elusive but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement, and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence.

    We also learn how Dalí draws inspiration from excrement, rotten fish and Vermeer's Lacemaker to enter his "rhinocerontic" period, preaching his post-holocaustal gospels of nuclear mysticism and cosmogenic atavism; and we follow the labyrinthine mental journeys that lead to the creation of such paintings as the Assumption, and his film script The Flesh Wheelbarrow.This new expanded edition includes a brilliant and revelatory essay on Salvador Dalí, and the importance of his art to the 20th century, by the author J. G. Ballard.

    And their life together would be blessed: five healthy sons, financial security, and a home filled with joy. Despite the typical ups and downs, they had a storybook life.Then, in 1998, Ann was diagnosed with multiple sclerosis. She couldn't believe it was real; there were no therapies or treatments to help her. Mitt told her that day that they would tackle the diagnosis as a team: They were in it together. "As long as it isn't fatal, we're fine. If you have to be in a wheelchair, I'll be right there to push it," he told her. And Ann thought, "But I'll be the one in the wheelchair." A caregiver and helper her whole life, she'd crossed a terrible invisible line. She wouldn't be able to care for her family anymore. She was the patient. Ann and Mitt would face the most frightening and humbling experience of their lives.From reflections on her early life, her marriage, and her diagnosis and recovery, the sources of her faith, and the stories of others who overcame adversity and inspired her to keep going, In This Together is a brave and deeply honest portrait of a family facing an unexpected blow, often in the most public of circumstances."A lot of people talk about a transformation that happens when life throws you a curve ball, and the big one in my life was my MS diagnosis. With all the blessings I've had, MS has been my greatest teacher: It has taught me about faith, compassion, and serving others. I've met many people along the way who've shared advice and demonstrated enormous resilience in the face of challenges; their stories gave me strength. In sharing my story, I want to give others hope as I've been given hope on this journey."