Within two months, the show had moved into the Top 20 and the Monkees' first single and album had both soared to #1 on the charts. Pop culture, pop music and Davy Jones would never be the same. This lively, entertaining autobiography chronicles Davy's life and career - with funny, nostalgic and revealing memories of the glamorous people and high-rolling deals that lie behind the scenes of show business. The story includes the Monkees' hit reunion and revival in the mid-1980s and an original song written especially for this audio edition.

    Learning guitar theory with no knowledge about the names of the fretboard is comparable to learning complex arithmetic equations without knowing numbers! This book will make sure you don't end up like one of those guitarists! Here is why you should learn the fretboard: Understand how notes are arranged on the fretboard Create a mind map to navigate through the fretboard Communicate the ideas you have in your head to written format or to other musicians Create various visual references to make the fretboard less daunting And lots more Why Should I buy this book? It's only fair to ask yourself this question before spending your hard-earned money on anything. Here is what you'll find inside: The whole process of learning the fretboard simplified into 5 easy steps A step by step approach which will give you results even if you are a complete beginner 35+ exercises and tips to make sure you get results as fast as humanly possible The theory behind every concept for those who need it Countless memory techniques to make the process as simple as possible Beginner friendly - no prior music experience required All this taught in less than a day! Why this book from among the 100 others? I know there are multiple books out there that teaches you the exact same things. They have a lot more reviews and have been out for longer than this book. But here is how this book is different: Unique memory techniques which cannot be found elsewhere High quality pictures and diagrams to give you the whole picture Free bonus material including fretboard diagrams, Flash cards, Reference material and lots more! Gives you results faster than any book out there! I hope that was enough reasons to make you jump onto the book! So, what are you waiting for? Scroll up and click the BUY NOW button to get access to such a goldmine!

    A golden Fender Stratocaster hidden away in an attic for 30 years. A sunburst Gibson Les Paul worth $100,000. Jimi Hendrix’s Strat burned by the guitarist during a concert—and then mysteriously lost for decades. The mint Fender Broadcaster forgotten under a bed in a neighbor’s house. The 1960s Rickenbacker bought for $50 at a garage sale! These days, classic vintage guitars can bring Ferrari and Porsche prices. Baby boomers who wish they’d been rock ’n’ roll stars have shot the market into the stratosphere for classic models. As with automobiles, finding that classic guitar stashed away beneath a bed, in a closet, hidden away in an attic, or in the dusty corner of a guitar shop is the Holy Grail.

    Introducing Hal Leonard's Essential Elements 2000 for Strings Plus DVD. Instrumentation - Violin

    He has now abandoned his past. Through interviews with Barrett's family and friends, this book provides an account of the man and his illness.

    Master chord theory ... in minutes! The Chord Wheel is a revolutionary device that puts the most essential and practical applications of chord theory into your hands. This tool will help you: Improvise and Solo Talk about chops! Comprehend key structure like never before; Transpose Keys Instantly transpose any progression into each and every key; Compose Your Own Music Watch your songwriting blossom! No music reading is necessary. This is the kind of device that players of any instrument can use to enhance their musical understanding. Chord and key relationships are inseparable, and learning these relationships is a must in becoming a successful musician. Alan Remington, Orange Coast College Music Dept.

    He is also a writer, composer and painter and was recently described by the Economist as one of '20 Living Polymaths'.As an international performer he spends much of his life at airports, on planes, and in hotel rooms - and this book expands notes he has made, in his words, 'during that dead time on the road'.He writes about music and the life of a musician, from exploring the broader aspects of what it is to walk out on to a stage or to make a recording, to specialist tips from deep inside the practice room: how to trill, how to pedal, how to practise. He also writes vividly about people he's known, places he's travelled to, books he's read, paintings he's seen; and touches on more controversial subjects, such as assisted suicide and abortion. Even religion is there - the possibility of the existence of God, problems with some biblical texts and the challenge involved in being a gay Catholic.

    Lies, myths, rumors and tall tales spread by people who didn’t know him have masked Jim Morrison and clouded what he accomplished. Fearing that the original, actual real Jim would become hopelessly lost, Frank Lisciandro, Jim’s friend and film collaborator, gathered together more than a dozen of Morrison’s friends for a series of conversations and interviews. In the transcripts of these talks Jim Morrison is candidly brought to light by the people who knew him, who were his pals, colleagues, mentors and lovers. Jim Morrison: Friends Gathered Together confronts and sweeps away the fantasy to illuminate an extraordinary man and gifted creative artist. A quote from the book: "To call him a rock star is just a total insult to him and his intelligence and his awareness and this philosophy that was inside of him. His life was a philosophy. He didn’t tell people what they have to do, he just did it himself. He just put it all out there."– Ron Alan The conversations covered a multitude of topics and events. The people who share their stories were themselves active participants in the West Coast music scene: musicians, concert promoters, publicists and band managers. Readers will discover funny stories, secrets revealed and truths more astounding than the fabrications published during and after Morrison’s life. Another quote from the book: “I loved Jim when he would get an idea, he'd say, ‘Uh oh, I think I'm getting a cerebral erection’. And then he'd hold his hands to his head because he had a new idea for a poem or song and then laugh about it. It was the laughter that followed that was wonderful.”– Leon Barnard From his first year in high school and his student days at UCLA to the formation of The Doors and his rise to fame, this book weaves an amazing tapestry of honest information about Morrison the poet, the brilliant lyricist, and the iconic singer and performer of The Doors. The book is a treat for Jim’s fans worldwide and for curious readers who want to know the true Jim Morrison story. The conversations also offer a unique oral history of the restless and turbulent Sixties when L.A.’s Sunset Strip was the focus of a cultural renaissance and musical revolution. The book contains more than 50 original Frank Lisciandro photographs, many never published before. More quotes from the book: "Jim was totally not interested in the economic aspect of his career. I never met anybody like Jim. He was seemingly disconnected with the meaning of money. He truly had no interest in physical possessions." – Bill Siddons “The biographers seem to have lost Jim’s sense of humor. I can’t impress upon you enough that it was always there….He was the funniest human being I ever met. Simply that, the funniest human being I ever met.” – Fud Ford "A few weeks before he left for Paris, I organized a (touch) football game. Jim was relentless in his pursuit of my brother, who was the opposing quarterback.

    evil. Heavy Metal guitarist, Dimebag Darrell Abbott, was attacked and murdered on stage, December 8th, 2004 at the Alrosa Villa Nightclub. Erin Halk, Jeff Thompson and Nathan Bray each lost their lives trying to help Dimebag and others from the attack of an armed madman. While Dimebag is certainly a part of the story contained within the book, the focus is squarely on the background of Halk, Bray & Thompson, in addition to the killer, his motives and the actual incident at the venue. "A Vulgar Display Of Power: Courage And Carnage At The Alrosa Villa" is a deep, moving story which does an amazing job of honoring the memories Jeff, Nate, Erin, and Darrell. Of the victims who lost their lives, Nathan Bray is the only person who is survived by a wife and child. MJS Music Publications is contributing proceeds from every copy sold to a college fund set up for his son, Anthony. Music History/True Crime/Biography 352 pages, 240+ pictures.

    Tired of the usual boring bake sales and dances, this group of high school seniors tried a novel approach to fundraising. They coaxed an initially reluctant administration to enter the rock concert business in the fall of 1967 by booking an on-the-rise, little-known British rock band named curiously enough The Who. In the inevitable clash between a Catholic high school's button-down culture and the destructive live act of The Who, something had to give. WSWIR deconstructs a rock n' roll perfect storm by reliving the events and revisiting with many of the colorful cast of characters (not just the students) involved in transforming the school's image from that of a staid, conservative high school in Scotch Plains, New Jersey to one that was soon at the cutting edge of the rock music scene in the years 1967 and 1968, rock n' roll's hey day. WSWIR is also a snapshot of The Who at a period in their career when for all intents and purposes they were little more than a cult band in the United States, known more for scintillating live performances than record sales. When surveying the various U.S. venues in which The Who performed on the way to reaching iconic status, one would be hard-pressed to find a more unusual setting than Union Catholic High School where The Who left an audience of mostly first-time concert-going teens with mouths agape. It was an event that is still talked about today by those who attended the show and scoffed at in disbelief by everyone else...that is, until now. This is a Black and White Edition, meaning with the exception of the front and back cover, all graphics are in black and white. The book includes rare photographs of The Who on the Union Catholic stage and backstage (in the teachers' lounge no less!) as well as other choice accoutrements.

    punk scene—and includes fifty rare photos.Picking up where Under the Big Black Sun left off, More Fun in the New World explores the years 1982 to 1987, covering the dizzying pinnacle of L.A.'s punk rock movement as its stars took to the national—and often international—stage. Detailing the eventual splintering of punk into various sub-genres, the second volume of John Doe and Tom DeSavia's west coast punk history portrays the rich cultural diversity of the movement and its characters, the legacy of the scene, how it affected other art forms, and ultimately influenced mainstream pop culture. The book also pays tribute to many of the fallen soldiers of punk rock, the pioneers who left the world much too early but whose influence hasn't faded.As with Under the Big Black Sun, the book features stories of triumph, failure, stardom, addiction, recovery, and loss as told by the people who were influential in the scene, with a cohesive narrative from authors Doe and DeSavia. Along with many returning voices, More Fun in the New World weaves in the perspectives of musicians Henry Rollins, Fishbone, Billy Zoom, Mike Ness, Jane Weidlin, Keith Morris, Dave Alvin, Louis Pérez, Charlotte Caffey, Peter Case, Chip Kinman, Maria McKee, and Jack Grisham, among others. And renowned artist/illustrator Shepard Fairey, filmmaker Allison Anders, actor Tim Robbins, and pro-skater Tony Hawk each contribute chapters on punk's indelible influence on the artistic spirit.In addition to stories of success, the book also offers a cautionary tale of an art movement that directly inspired commercially diverse acts such as Green Day, Rancid, Red Hot Chili Peppers, Wilco, and Neko Case. Readers will find themselves rooting for the purists of punk juxtaposed with the MTV-dominating rock superstars of the time who flaunted a "born to do this, it couldn't be easier" attitude that continued to fuel the flames of new music. More Fun in the New World follows the progression of the first decade of L.A. punk, its conclusion, and its cultural rebirth.

    Pop music industry writer Marcus Gray details the early lives of Clash members, provides an objective account of the 1976 punk explosion, and unravels the complex, behind-the-scenes machinations that led to the Clash's eventual downfall. 16-page photo insert.

    The embarrassment is palatable, but perseverance is the most touching part of these stories. These awful things that happened don't interrupt the dream. The dream of performing and stardom. The dream of connecting with an audience. No Encore! is a glimpse into the analog past; a trip to a distant world when artists made albums and suites of songs you listened in order." —Bret Easton Ellis   “They hated us and started throwing cups, bottles, change, chairs, and anything that wasn’t nailed down.” —Dean Ween This hilarious, sometimes horrifying, collection spans four decades and chronicles the craziest, druggiest, and most embarrassing concert moments in music history—direct from the artists who survived them.  “In the midst of my insanity, I thought it would be a very romantic gesture to go into Fiona Apple’s dressing room and write a message on her wall in my own blood.” —Dave Navarro From wardrobe malfunctions to equipment failures, from bad decisions to even worse choices, this is a riveting look into what happens when things go wrong onstage and off. “Ozzy had a sixty-inch teleprompter with the song lyrics, and that got stolen, along with microphones, snare drums and cymbals. Our drummer at the time was stabbing people in the neck with his drumstick.” —Zakk Wylde No Encore! is an unflinchingly honest account of the shows that tested the dedication to a dream—from Alice Cooper’s python having a violent, gastric malfunction on stage to Lou Barlow’s disastrous attempt to sober up at Glastonbury, from Shirley Manson’s desperate search for a bathroom to the extraordinary effort made to awaken Al Jourgenson as Ministry was taking the stage. As Hunter S. Thompson famously wrote, “Buy the ticket, take the ride.”  “I go to exit the venue, and there’s 25 people marching towards us. It’s about 3:00 AM, and they weren’t there to be nice. They were carrying bats, boards, chains, hammers, and they were coming for us.” —Dee Snider

    Reprint.

    One of the best-known and best-loved singing voices in the world, Nixon dubbed songs for Natalie Wood in West Side Story, Audrey Hepburn in My Fair Lady, and Deborah Kerr in The King and I. She was the voice of Hollywood’s leading ladies, arriving in filmland after a debut with the Los Angeles Philharmonic at 17 and continuing her career with Leonard Bernstein, Aaron Copland, Charles Ives, Stephen Sondheim, Rogers and Hammerstein, and many others. Her inspiring autobiography reveals Nixon as a singer, an actress, and a woman fighting for artistic recognition. Today, a survivor of breast cancer, she works on Broadway and television’s Law & Order SVU, tours with her own stage show, and teaches master classes in voice. I Could Have Sung All Night reveals the woman behind the screen in a frank, funny biography that is as remarkable as the woman whose story it tells.