The creator of the Arthurian romance as a genre, Chrétien is revealed in this work as a witty, versatile writer who mastered both the soaring flight of emotion and the devastating aside and was as skillful a debater of the finer points of love as he was a describer of battles.

    The year is 1988.

    The story begins when a paragraph in a newspaper plunges the narrator into his memories as a younger man. The perspective seems to shift back and forth between the past and present, so the reader is never entirely sure if the narrator is recounting past events from memory, or retelling current events as they happen. Critics have praised the writing for its lucid and lyrical style. The narrator, of noble status who has recently come into an inheritance, decides to leave Paris, where he is living a debauched life of theater and drink, and return to the love of his youth, a peasant girl named Sylvie who has classic features and brunette hair, a "timeless ideal". She sows gloves for a living and ends up marrying another man more equal to her class. The narrator also loves a seductive actress in Paris named Aurelia, who has many suitors who tell her empty idylls of love, but none love her for who she really is, including the narrator, who sees her as a lovely illusion that fades in the daylight of reality. The narrator also loves Adrienne, of noble birth, tall with blonde hair, she is an "ideal beauty", but she lives in a convent, and dies an early death. In the end he loves all three but obtains none, seemingly for reasons both beyond and within his making.

    It follows their idyllic childhood together, their sexual awakening in adolescence, their separation during Virginia's education in France and the tragedy that prevents their reunion. Woven into the narrative is a sensuous evocation of an earthly paradise, together with a harmonious blend of the lyrical and the exotic that makes Paul and Virginia strikingly original.

    It is expected that she will conclude the season with a brilliant titled marriage---but it is not to be so. Both idolized and dominated by her flamboyant father, Maud finds her search for love and happiness thwarted at every turn.How this vibrant, headstrong beauty is liberated and comes to learn what love is all about make Melbury Square an unforgettable reading experience.

    The first takes place in the desert between 1909 and 1912 and evokes the migration of a young adolescent boy, Nour, and his people, the Blue Men, notorious warriors of the desert. Driven from their lands by French colonial soldiers, Nour's tribe has come to the valley of the Saguiet El Hamra to seek the aid of the great spiritual leader known as Water of the Eyes. The religious chief sends them out from the holy city of Smara into the desert to travel still further. Spurred on by thirst, hunger, and suffering, Nour's tribe and others flee northward in the hopes of finding a land that can harbor them at last.The second narrative relates the contemporary story of Lalla, a descendant of the Blue Men. Though she is an orphan living in a shantytown known as the Project near a coastal city in Morocco, the blood of her proud, obstinate tribe runs in her veins. All too soon, Lalla must flee to escape a forced marriage with an older, wealthy man. She travels to France, undergoing many trials there, from working in a brothel to success as a highly paid fashion model, but she never betrays the blood of her ancestors.

    On Saturn he befriends the local secretary of the Academy of Sciences—a comparative dwarf, being only two kilometers high—and the two decide to travel to earth together, where they will make startling discoveries about human nature.

    As a study of conspiracy and conspirators, of men caught in the desperate clash of ideologies, betrayal, expediency, and of free will, Andre Malraux's novel remains unequaled.Translated from the French by Haakon M. Chevalier

    He becomes obsessed with a young dancer whom he believes is the double of his beloved wife, leading him to psychological torment and humiliation, culminating in a deranged murder. This 1892 work is a poet's novel, dense, visionary, and haunting. Bruges, the 'dead city', becomes a metaphor for Hugues' dead wife as he follows its mournful labyrinth of streets and canals in a cyclical promenade of reflection and allusion--the ultimate evocation of Rodenbach's lifelong love affair with the enduring mystery and mortuary atmosphere of Bruges.

    Don Quixote, errant knight and sane madman, with the company of his faithful squire and wise fool, Sancho Panza, together roam the world and haunt readers' imaginations as they have for nearly four hundred years.

    But the reality of running a business hits Katie hard and whilst her partner, Steve, tries to help she can t help but feel that the situation is driving them further apart. Could Katie be set to lose her relationship and her dream job? Then, one winter s day, a man walks into her shop and, in the space of that moment, the course of Katie s life is changed. But nobody finds happiness in the blink of an eye. Sometimes it takes two Christmases, three birthdays and a whole lot of cake to get there REVIEWS What a gorgeous, feel-good read this was. A Little Sugar, A Lot of Love will hit just the spot when you need to while away the winter hours with a handsome hero, lots of cakes and a slow-burning, heartfelt romance. Sorcha O' Dowd, Book Blogger at Old Victorian Quill and Waterstone's BooksellerThis was a sweet romance, in more senses than one! Katie runs a cake shop and meets Adam when he calls in for a cake for his Grandma. The book then follows their lives as they occasionally meet and then part once more. - Ann Cooper, Annie's Book CornerHaving read a few of Linn B Halton's books in the last year, I feel very confident in saying that A Little Sugar, A Lot of Love is her best yet. It is such a sweet, touching and loving romantic story, told from various perspectives. - Rachel Gilbey, Rachel's Random Reads"

    Revenge has armed his hand. His name is Octavian. Perfect for fans of Simon Scarrow and Ben Kane.Though little more than a boy, Cesar's heir is determined to avenge his adoptive father, despite the imposing figures from Rome's long political history who stand in his way: Mark Antony, Cicero, Lepidus, Brutus and Cassius. Despite some initial failures, Octavian does not give in, and gathers about him a group of allies who are just as determined as he himself: Maecenas, Agrippa and Rufus. With them and a few others on his side, he forms a sect dedicated to vengeance, with the aim of punishing, one by one, all those who have Caesar's blood on their hands.Octavian has resolved to overturn the established order, and to finish what Caesar had begun...

    Rulers such as Prince Basil of Onessa, who founded the Empire but whose treacherous ways made him a byword for infamy, and the romantic Alexis the Bastard, who dallied in the fleshpots of Egypt, studied Taoism and Buddhism, returned to save the Empire from civil war, and then retired “to learn how to die,” come alive in The Glory of the Empire, along with generals, politicians, prophets, scoundrels, and others. D’Ormesson also goes into the daily life of the Empire, its popular customs, and its contribution to the arts and the sciences, which, as he demonstrates, exercised an influence on the world as a whole, from East to West, and whose repercussions are still felt today. But it is all fiction, a thought experiment worthy of Jorge Luis Borges, and in the end The Glory of the Empire emerges as a great shimmering mirage, filling us with wonder even as it makes us wonder at the fugitive nature of power and the meaning of history itself.

    Until now. Downsized from his job, Devore is slipping away: from his wife, his family, and from all civilized norms of behavior. He wants his life back, and will do anything to get it. In this relentlessly fascinating novel, the masterful Westlake takes readers on a journey of obsession and outrage inside a quiet man's desperate world.

    Alone and against incredible odds, he almost succeeds. Then a mulatto named Friday appears and teaches Robinson that there are, after all, better things in life than civilization.